Plustown
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
lprulez88
I was really quite hesitant to watch this movie at first.I mean ,it had bikes and gangsters and there was a girl.It was such a cliché at first glance,but since I believe that Neil Nitein Mukesh has always managed to amaze me in each and every film,I decided to go against my guts. And as usual I was blown away by Neil's performance.Yes,the storyline was undeniably predictable all the way but it wasn't that much of a cliché.There was still some very good scenes,like for example when Munna dunked Pinky into the water.Did I mention how good Neil is,he is.I think he's one of the most underrated actor in BOllywood.I really wasn't quite surprised to find that he pulled of his character with conviction.Deepika as the blind heroine also should be given a mention,To me, Deepika was always a pretty girl but she held her own beside the oh so amazing Neil Nitein Mukesh.Her stubborn blind girl act is definitely way better than the bimbo head she played in Houseful. I enjoyed the songs especially Man Lafanga and the stunts were good,since I'm no stunt buff(whatever you call it)and I don't think I should mention to much of it,but overall the movie is definitely a good watch.
Avinash Patalay
The movie is good, something you could watch it with the entire family and get complete dose of entertainment. Sadly the title plays the spoilt-sport (wonder why the production house did not raise an objection). Niel's character has various shades to it and he attempts hard to bring out the guilt and redemption to the best of his abilities. He is good in his own right as an actor (ref. Johnny Gaddar) but here we wanted Shahid Kapoor who can elevate the character to a different level. Deepika gives her best shot to the character. Had the movie worked it would have done what "Black" did for Rani. However the portrayal of her disability lacks screen time owing to which it the character fails to evoke compassion from the audience. Deepika's performance covers up the short-coming of her male counterpart. And the friends provide good relief moments with their authentic one-liners and goofs. More screen time was warranted from Kay Kay. Piyush Mishra has a strong screen presence. Kishor Ballal's role I guess got chopped on the editing table. Songs hardly make any impact. The cinematography is good. Fight sequences are well shot and so are the skating sequences. Not a bad watch when aired on telly, but certainly not a product you would expect from Yash Raj & Parineeta director.
aniray67
The album 'Lafangey Pariendey' has seven songs written by Swanand Kirkire and composed by R.Anandh, the famous ad jingle composer.The album opens with the song 'Lafangey Parindey' by Ronit Sarkar. The songs starts with an Arabian music and then the fast beat starts. It plays its role right as the title song. Then comes 'Man Lafanga' by Mohit Chouhan which has a soft track and is easy on ears. Mohit does his job very well. Next comes 'Dhatad Tatad' by Shail Hada and Anushka Manchanda. It is a dance music and the audience can not but stop tapping their foot with this cheerful song. After that there is a soft song 'Nain Parindey' by Shilpa Rao. Audience will feel calm hearing this song and probably it is the best song in the album. Shilpa's voice seems to have turned magical in this song. Then 'Rang Daalein' comes next by Suuraj Jagan. It is another song with hard music and the song is very youthful. Suraj does his job quite well. After that comes 'Born to fly' which is an instrumental and it is ideal for ballad dance. It has two parts. The first part has a slow, dreamy beat and the second part is a mixture of the beats of the other hard music of this album. The last song of the album is the club mix of 'Man lafanga' by Joshiley . It's first beat pleases the audience. The album will surely pass with the letter marks from the audience.
pravat_65
Sometimes, your reputation precedes you. Pradeep Sarkar carries the reputation of making women-centric movies. Films like PARINEETA and LAAGA CHUNARI MEIN DAAG prove it. Who would've ever thought Sarkar would do a 360 degree turn in his third film by calling it LAFANGEY PARINDEY, set it in a ch awl and make his characters speak groundless lingo? Hard to digest, isn't it? Frankly, the skilled storyteller takes you on a trip least expected from him.When you attempt something you haven't attempted earlier or ventured into before, you either fall flat on your face or walk with your chin up in air. Sarkar doesn't slip, although LAFANGEY PARINDEY does have its share of hiccups that show up intermittently. Unlike PARINEETA and LAAGA CHUNARI MEIN DAAG, Sarkar narrates a simple story this time around and though it has nothing to do with the Rajesh Khanna – Mumtaz – Meena Kumari starer DUSHMUN, you can't help but draw parallels with it, which, frankly, could be a coincidence as well. Yet, to be fair to Sarkar, he ventures in an unknown territory like a seasoned player On the flip side, the film has a major flaw and that dilutes the impact to an extent: Casting Neil Nitin Mukesh as a bogus. He just doesn't look like one. Even if he tries very hard to get into the skin of the character, you just can't connect with him since the suave and dashing demeanor makes him look like a Harvard returned, not someone from the streets or wadis of Mumbai definitely.Final word? Sure, it has its share of shortcomings, but is an engaging watch nonetheless.LAFANGEY PARINDEY is about a group of youngsters living in the back streets of Mumbai. It is the love story of Nandu and Pinky .One-Shot Nandu takes boxing to a new level by knocking down his opponents – blindfolded. Needless to say, One-Shot lives life on his own terms and is a local hero amongst his friends. But all that changes when he meets Pinky.Pinky works at a mall, but is a kick ass dancer on skates. Strong-headed, talented and fiercely ambitious, she aspires to rise above all the 'losers' living in her locality and carve a niche for herself. Two different personalities. Two different lives. Destined to meet.LAFANGEY PARINDEY starts with gusto! Also, it moves on a singular path, without diversifying into unwanted sub-plots and superfluous characters. In fact, the story takes off at the commencement of the film itself and how Neil and Deepika's lives get intertwined makes for interesting viewing.The film has some truly engaging moments and most of them are in its first hour. Sequences between Neil and Deepika after the accident are wonderful and keep you hooked. However, things begin to slacken in the post-interval portions, when the love story takes over and Neil and Deepika realize that they share a deeper bond. Just when things are about to go downhill, the climax happens and LAFANGEY PARINDEY is back on track. In fact, the drama in the finale – when Deepika and Neil have to perform the final act for a television show – is the highpoint of this film. The skating sequences and choreography are stunning and awe-inspiring. Blemishes? Oh yes! The love story is conventional and dreary. Also, the investigating officer's track is half-baked and looks like an add-on. Besides, the film is embellished with a mediocre musical score . Also, the Bambaiya Hindi has its limitations.Like I pointed out earlier, Neil is the wrong choice for this part. Also, he lacks the fire to carry off the role with flourish. LAFANGEY PARINDEY clearly belongs to Deepika Padukone, who suits the character and enacts it with such competence that it leaves you amazed. The pretty lass is only getting better with every film. Piyush Mishra is first-rate. Kay Kay Menon is okay in a brief role. The friends, each them, leave a mark. Especially Namit Das, who's wonderful. Shiamak Davar, Juhi Chawla and Javed Jafferi feature in brief roles.On the whole, LAFANGEY PARINDEY may be predictable, but is engaging and entertaining nonetheless. A decent watch!
