TrueJoshNight Truly Dreadful Film

Brennan Camacho Mostly, the movie is committed to the value of a good time.

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Red-Barracuda The 80's was Italian director Lamberto Bava's decade. Throughout those years he knocked out a series of entertaining horror movies and was one of Italy's best in that period. Macabre was his directorial debut. And it's a pretty well-handled film overall. While it is quite over-the-top, it is much less so than most of Bava's subsequent outings. This one even qualifies as a psychological thriller as well as horror. It tells the tale of a disturbed woman who moves into a boarding house, it seems she has a dark secret though.Similar to a few early 80's horror films from his contemporary Lucio Fulci, this one is set in America; New Orleans to be precise. In truth, the setting could be absolutely anywhere are this is a claustrophobic tale that is set almost exclusively within the confines of a large old house. Presumably the U.S. location was used as a means of passing this off as an American product which was seen as an easier sell commercially. Whatever the case, this is a pretty good effort from Bava and takes a decidedly different route than most of his Italian peers. It's let down a little by some flaky dialogue and acting but this is really par for the course with these flicks to be honest and doesn't really get that much in the way.Despite hardly being exactly subtle, it does rely on atmosphere and suspense more than visceral thrills. The idea of the blind landlord trying to figure out just what exactly is happening in his new tenant's room works well in that the film relies on sounds to convey strange goings on. It takes a while until the big reveal actually happens but I am guessing not many people will be at all surprised. But that doesn't detract from the basic macabre idea being a good one. While it was also interesting that the little girl was also psychotic; killer kids are always a winner. Finally, it has to be said that the ending reminded me of the one in the Spanish slasher Pieces in that it was meaningless, completely unnecessary, ridiculous and kind of funny.

ma-cortes The events happen in New Orlans where a middle-aged woman named Jane Baker(Bernice Stegers)is traumatized by a car crash in which died his adulterous lover Fred Kellerman(Robert Posse) and she's interned into a mental hospital. Years later she moves at New Orleans boarding house whose proprietary is a blind young named Robert Duval(Stanko Molnar). The situation comes towards an incredible final, genuinely highlights plenty of horror, terror, quirky sex and macabre happening which arise some memorably horrific set-pieces.The film is reportedly based on real deeds.This macabre final packs tension, mystery,chills, thrills and scabrous scenes on its ending part.Gloomy and sinister plot with final'tour of force' is written by Pupi Avati, also terror movies director .First feature picture by Lamberto Bava is surprisingly made and startling visual content of his shockers. His camera stalks in sinister style throughout the Jane's room, Robert's room, up-stars and down-stars . Strikingly shot for the most part in a traditional mansion from New Orleans and are also well photographed streets, slums, wheel-ship and cemetery of the city . Very atmospheric color with shades of ochre and deep translucently orange-red by Franco Delli Colli , cameraman of ¨Last man on Earth, and Django kill¨. Compelling direction by Lamberto Bava, a terror films expert, such as he proved in ¨Demons 1, 2, A blade in the dark, Shark: red on the ocean¨, though today he only directs television movies : ¨Fantaghiro and following, Caribbean pirates¨ among others. Acceptable and passable atmospheric film-making from genre master Bava's son. A must see for horror fans

gavin6942 Italian horror director Lamberto Bava's directorial debut, "Macabre" (sometimes called "Frozen Terror") is a tale of passionate obsession, murder, madness and some blind guy who fixes saxophones. A mother has a secret love, and the blind man slowly but surely stumbles upon it... which takes a bit longer when you're blind. And when he finds out who it is, things get a little creepy. Okay, a lot creepy.This film has received some heavy criticism from horror historians Travis Crawford and Jim Harper, and for my review I'd like to address their concerns, as I believe they've made some crucial points.Crawford is mostly praising in his words, calling this film "a humid hothouse hybrid of Tennessee Williams and Edgar Allan Poe", but questions Bava's ability to create his own work. He points to Bava's own words, giving credit to Pupi Avati, a more accomplished Italian director who co-wrote this film. Crawford says Avati "had a significant degree of input into the overall creation of the film", "shaped the stylistic approach" and even "dictated" the "restrained, subtle technique". With Avati also being the one to find the newspaper article on which the story is based, it seems as though this should be credited as his work, with Bava as more of an assistant or apprentice.Crawford notes that it would be "cynical" to point out that Bava's best work came under the guidance of an accomplished director, or even to say that his other notable film -- the "Demons" series -- were supervised by Dario Argento. But cynical or not, and as much credit as Bava deserves, it's a fair statement to say that his collaborations are much stronger than his solo career. (With regards to "Demons", the style is certainly not like Argento's other work, so how much credit he deserves is debatable.) Harper is also critical. While highlighting this as "a complex and increasingly bizarre tale", he pins the style as reminiscent of Mario Bava, Lamberto's father. Like Crawford, he also notes that Bava's films went downhill after "Demons 2" (1986), when Bava went solo. Where I agree most with Harper is his labeling of the "unfortunate" ending as the "only truly sour note". I can't reveal what the ending is, but it doesn't fit the film at all and takes what would otherwise be a great film and lowers it to slightly better than average. A shame... perhaps it would have been best to cut the last few minutes entirely.If you're looking for a mystery that paces itself and has a few very gory moments, "Macabre" is a worthy choice. While not on par with Argento's work, or Fulci's, it's a solid effort from Lamberto Bava and any Italian horror fan will like it. Others may be turned off by the slow pace, poor dubbing and inferior sound and picture quality (a staple of Italian film for some reason). Why won't more Italian films come with subtitles? Enjoyment of this film is a matter of taste. But the rich depth of these characters is a welcome change of pace from the splatter scene.

Scarecrow-88 Jane Baker(Bernice Stegers),a housewife and mother of two children, has been participating in a torrid affair with Fred Kellerman(Roberto Posse)at a house owned by blind Robert Duval(Stanko Molnar)and his mom. Jane's psychotic daughter Lucy(Vernica Zinny), who knows about mother's affair, drowns her brother in protest to the adultery. Jane, in a state of turmoil when she finds out about her son's supposed "accidental drowning", hurries lover Fred to get home as fast as they can resulting in a horrific car crash. Fred is decapitated by a steel rail that smashes into the window sending Jane into a maddening shock with her being institutionalized. After spending some time in the crazy-house, Jane returns to the place once shared with lover Fred and separates from husband Leslie. Robert falls in love with Jane, but begins to notice passionate noises of pleasure sounding from her room(she decides to move in the room where her and Fred shared such fond memories). When Robert hears who she's "making love to", he begins to worry a bit. We also find that Jane is keeping something locked in her fridge freezer. Every night, Jane shares passion with a specific person no longer living and the curiosity of this tryst drives Robert into some sick discoveries. Meanwhile, Lucy continues to play mind-games with her mentally fragile mother still secretly protesting what Jane done to her father. Lucy will also find out mommy's little dark secret which results in a disturbing, violent conclusion.Geez, this is one warped little flick, being Lamberto Bava's theatrical debut. Poor blind Robert has no clue what psychotics he would be dealing with. The film plays with the novelty of "what is in the freezer?" to the hilt, but I'm guessing most intelligent viewers will guess instantly. Still, this premise is just sick and..dare I say..macabre, you can't help but credit Bava for playing it for all it's worth. I think the final minutes of this horror tale will widen eyes. The child violence isn't restrained. Stegers really carries her character Jane, whose sanity is flimsy at best, to the brink..it's a tour-de-force performance. Zinny, as one of those evil kids you just want to strangle, also brings chills to her role as Lucy. I have to say that I think this is a bit underrated.Oh, and that final freeze frame is just golden..Bava puts a final stamp to the madness of the whole ordeal.