Interesteg What makes it different from others?

TrueJoshNight Truly Dreadful Film

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Cassandra Story: It's very simple but honestly that is fine.

joenook Every once and a while you stumble upon a film that gets your heart racing, a film that you must track down immediately. So, you say that Toho made a Sinbad film in the 60s, when films like that flourished? Leading man Toshiro Mifune (Yojimbo, Seven Samurai, etc.) plays the Sinbad-like pirate? The gorgeous Mie Hama (You Only Live Twice, Ironfinger, Toho's King Kong films) plays a princess, Kumi Mizuno (tons of Godzilla and Kaiju) plays a bandit leader? So many other familiar faces, even Takashi Shimura and Masanari Nihei (the lovable dope from Ultraman) make small appearances, amongst many other Toho players as well? Wow, that sounds amazing! Well... it's not, because simply, nothing really happens. If you're aware of Toho films and Japanese films of the era, you can always expect gorgeous sets and highly detailed costumes--yes, that's all here. But that's about all you get. Mifune's titular Sinbad is at sea for a total of about five minutes, spending most of the film arguing and wandering around as palace guards and the antagonist's henchmen give him grief, yet seem to let him pass and do what he wants most of the time.After about the hour and fifteen minute mark things finally start to get interesting: a bit of sword fighting (the first in the entire movie; the rest is solely Mifune dodging,) arrows being shot, and a Gorgon-like witch character (sorta) battling it out with a mystical hermit. And as quick as the action beings, it dies off, leaving the viewer with a completely unfulfilling experience, and maybe a bit upset that these intricate sets and amazing actors weren't utilized to their true potential.I hate to put myself up on a pedestal, but this film is nothing short of a failure, even from a die-hard fan. Despite such a cast, it's tedious and boring, lacks adventure and monsters and action, and is truly not worth even the most devoted Toho or Japanese film aficionado's time. I know, I find it hard to believe myself.

amosduncan_2000 It would be great if this could come out it a "loaded" DVD, like some of the Russian fantasy films, with the original track and the Western Dub. Anyway, I saw it a few years back, it was a lot of fun. There is still a LOT of great Japanese movies unavailable in the West; let's hope the DVD era just keeps them coming. Anything Mufine did is of at least historic interest. It's great to see more of the two female leads from"You Only Live Twice." I wonder if Kurosowa went to see this. Wakabyashihad been up for the lead in "The Hidden Fortress."

Brian Camp SAMURAI PIRATE (Japan/1963) was released in the U.S. in 1965 in an English-dubbed version titled THE LOST WORLD OF SINBAD. It's an Arabian Nights-type tale that focuses on an adventurer (Sukezaemon, aka "Luzon," but dubbed "Sinbad" in the American release, and played by Toshiro Mifune) who, after being washed up on the shore of a Middle Eastern island(!) kingdom, intervenes in local politics and gets mixed up with court intrigue, a princess-in-distress, an ancient wizard, and a band of rebels. It's a handsomely mounted costume fantasy adventure, with a sterling cast of top Japanese performers and fan favorites (including Toshiro Mifune and Kumi Mizuno), but it suffers from a lightweight story, uneven special effects, and a distinct lack of action. The by-the-numbers plot features a villainous Premier who wants to take over the kingdom from the Princess' dying father, the King, but has to first contrive a way to marry the Princess. To do that, he has to use his cohort, the Black Pirate, to waylay the ship of the Princess' intended bridegroom, the Prince of Thailand. "Sinbad" intervenes every step of the way, with the help of Sennin, the old wizard, who is especially useful in battling the magic of the old witch, Granny, who's working for the Premier. (Sennin can turn into a fly at will, while Granny can turn people to stone.) Sinbad's motive is the retrieval of a chest of jewels stolen from him by the Black Pirate and passed on to the Premier who has given some of the jewelry as a gift to the Princess. The action culminates in a bit of derring-do in which Sinbad attaches himself to a sturdy kite and flies over the castle walls to initiate an attack by the rebels on the night of the Premier's intended wedding to the Princess.The plot moves at a moderately steady pace, but there is little urgency or suspense. Sinbad is somewhat aloof and never seems to feel he's in much danger, even when he's imprisoned and made to do slave labor. Other than the chest of jewels, he doesn't seem to have much of a stake in the action. There are three different beautiful women who are his allies at one point or another in the film, yet he never bothers to romance any of them.Up until the final battle, there is simply not enough action. There are some fights and confrontations, but they're not terribly well-staged and they happen very quickly. Toshiro Mifune gets to wield a sword with great vigor in the final battle and performs some judo maneuvers much earlier, but, overall, he seems somewhat restrained here. The lavish interior sets and the elaborate miniatures of the castle exteriors and the magnificent ships are all very impressively created. The special effects are best in the scenes involving the magic employed by the wizard and witch, particularly in the transformation scenes, but suffer whenever process work (rear screen projection) is required, such as the shots of Sinbad strapped to the kite and bearing down on the castle. Overall, for a fantasy film it just doesn't have the exuberance and sweeping imagination of American-made fantasy films of the same era, such as JACK THE GIANT KILLER (1962), CAPTAIN SINDBAD (1963) or even the ultra-low-budget THE MAGIC SWORD (1962). The real treat here for fans of Japanese cinema is the all-star cast. Toshiro Mifune heads the list, of course, but he is joined by such other stalwart Japanese character actors as Makoto Sato (MESSAGE FROM SPACE), as the Black Pirate; Satoshi Nakamura (THE MANSTER) as the head of the archers; Jun Tazaki (KING OF THE MONGOLS) as a spirited guardsman who is alternately an ally and opponent of Sinbad; Tadao Nakamaru as the Premier; and perennial villain Eisei Amamoto ("Dr. Who" in KING KONG ESCAPES) as the witch. Of this group of actors, Ichiro Arishima comes off best as the horny old wizard, Sennin, a character who is clearly the model for--or derived from the same source as--Master Roshi of animated "Dragon Ball Z" fame.Best of all are three beautiful actresses who are fan favorites from the era: Kumi Mizuno (MONSTER ZERO, FRANKENSTEIN CONQUERS THE WORLD) as the rebel leader; Mie Hama as the Princess (and looking very lovely in a dazzling array of costumes); and Akiko Wakabayashi as the Princess' loyal maid. Hama and Wakabayashi occasionally appeared in Japanese films together (KING KONG VS. GODZILLA) and are best known to western audiences for co-starring with Sean Connery in the fifth James Bond movie, YOU ONLY LIVE TWICE (1967). I should point out that the English dubbing on LOST WORLD OF SINBAD is below average. Paul Frees does Toshiro Mifune's voice as if he's got a noose tightened around his neck and the others aren't much better. The attempts to do "Japanese" accents are particularly grating.I watched this on a Japanese-only DVD (no subs.), with a bootleg VHS of the English dub providing the soundtrack. I'd much prefer a subtitled DVD.

StSparky This film while translated to appeal to younger English viewers has the 10 basic classic battle lessons as the treat between the oh I see your panties humor from the supporting cast member who plays a lustful wizard/priest...The sword versus long staff battle is a tremendous one.I hope you enjoy this film.