Boobirt
Stylish but barely mediocre overall
MoPoshy
Absolutely brilliant
Orla Zuniga
It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
brianhobi
I watched this with my wife because she is sensitive and intellectual. I was left in a stooper. My eyes glazed over and then rolled up into the back of my head. I could not stay awake. I love my wife. She is the love of my life. The fact that I would even attempt to sit in one place for the entire movie is evidence of my willingness to endure great suffering on her behalf.I am now told that I need to write 10 lines of text in order for my review to be post-worthy. I have a life. Why am I doing this? I can tell you why, because I thought it would be fun and easy. Now, it has become an endurance test - just like the movie. I am going to bed now. I need to sleep.By the way, my wife really loved the movie... and I love her... and she loves me. I guess that is what tolerance is all about.
Claudio Carvalho
In 1972, in Antwerp, Chaya (Laura Fraser) is a liberal Jewish student of philosophy living alone. Her father (Maximiliam Schell) spends his time trying to find two pieces of luggage he buried in the Second World War, like he could bring his past back. Her mother (Marianne Saegebrecht) spends her time preparing cakes and sewing, trying not to think in life. In order to raise some money to pay for her rent, Chaya accepts to work as the nanny of two twin babies in an orthodox Jewish home, recommended by her friend Mr. Apfelschnitt (Chaim Topol) to the babies' parents, Mrs. Kalman (Isabella Rossellini) and Mr. Kalman (Jeroen Krabbé). Indeed Chaya feels some kind of affection for their four years old son Simcha (Adam Monty), a boy with serious emotional problems and without speech. Meanwhile, the concierge of the building (David Bradley) is a fascist who hates Jews and Chaya faces him without fear. The story has a very tragic end. This film is a very sad story about losses. The direction and performances of the cast are magnificent. Just as a curiosity, the Brazilian distributor LK-Tel Video wrote the following information in the front cover of the video: `Critics of the site www.imdb.com * As Good As The Schindler's List* ` I noted they used part of the comment made by the user `Sailor Leila (sailor-leila@shomar.co.uk) York, England', who wrote: `In its own way, almost as good as Schindler's List'. My vote is eight.Title (Brazil): `Amor e Dor' (`Love and Pain')
BoutdatDough
This story is one of the most compelling and tragic that I have ever seen. I felt very emotional watching it; it was definitely a sure tear-jerker. I saw it on Cinemax last night, and was immediatedly absorbed. I recommend that you rent it.
Sailor Leila
I know, I stick my neck out with that summary, but this was one of those rare movies that genuinely surprised me. I flicked onto it by accident and it seemed interesting, and I am so pleased I saw it - and I will be watching it many times again in the future. Laura Fraser, who I haven't seen in many other movies (certainly none as memorable as this), is simply astounding in her performance as a modern Jewish girl confronted by an old-fashioned Jewish family in the 1970s. She befriends a young boy and becomes very attached to him. This relationship, I felt, was built in a genuinely heartwarming way.Laura Fraser is not the only surprise - there is also the performances of Maximilian Schell and Isabella Rosselini, not to mention the great supporting cast of adults and many children.To bring this theme into a 'modern' setting (and though the film is set in the 70s it could almost be today) is a difficult task, and this film not only succeeds, it shines. If you happen to fall upon this movie, don't pass it by because you wouldn't want to miss it.
