TrueJoshNight
Truly Dreadful Film
Titreenp
SERIOUSLY. This is what the crap Hollywood still puts out?
Tyreece Hulme
One of the best movies of the year! Incredible from the beginning to the end.
gerardolandini
Shoddy and tasteless. To all those people who are rightly curious to watch the sequel of "Joy Ride", just don't do it, if I may suggest. Very cheaply made, rare intriguing scenes, the acting is poor and stunt scenes are catastrophically bad. This is the perfect example of a forced sequel. Overall you can't just get into it because of the pumped up characters themselves. Typical situation were apparently tough rocking guys change attitude after messing up and weeping silly girls becoming invincible and unrealistically able to fight monsters. And this might be pleasant when the story takes you on their side, but it just doesn't happen. You don't get involved at all. Just enjoy the first movie and don't go further.
thesar-2
Joy Ride 1 really wasn't that bad of a movie. It's nice to be able to see scenes in horror movies, i.e. in full daylight (also see The Devil's Rejects.) And Joy Ride 2: Dead Ahead really wasn't that bad either. That being said, I was glad it was direct to DVD. The way it started off (Red flags shot straight up: here we go again! Back to Texas (yes, this was Utah, I know) and back to the chainsaw family seemed to be the setup) and the way the Internet punk transformed in the final act, were the extremely bad parts. If you can make it past the opening, and bear through the closing, it wasn't a terrible psycho preying on lost 20-something lost kids. The acting was okay (aside from the changed Emo boy), dialogue wasn't too awful (miss the Ted "Jame 'Buffalo Bill' Gumb" voice over, but this one was close enough) and suspense was good enough to give it one watch. After a day of watching Saw V followed by Joy Ride 2 – I would say they're both mediocre horror sequels that are worth watching, if just at home.
elshikh4
From a certain angle, this is so rare horror. Not many movies I remember dealt with the humiliation as a factor of horror. This time taking the clothes off, for a girl, or walking in drag, for a straight boy, managed to express a degradation more powerful than any bloody torture, enjoying sadistically with cutting up the pride, not the body. So when the monster, near the end, uses the bloody torture with the body, it's where the movie loses its distinct characteristic, and chooses to be cheap.In this manner, with the same bad irony, this movie walks. For instance; while (Nicki Aycox) as (Melissa) is charismatic good actress, the rest isn't (Kyle Schmid as Nik does his job loudly). At the restaurant's scene; the situation is intense, but the dialog is non-stop with supposedly funny, really annoying, remarks. (Rusty) talks in a rusty voice, yet imitates badly Scream's "Do you like scary movies ?!". Big part of the monster's power is in its obscurity, while – in this sequel – the camera shows many parts of his face over and over again; so with this abundance you'll ask why not showing the whole features then ?! The idea of hunting these kids, for breaking into a house, borrowing a car and cursing the drivers, is original, but the end is a (Duel – 1977)'s rip-off. While the end's explosion had to be big, the outcome was anything but big (the word is childish with a toy car !). The monster dies in explosion, then lives unharmed.. etc.There are some interesting points throughout the way : This is a girl-movie, yet with all the men whether weak or evil, the lesson of "don't mess with a lorry driver" is well educated, and sometimes being non-stop garrulous is a point of weakness. It's 60 % fine and 40 % idiot. As if there was a fine unique horror there, but the cheesiness of the V production interrupted !
BA_Harrison
Horror/thriller Roadkill had a nifty plot and a rather cool killer, but a reluctance to get seriously nasty (the film was rated 15 in the UK) and a weak ending ultimately made it a very unmemorable affair; part 2 is certainly a lot nastier, even entering Hostel/Saw-style torture territory towards the end (and earning itself an 18-certificate in the process), but it is also one of the dumbest sequels I have ever seen.The film opens with Melissa (Nicki Aycox), her fiancé Bobby (Nick Zano), and sister Kayla (Laura Jordan) driving to Las Vegas for a bachelor/bachelorette weekend; when the trio stop at a gas station, they are also joined by Kayla's douche-bag internet boyfriend Nik (Kyle Schmid). To save time, the foursome decide to take a desert back-road (doh!) and inevitably experience car trouble. With no sign of any other traffic, they have no option but to set off on foot, and eventually happen upon a deserted house.A search of the property and surrounding buildings results in the discovery of a fully-fuelled Chevy, which they decide to 'borrow', unaware that the owner of the vehicle is psychotic trucker Rusty Nail, who is none to pleased about strangers meddling with his things. Returning home shortly after his unexpected visitors have left, Rusty sets off in pursuit, eager to teach them a lesson.What follows is moronic in the extreme.Whilst taking a leak in a truck-stop restroom, jock Bobby is somehow abducted by tubby, chain-smoker Rusty Nail (without being spotted or any kind of commotion). Rusty then calls Melissa's cell phone, demanding that she and her pals do exactly as he says or Bobby will suffer. Do they call the police, explaining their predicament and telling them where Rusty lives? No, they agree to do exactly as the trucker says, beginning by disposing of their mobile phones.Rusty then informs Melissa (over the CB in the car) that to save Bobby, they must cut off one of Kayla's fingers and take it to him. Do they call the police now? No, they break into a handy nearby funeral parlour and cut a finger from a corpse, hoping that Rusty won't rumble their plan.Rusty rumbles. He cuts off Bobby's ring finger and puts it in Melissa's glove compartment for her to find. Surely she calls the police now? Nope, she apologises to Rusty and continues to carry out his orders.Rusty tells Nik he must dress as a woman and try to score some drugs from a load of wild truckers (apparently, all truck drivers are gak-fiends). Nik reluctantly agrees, but as he totters around in high heels, wig and dress he is also abducted by Rusty. Amazingly, Melissa and Kayla still don't call the police (they do have cops in Nevada, right?—I'm beginning to wonder).Hell, Melissa doesn' t even call in the cops after Rusty kills Kayla by crashing his rig into her as she lays trapped in his Chevy (proving that he couldn't have been THAT fond of the bloody car after all); instead, she steals a police bike and sets off to rescue Bobby and Nik herself—a pretty stupid idea if you ask me, although not as stupid as knocking the trucker unconscious with a shovel and NOT finishing him off while she has the chance—which is precisely what she does!!!As if all of this wasn't unbelievable enough, the finalé sees Melissa fighting the psycho off as she powers his big rig towards a cliff (Chevy/police bike/Peterbilt truck—is there nothing this girl can't drive/ride?), leaping to safety at the last moment (and escaping with hardly a scratch), but still failing to rid the world of Rusty Nail for good, since he returns from the dead before the end credits, complete with brand new truck!
