Protraph Lack of good storyline.

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

kevin olzak 1965's "Johnny Reno" was number 7 of the 13 Paramount Westerns from house producer A.C. Lyles, returning many veteran performers from previous entries: Dana Andrews (second), Lon Chaney (7 for 7), John Agar (fourth), Lyle Bettger (second), Richard Arlen (sixth), Robert Lowery (second), Reg Parton (fifth), Rodd Redwing (second), plus first timers Jane Russell and Tom Drake. The Conners brothers are accused of killing an educated young Indian in the Kansas town of Stone Junction, where federal marshal Johnny Reno (Dana Andrews) hopes to rekindle old flame Nona Williams (the still scrumptious Jane Russell). Thinking the marshal is pursuing them, the brothers open fire on Reno, who kills Ab Conners (Dale Van Sickel) in self defense, taking the wounded Joe Conners (Tom Drake) into custody. Stone Junction's mayor, Jess Yates (Lyle Bettger), seems all too anxious for Reno to return to St. Louis and leave his prisoner with Sheriff Hodges (Lon Chaney), which only whets the marshal's curiosity about the facts behind the murder charge. The longer he sticks around, the greater his suspicions become, and with the formerly cowed sheriff regaining his pride by backing Reno, prejudice and bigotry are soon vanquished. Lyle Bettger makes for an effectively slimy villain, John Agar and Robert Lowery in compliance, while Tom Drake is believable in his desperation. Jane Russell ably provides the surprisingly strong love interest, her backstory similar to that of Johnny Reno, living down past mistakes made out of love or loyalty. His career slowly winding down, Lon Chaney once again enjoys a chance to shine as Sheriff Hodges, refusing to allow vigilantism in standing up for law and order, getting shot in his final act of selflessness. The lone actor to thus far appear in all seven Lyles Westerns, Chaney only did one more, 1967's "Buckskin" (the last of the 13 to be released).

Spikeopath Johnny Reno is directed by R.G. Springsteen and written by Steve Fisher and Andrew Craddock. It stars Dana Andrews, Jane Russell, Lyle Bettger, Lon Chaney Jr., John Agar and Tom Drake. A Technicolor/Techniscope production, with music by Jimmie Haskell (title tune song by Jerry Wallace) and cinematography by Harold Stine. Andrews is Johnny Reno, a tough no nonsense U.S. Marshal who after arresting suspected Indian killer Joe Conners (Drake), takes him to the jail in Stone Junction in Kansas. But once there Johnny finds a hostile and corrupt town that want Conners lynched before trial. Why? Does this town have a secret? Is Conners really as innocent as he proclaims? Reno must stand alone against the town to find the truth. Safe Western film making 101, Johnny Reno has just enough about it to keep it from stinker status. There's a fine cast involved, but they are either winding down their long careers or merely going through the motions. The direction is standard fare, with the action sequences constructed only adequately, and the musical score is at times more befitting a comedy serial episode. Yet the premise, as simple as it is, plays out well for dramatic purpose. Reno is a two fisted hard bastard type of guy, and it's fun to watch him tackle the whole of Stone Junction, including, naturally, affairs of the heart by way of Russell's Nona Williams. The narrative has some observations on corruption, racism and vigilantism that are to be applauded, while the Techniscope photography around Vasquez Rocks Natural Area Park is most easy on the eye. It is what it is, a Western in the late 60s trying to keep with the formula traditions of the "B" grade Oaters from the previous decade. It succeeds on that front for sure, where even though it has plenty of faults, it's a decent enough time waster for fans of the stars or those who like the said undemanding Westerns of the 50s. 6/10

frankfob Another in producer A.C. Lyles' string of geezer westerns. This time, instead of just producing the picture, Lyles decided to try his hand at writing it. Bad move. The scripts on this series of westerns were never particularly good in the first place, and many of them were written by Steve Fisher, who also wrote this one. His teaming up with Lyles doesn't seem to have improved things any, and actually this particular entry is a bit more rambling and disconnected than the usual Lyles western. Although it's full of old and familiar faces, and worth a look maybe for that value alone, the picture itself isn't very good at all. Slow as molasses, it seems to be afflicted with the same arthritis that many of its principals probably had. Making an action picture with a cast whose youngest member is in his late 50s wasn't a real good idea. This isn't a real good movie. Skip it.

clive-38 JOHNNY RENO is just one of many second feature Westerns produced by A.C. Lyles at Paramount in the 1960's. These Westerns were of great interest to me when they were shown at our local cinema as they always had many veteran actors in supporting roles. For example take a look at the credits for "Johnny Reno" - Dana Andrews, Jane Russell, Lon Chaney Jr, John Agar, Lyle Bettger, Tom Drake, Richard Arlen, Robert Lowery, and (uncredited) DeForest Kelley. Quite an impressive cast for a second feature western!! I always used to sit up and pay attention when the words "An A.C. Lyles Production" came up on the screen as I knew this film was going to be rather special!! One of A.C.s best friends was James Cagney who only directed one film in his entire career - "Short Cut to Hell" (1957) which he did purely as a favour to A.C. to get him started as a producer. (It was a remake of the Alan Ladd film "This Gun for Hire"). Now in his 80's A.C. still has an office on the Paramount lot which he visits most days. A.C. can be seen regularly on the TV series "Biography" where he is often interviewed with his memories of the "Golden Days of Hollywood" and the many stars he knew personally from that era. Clive Roberts.