Incannerax What a waste of my time!!!

Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Mandeep Tyson The acting in this movie is really good.

Raymond Sierra The film may be flawed, but its message is not.

LinDaFoodie In my opinion, no previous Jean Valjean or since have or will ever come close to performing this role with the unparalleled dynamic, powerful and heart breaking perfection of Alfie Boe. If I had rated this production on his performance alone, out of a possible 10 I would have given it the maximum allowed by IMDb's system. I give him 1,000 stars for the look, the voice, the acting ability, everything. I'll never understand why they didn't cast him in the recent movie version, as I didn't understand the casting of Anne Hathaway and good god...Russell Crowe??? First and foremost this is a musical, and as such, calls for top notch voices, not just pretty faces and box office powerhouses.My exception to that rule is Matt Lucas and Jenny Galloway. As the Thenardiers they were a joy to behold. So talented and witty. Their tongue in cheek portrayal of those two scoundrels was right on target. They deserved at least a 20 out of ten.What can I possibly say about Lea Salonga as Fantine that has not already been said by just about every critic since her career began? I place her on a par with Mr. Boe in this production and always have loved her in anything she has done. As far as I'm concerned she can do no wrong.Norm Lewis was wonderful as the always threatening antagonist Javert, hell-bent on hunting down Jean Valjean to the ends of the earth. He has a huge presence on the stage here, as he has on Broadway and television. Very talented and powerful performer.Now, we come to why I did not give this production a solid 10 stars. First, let me say I take no pleasure in making negative comments. I prefer to accentuate the positive whenever possible, BUT the absurd choice of inserting boy band 'singer' (and I use the word singer loosely) in such a pivotal role baffles the mind. In my opinion Nick Jonas doesn't have the singing chops, the acting chops or the physical appearance this role begs for. If he didn't have his pre-teen fan base and had auditioned to be one of the hundreds of singers in the massive chorus, I don't believe they would have selected him even for that!Every time I became immersed in the experience of watching and listening to this production, this miss-cast kid would pop up and *poof* the spell would be broken and I would think WHY would the producers of this monumental, prestigious event prostitute themselves and the integrity of this masterpiece of musical theater, a tribute to the artists who created the words and the music and those who so brilliantly participated in it over twenty-five years, by casting this role so badly? Bottom line; I would rate his performance minus 100 stars and bestow (if I could)a minus 1,000 stars for those who cast him in it.So, there you have it. But for Nick Jonas, I would have given this production a solid 10 stars and the only reason I didn't rate it lower than 9 stars was out of respect for everyone else involved.

bh_tafe3 For a person who grew up with musicals, went to see local productions, big Sydney and Melbourne touring productions and spent a lot of my childhood watching musical films with my father, it's a little surprising that I'd never got around to seeing Les Miserables until it was turned into a feature film. I was quite impressed with the film, but assured by people the songs could have been performed a lot better, so I saw this on sale and decided to check it out. Suffice to say I was thoroughly entertained and very impressed.But the start is a bit shaky, the first two performers to sing solo during the "Look Down" opening had me wondering what I'd got myself into, but once Alfie Boe (Valjean) and the enjoyably hammy Norm Lewis (Javert) get on stage I knew I was in good hands. Boe's singing is magnificent, with Valjean's soliloquy and Bring Him Home two of the highlights of the show. Lewis is having the time of his life, shouting his name with gusto and giving a great rendition of Stars and a passionate soliloquy of his own. Their moments together are brilliant, but I especially love their confrontation as Fantine dies.Speaking of Fantine, played by Miss Saigon herself, Lea Salonga, her "I Dreamed a Dream" is the absolute high point of this show. She makes you feel everything that her character is feeling during the song while belting out the tune beautifully and receives a well deserved standing ovation at song's end.Matt Lucas makes a truly disgusting Thenadier (which I mean in a good way), his relative lack of singing ability is well and truly compensated by a great character performance and of course having stage veteran Jenny Galloway with him in most scenes.Nick Jonas as Marius does not appear to have a strong enough voice to be part of an ensemble, though he was not awful singing Empty Chairs and Empty Tables on his own (this was aided by the very effective lighting behind him to make his dead friends look like ghosts as they stood behind him). Katie Hall is a little hamstrung as Cossette because she spends a lot of her time having to try and sing more softly than Jonas, but she appears to have a nice clean voice.Ramin Karimloo, who I've always thought had a great voice but never really rated as a good Phantom of the Opera, is excellent as Enjolras. He sings with power and passion, and despite not being a big man, has a presence about him that is appropriate to the role and his rather large, unrestrained voice.Samantha Barks is good as Eponine and it's impressive she was able to play the role equally well in the film version. There's a lot of power in her voice.Overall I really loved this show and it helped give me a greater appreciation for the musical part of Les Miserables, but I think seeing the film first really helped as I knew what was happening in the story and so could just sit back and enjoy the singing, Nick Jonas aside.

Michael Miller The 25th Anniversary concert of Les Mis was put on at the 02 Centre in London in front of an enthusiastic crowd. The production was outstanding in almost every respect. The lighting was dramatic and set the mood, the costumes brilliant, the orchestra and chorus were brilliantly directed and there were some wonderful surprises at the end.Alfie Boe as Jean Valjean and Norm Lewis as Javert were perfectly cast. Mr. Boe mastered a very difficult role requiring great range, sensitivity and feeling and he nailed the performance. American-born Norm Lewis, a Florida native, captured the tormented essence of a man obsessed with a mission that never ends, that is relentless and life-draining, with grace and style.Katie Hall shone brilliantly as Cosette and Samantha Barks brought Eponine to life in a series of brilliant duets and arias. Their voices were clear and pure and could not have been more stellar. Matt Lucas and Jenny Galloway tried very hard to steal the show as the conniving but comical Thenardiers.The only weak spot in the production was the casting of Nick Jonas as Marius. In a show when one is surrounded by professionally-trained and experienced West End and Broadway performers, Jonas' lack of training, experience as a garage band musician propelled to "stardom" by the "magic" of Disney was the dinosaur in the room. His voice was weak, nasal and frequently off-key. Even the young boy who played Gavroche, Robert Madge, outshone the Jonas Brother. Mr. Jonas was clearly out of his league, good intentions notwithstanding.Overall the production was brilliant and vastly entertaining, a performance to be savored over and over. If only Mr. Jonas stuck to performing with his brothers ...

Solamortis My first experience with the Musical Les Mis was the 10th anniversary concert in 1995 which was broadcast on PBS. I fell in love with it. I bought the CD of the concert and even went to see the US version of the show when it came to my town.You would expect a 25th anniversary special to be huge with a great cast. I just finished watching it and a huge disappointment is how I would describe it.First the Pros: Alfie Boe has a good voice and while not as good as Colm Wilkinson he is one of the better singers in the cast. Samantha Barks has a beautiful voice and was a credit to the roll of Eponine. Ramin Karimloo in the roll of Enjolras has a strong voice and is well suited for the part. The singers making up the supporting members of the ABC group also did well in their rolls. Jenny Galloway returned to sing the part Madame Thénardier and as before was perfect.For the most part that's all the good I can say. Let move to the Cons: The first thing I noticed were the changes they made to the songs. While in some cases they did help the story, in many cases they made the songs seem jumpy and chaotic. Nick Jonas in the role of Marius was absolutely awful. He did not have the vocal strength or emotion for the role. Why Matt Lucas was picked to be Monsieur Thénardier I will may never know. The role calls for energy and the ability to provide comedic relief through gestures and voice. Mr. Lucas had neither and his voice was worse. Robert Madge played the role of Gavroche and his voice was OK at best. The weird looks he gave the audience while singing were ridiculous and overall he was not believable. Lastly the Part of Javert was sung by Norm Lewis. His voice again lacked strength and emotion. In some cases it was almost as if he was singing in a monotone manner or reading his lines.As a final note, at the very end, the original cast appears and puts this new cast to shame.