Lady Macbeth

2017
6.8| 1h26m| R| en| More Info
Released: 14 July 2017 Released
Producted By: BBC Film
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: https://www.ladymacbethfilm.com
Info

Rural England, 1865. Katherine, suffocated by her loveless marriage to a bitter man and restrained by his father's tyranny, unleashes an irresistible force within her, so powerful that she will stop at nothing to get what she wants.

Genre

Drama

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Director

William Oldroyd

Production Companies

BBC Film

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Lady Macbeth Audience Reviews

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Ploydsge just watch it!
Listonixio Fresh and Exciting
Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.
Fairaher The film makes a home in your brain and the only cure is to see it again.
Nelson Strang Despite being mind-numbingly slow and tedious, this film has some intangible charm which lifts it above a one-star disaster. As others have said, Wuthering Heights this is not, although it clearly believes it is in the same ballpark. As an example of everything wrong with the British film industry, this is first-rate - vis a vis it fully demonstrates the Prime Directive of British studio filmmaking: "As long as it's in period costume, it doesn't need a story."
Jounk DID THE HORSE NEED TO DIE; the progression of the first shot to him then becoming one with the earth. His cry and struggle to live was hauntingly sad.
valadas Does this movie show actually the killing of a horse during filiming? Isn't That forbidden?
Horst in Translation (filmreviews@web.de) "Lady Macbeth" is a British 1.5-hour film from 2016 and this is the first full feature film by director William Oldroyd. It is based on a novel from the 19th century and for writer Nikolai Leskov it is probably at this point the most known adaptation of one of his works. Said adaptation comes from Alice Birch and for her it is the first career effort too, so really a great deal of rookieism to this work and for that the outcome is surprisingly positive. A lot of that has to do with lead actress Florence Pugh who was apparently only 20 when this was made and from her great portrayal here, I am genuinely curious what the future brings. I am positive we can expect a lot of quality from her in the coming years, probably decades. Her looks aren't hurting either. She really gives a defining performance when it comes to period piece femme fatale characters. I am glad to see this movie already received a great deal of awards recognition since its release. Looking at the first showings abroad at film festivals, it took far too long for this film to finally reach Germany.A lot of what made this film so good is what happens below the surface: the subtlety, the hidden and the characters' shades make it a strong watch. It's tough for me to believe that neither the director nor the writer have come up with a full feature movie yet. Extremely positively surprised as a consequence. Now I want to talk a bit about the title of my review as this stroke me as one of the film's most important aspects and biggest strengths. Of course we don't know much about the character of Katherine early on, but the way she was thrown into this world that was entirely new to her speaks for itself. Discrimination, sexism and physical violence against weaker people are nothing out of the ordinary. And the more Katherine is confronted with all this abysmal stuff the more she turns evil herself. Her first killing is already not an act of self-defense at all, it is far more intentional than the second in fact, even if you can justify both to some extent from a psychological perspective, probably not a legal perspective. The second then is probably more gruesome, but also more of the moment and not really 100% planned. And well.. the infanticide? It shows pure evil as the victim is really 100% innocent, but I'll get to that later in detail. As for the contagion of evil, there always is a personal component to it and with the protagonist's love interest, that limit is reached when it comes to killing the kid as the guilt overwhelms him eventually and he has to let it all out, even if I somehow expected a suicide too. But he is the one who can be blamed the least. He may be boastful, but he is not rotten.And finally, another reference to the infanticide. It is the most shocking moment, but also perhaps the best moment because it shows how evil totally conquered her. Graphically. And with that I don't mean the face, but I mean the fact that the camera position is in a way where we basically see her black clothes only and almost nothing of her head and it looks like a black spirit creature kills the boy, the personification of evil. Sure that's free to interpretation too, but it is what I thought of that very moment. I also somewhat like films with realistic happy endings and I think from that perspective the film is a winner too because it did feel pretty authentic. Pay attention to how absolutely everybody is a loser here. Some died, some lost their privileges, some went to jail and the central character ends up alone, at least for a while and she said at one point she hates being/eating alone, so the cat may be the only company to stay for her at this instant. All in all, a good film with occasional moments of greatness. Yes it is sometimes tough to stomach, but without having read the book this is based on I would say here we have the prime example of a film that proves that there are actually strong novel adaptations out there if you just approach the matter open-minded instead of whining no no all films based on books suck. This one you really wanna see, a definite thumbs-up from me.