Making 'The Shining'

1980
7.6| 0h35m| NA| en| More Info
Released: 04 October 1980 Released
Producted By: Eagle Film SS
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Directed and edited by Stanley Kubrick's daughter Vivian Kubrick, this film offers a look behind the scenes during the making of The Shining.

Genre

Documentary

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Director

Vivian Kubrick

Production Companies

Eagle Film SS

Making 'The Shining' Videos and Images

Making 'The Shining' Audience Reviews

Acensbart Excellent but underrated film
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Ava-Grace Willis Story: It's very simple but honestly that is fine.
Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Horst in Translation (filmreviews@web.de) "The Shining" is one of the most famous horror movies of all time and in this 35-minute documentary, we gain a good insight on what life on set was like. Both this and the movie were shot 35 years ago. This is actually a prime example of what a making-of should look like. Behind-the-scenes documentaries sometimes are fairly uninteresting if they keep interviewing the assistant sound editor about very specific matters. But this one here is not like that. It's really about the core players. Basically, for the entire thing, there is hardly no scene which does not include at least one of director Stanley Kubrick, lead actor Jack Nicholson oder lead actress Shelley Duvall. And the director here is Vivian Kubrick, Stanley's daughter who also played very small roles in Kubrick's movies. Maybe she being the director is the reason why we got right into the heart of the set and see the actors so close that we feel we are almost watching them on-stage. I enjoyed this documentary and it is a very nice watch if you also like the film, especially as you see Nicholson and Duvall, who are both retired today, the way they really were.
QuentinTarantino1121 What is it that makes this an excellent behind-the-scenes doc? Well for starters it gives us a glimpse of how Jack Nicholson, one of the greatest actors of the last few decades, works on his films. We see his apartment in which he has temporarily set up shop while the filming takes place and see that it is just as messy as anyone else's. We also get to see Scatman Crothers, a highly underrated character actor who never got the recognition he deserved weeping tears of joy for, in his words, "Being able to work with such beautiful people" (although it could very well have been a cry for help given his age and Kubrick's demand for perfectionism). We witness Danny Lloyd being perfectly candid and honest about his experiences now that he has starred in a major motion picture. We see Shelly Duvall having a near breakdown on set due to stress and illness, yet at the end turning on her heal and admitting that she has no regrets and learned more than she ever had up to this point.But the main event of this documentary and the one that truly sets it apart from all others are the glimpses we catch of the master himself. Stanley Kubrick was a consummate filmmaker, an artist of legendary proportions and above all, an enigma. No one ever really knew Stanley, not even those close to him and we as a viewing audience can only guess just what went on in that labyrinthine mind of his as he poured his heart and soul into each movie he made. Well thanks to his very own daughter, we received the opportunity to watch the legend at work. We see him telling Danny to look scared, telling Jack to look down while he speaks, and telling Shelly off for ruining his shot when he had it just the way he wanted it. We even see him come up with one of the most famous shots in the film mere seconds before he decides to use it. He only yells if the situation truly necessitates it and otherwise speaks with a slow and almost subservient voice. It's one thing to see a picture of Kubrick but another thing entirely to see him up and about giving orders to his cast and crew. True to style, he is the only principle on the set to not give a sit-down interview and actually explain himself but that doesn't even matter, because what we see of him is more than enough to whet our appetites. We see him at work, in his element, doing what he was always meant to do. What more could you ask for?
MisterWhiplash In maybe one of a few rare glimpses on screen (or even off), Stanley Kubrick is on film, behind the scenes, making a movie. It is one of the shames of cinema that there isn't more footage of him, or even in this half hour documentary he isn't interviewed. But his presence is fascinating all the same, and when he is shown directing he is what has been perceived as for decades- creative, different, controlling, authoritative, and somehow generous as a director. There's one scene that's rather interesting where Kubrick's mother is sitting with his son and Jack Nicholson having a small conversation; it's admitted that there isn't a finished script, that new pages come every day for the actors. The interaction between the people in this scene, and others, makes this worthwhile. I've yet to see the DVD version so I can't comment on Vivian Kubrick's commentary track (the director's daughter, who was perfectly 'cute as Heywood Floyd's daughter in 2001). But what she presents for us is candid, and usually very insightful. An interview with Nicholson, who's sound-bites are choice, and wise as well when he says, "I want to be out of control as an actor...otherwise it will predictably be MY work, and that's no fun." But there is also a heartfelt interview with Scatman Crothers, who came out of filming in the arduous conditions of Kubrick's perfectionism (there were dozens and dozens of takes that Crothers had to give, according to trivia). There is a not too shabby interview with Danny Lloyd, who played the boy in the film. And Shelly Duvall, who does lay it as straight as possible about what it was like to work with the director; the scene that is captured over Kubrick's shoulder (of an argument between actor and director) is a little uncomfortable, but in the end one can see why Kubrick wanted it the way he did for the finished film. Usually 'making-of' documentaries are hit or miss, depending on the films of course; one would prefer an audio commentary, or a long interview with the filmmaker about the making of the film. But as the Shining has neither of these - and is the only place to fins unadulterated footage of the iconoclast and his cast at work on screen and off (if you discount the Criterion DVD release of Spartacus and a recent release of Dr. Strangelove) - it's well worth the half hour; the added music by Carlos is a nice touch.
CharlieHearse This is such an amazing little documentary. Before I saw it, I thought that it was going to be a two-hour documentary covering the entire making of the film. It's only about thirty-five minutes long and yet it covers so much. You get the gist of how things went down behind the scenes within the first five minutes. Not to mention the interesting post-production interviews with the principle cast members.I have so many favorite parts in this film. One part that sticks out is when you get to see Stanley's ideas come to life when he comes up with the camera angle for the scene when Jack is leaning against the food storage door. It's one of the greatest shots in the movie and you see Stanley come up with the the idea seconds before it's shot. Nicholson is a riot as he flirts with Vivian (which, incidently, had me thinking, "take it easy, Johnny, you're old enough to be her father, plus her father is right behind you.")Scatman proves to have been a really sweet person, although knowing that this film really took its toll on him, one can't help but think he's crying for help during his interview. Danny Lloyd was an outgoing tike. Shelley Duvall is a great actress, but never seemed too horribly prepared on the set. Later she admits with exhaustion that she understood why Stanley treated her the way he did and that she does like him after all. My only complaint about this film is that we barely see John Alcott(I think I saw him for a quick second in the background,) but it would have been nice to see him work. I highly recommend this to Kubrick fans and anyone in filmmaking. Vivian did wonderful job piecing this together and I thank her for providing me a look at her Father's film set.