SmugKitZine Tied for the best movie I have ever seen

Ploydsge just watch it!

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Jemima It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

The Movie Diorama This is quite an unknown film, in fact I know of no one who has actually even heard of this let alone seen it. Therefore, I'm braving new territory. I'm pleased to report that this is exceptional filmmaking. A young single mother suffers from a mental illness that enables her to see double, questioning what is reality and what is fantasy. Tsukamoto has achieved excellence with Kotoko. He is able to convey the solitude and disparity of a fractured mind with visceral filming techniques. The transition from slow camera movements to explosive shakiness (albeit over accentuating that movement slightly too much) highlights the violence that she suppresses and unfortunately succumbs to. There is self-harming. There are visions of horrific imagery that no parent (or anybody) would ever want to see. Yet, it's imperative that these are shown. The complexity of her illness makes her a liability, her eventual loneliness only worsens the situation and I believe it's important that the bloody violence conveys that raw emotion. You feel helpless watching her. Both the internal and external struggles of this rare psychological detriment are explicitly portrayed where all of your emotions are drained. This is a relentless drama, and I admire the personable perspective. A feature film debut for singer-songwriter Cocco who delivers an outstanding performance. There is a stunning one take scene of her belting out a melancholic song, and I was transfixed. She held my gaze, grabbing my eyes and refusing to let go. Just masterful. The loud piercing noises throughout increases the broken nightmarish reality that she lives. The story does lack some attention towards the psychological aspects of this illness, where certain scenes do feel slightly too ambiguous for its own good. Also, a vision involving her son towards the end was too violent. However Tsukamoto's heartbreaking drama remains grounded throughout and holds one of the best debut performances I've seen. It's not an easy watch, but do check this out and give it some adoration.

christopher-underwood Almost as difficult to write about, as to watch, this harrowing film is a nightmare from start to finish. Single mother, Kotoko is played by Cocco, who we understand co-wrote the film basing it on her own experiences. Some experiences they must have been, too, if this is to be believed. For some considerable stretch she is struggling inside and out the house carrying, awkwardly, her screaming child. The next phase seems to involve real or imagined violence upon this child. All the time the camera, our viewpoint, is skewed and uneven as the sound around deafens. And all the time the lead lady is self harming, in a big way. As if this were not enough the film's director and co-writer also appears and attempts a relationship with this ongoing nightmare, crazy lady. Uncompromising, as ever, this is quite different from Tsukamoto's other work but then I guess that remarkably they are all quite distinctive with just the one thing in common that makes them his own and makes them so difficult to watch. This is raw and desperate humanity desperately trying to maintain the slenderest grip on something the least bit tolerable in the face of rampant madness.

Peter Mckain It's an uneasy film to watch it starts off quite shaky and gets worse as her sanity drops and the film gets very intense when it builds back up the shakiness is gone. Then everything seems pleasant and happy it has quite surreal elements and dream like scenes I wasn't a fan of the constant singing but its important to the character that she sings. There is some uneasy imagery during the breakdown sequences that will stay with you but the movie has a relieving conclusion not the happiest but the best possible outcome. The acting is top notch and you really feel for the character and her family. I didn't understand some things so I may need to re-watch not your average tsukamoto film but definitely a good drama about a devoted mother with a dissociative disorder.

ebossert Shinya Tsukamoto directs this film about a woman with severe psychological disorders. It's evident early on that she has almost completely lost her mind because she engages in self-mutilation and hallucinates into seeing evil doppelgangers that do not exist. Tsukamoto has historically made films with somewhat bizarre yet fascinating characters and conflicts. Such is also the case here as he creates a very dangerous, uncomfortable environment for the protagonist's newborn child. The narrative becomes difficult to interpret at times, but this is well shot and oddly absorbing with a unique feel. There is some bloody violence and a few shocking scenes. This is a film that will be very divisive amongst viewers, but I found it even more impressive after a second viewing.