Perry Kate Very very predictable, including the post credit scene !!!

Mjeteconer Just perfect...

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

SimonJack William Powell was a master of the double take. I can't think of any actor who used it more often or better for comic effect. In "Lawyer Man," he must have done a dozen or more double takes. They range from the obvious scene stoppers of a knowing look on his face and turn of the head, to more subtle light pauses with a stern or amusing look as if to catch a breath. We see the first big one in the opening scene when he is stepping out of his office building onto an open market street on New York's East Side. An iceman is delivering a block of ice and is entering the building with it over his shoulder. Powell's character, Anton Adam, says, "Good morning, Jake. How's the ice business?" Iceman, "Not so hot." Powell pauses a second and turns his head toward the iceman who has passed him in the doorway. There's no way the audience could miss the humor of the dialog with Powell's double take that allows just enough time for it to sink in. One might say the double take multiplies (doubles) the comedy of the lines. This movie isn't billed as a comedy, and one can see why. It's one of the earliest films about city machine politics and corruption, and shady aspects of a political justice system. But, this drama and crime movie has a good dose of comedy. It's mostly in Powell's character, rather than situations. This is the story about a New York East Side (of the 1930s) lawyer who makes good and moves up to Park Avenue. Adam has been in the East Side defending the poor and the down and out for some years. He is well known and liked in the neighborhood, and by the cops and by others in his profession. He then tackles a case that beats the political machinery. That starts him on a rise and track of prominence. After a double-cross by the machine connections, his reputation is hurt among the high-class set. So, he starts over defending low-life criminals and others. But now he takes some shady cases and charges them accordingly. He has become a shyster, in his own words. There's nothing in the film that indicates he did anything illegal himself, but that he was defending a lot of people who were shady operators and getting them off. He wins and builds himself back up. When he gets appointed assistant district attorney, he comments about being back on the right side of the law. Indeed, Anton Adam's character seems to have high ideals about justice. In a very early scene, he turns down a case from a man who he says must come to justice. When the man leaves and Adam's secretary comes into the office, Adam says of the guy, "Just a small-time mouse trying to be a big time rat."Joan Blondell is Olga Michaels, Adam's long-time and faithful secretary and confidant. She's crazy in love with the guy, but keeps her composure, and he doesn't know it until toward the end of the film. Adam has one weakness, which we see in his glances at pretty women. It's likely more in his head than in practice, though, because when he gets with an attractive stage performer, he is shy and awkward. Olga knows his weakness, and some of the humor of the film is when she brings him up short for it. An exchange between the two sums up the situation. Olga, "I worked for a successful man once, and you know why he was a success?" Anton, "Sure, because you worked for him." Olga, "No! 'Cause he left the dames alone." After the double- cross, Olga says to Anton, "That's what happens when a smart lawyer gets mixed up with a dumb blonde."The supporting cast in "Lawyer Man" are all very good. David Landau is especially good as John Gilmurry who runs the local political machine. Alan Dinehart plays Granville Bentley, the Park Avenue attorney whom Adam beats in a big case and who then invites Adam to be his partner. Claire Dodd is very good as Virginia St. Johns and Allen Jenkins plays a usual heavy or hooligan role as Izzy Levine. This is a very good film that most adults should enjoy. Here are a couple more favorite lines from the movie. Olga, "Who's gonna take your case?" Anton, "I am. I know. I have a sap for a client."Olga, "Remember, I told you about taking these cases against those big uptown lawyers. They got too much pull." Anton, "Yeah, well I got a lot of push."On a historical note for younger generations, the iceman was a common site in America before the mid-20th century. In the years before electric refrigerators, the iceman delivered blocks of ice to homes that had iceboxes. The lady of the house would use an ice pick to chip the ice block into pieces to fit in the top of the icebox. The term "icebox" continued to be used for decades, referring to the refrigerator. More than a few early crime movies had murders committed with ice picks. I doubt if one could be found in a 21st century home.

dougdoepke It's a Powell showcase as he transitions from obscure gentlemanly lawyer to high-powered legal-eagle. Corruption is rife in Adam's (Powell) big city. After crossing head racketeer Gilmurry (Landau), Adam loses his standing in a respectable legal firm. So he decides to play the game their crooked way, and does so with maximo success, using people for his own ends. Only his intensely loyal and lovelorn secretary (Blondell) sticks with his ruthless climb.There's not much patented Powell charm here. Instead, he moves abruptly from quiet reserve to ruthless assertion, becoming a not very likable character in the process. Surprisingly for Warner Bros. and a gangster theme, there's no machine gun splatter or snarling thugs. Instead of city streets, criminal conduct here is more civilized, taking place in office suites and judicial chambers. Still, the shenanigans can't be taken too seriously since comedy relief pops in and out. The movie's real suspense lies in wondering how Adam's turnaround will end. In short, what sort of reckoning will there be. Can't say I was happy with the resolution that unfortunately retreats from 30's pre-Code toughness. It's like the Code is already in effect. All in all, the movie's not very memorable despite presence of two of the studio's leading performers—maybe because they're playing somewhat outside their strong suits.

Michael_Elliott Lawyer Man (1932) *** (out of 4) Nice little "B" movie from Warner about lawyer Anton Adam (William Powell) who moves up the ladder once he shows he's not afraid to take on a crooked political man (David Landau). At first Adam is riding high but he's double-crossed by an actress (Claire Dodd) secretly working for the political man and soon he loses everything but he's got one shot at redemption. LAWYER MAN isn't anything ground-breaking and you're certainly not going to spot it on any lists of the greatest films ever made but if you're a fan of the cast then there's quite a bit here to enjoy. I think the best thing going for the picture is the performance by Powell who once again comes off very believable in the part. He certainly comes across smart enough to where you can believe he's this intelligent lawyer but he also got a certain charm that makes you like him and there's just a dignity that the actor brings to the role. He's surrounding with a great supporting cast including Joan Blondell who plays his secretary who also has a crush on him. Landau nearly walks away with the film as only he can. That certain toughness that he brings the character but he isn't tough in the same way Cagney or Bogart was. Instead, he's more laid back and quiet about the whole thing. Dodd is nice and sexy in her few scenes in the picture and Allen Jenkins is his usual fun self playing a tough guy. The screenplay itself really doesn't offer us anything we haven't seen before but I think it builds up a nice character with the main lawyer. There's a certain integrity that the character turns out to have and this here really makes it all the more fun to see the events play out.

Dfree52 I just saw this in a local theater retro series of Pre-Code Hollywood films. I always liked Warner Brothers films of this era, be they hard hitting gangster or social dramas or fun musicals. Though there are serious issues touched on here (political corruption in the judicial system) it's handled with a light touch. William Powell is good as the title character Anton 'Tony' Adam and Joan Blondell is bubbly as his secretary/love interest Olga.Since the movie is a scant 72 minutes, things move along well, but you do get an episodic feel overall. Another 10 minutes could have fleshed out or explained a few plot points. And is it me or were Helen Vinson and Claire Dodd, two gals the skirt chasing Tony tangles with, twins? They kept popping in and out of the plot and it took me a few seconds each times to figure out who was who. Both were blonds, which doesn't help matters.For the Pre-Code curious there are two comical suggestive bits. One being Tony's case of mistaken identity as he's gam watching. Another, how his cigar reacts to a prospective tryst with Dodd.Possible Spoiler Alert....One reviewer mentioned here a lack of chemistry between Powell and Blondell and I lay the blame of director William Dieterle, who did a fine job overall. Olga pines for Tony, warns him of his womanizing but waits hopefully for him to make the first move. One kept waiting for her to storm into his office (as she does often) hop onto his lap and let him know how she feels. She never does.When last seen, Tony and Olga go back downtown, so Tony can champion the cause of the downtrodden. And they are happily arm in arm. It suggests they are now a couple...but one passionate kiss would have made their relationship clearer.