Linbeymusol Wonderful character development!

Tockinit not horrible nor great

Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

jacobjohntaylor1 This movie is so underrated. It not a 2.9. There are not a lot of movies scarier then The Exorcist. And this is one of them. This is an underrated horror classic. It is a sequel to Frankenstein and It is great. This is one of the scariest movies of all time. This movie has a great story line. It also has great acting. It also has great special effects. Do not lesson to people who hate this movie it is a true horror classic. This movie is a must see. If this movie does not scary you no movie will. John Lupton was a great actor. This movie better then Frankenstein (1931). And that is not easy to do. Frankenstein (1931) is very scary. And this is scarier. The is a great movie.

ace-150 This was much more entertaining than I expected. The overacting is in a class of its own. The actress who plays Frau Frankenstein chews up the scenery, but the actress who plays Juanita is even more over the top. The wide-eyed reaction shots are beyond what you could expect from even the worst street mime. The fact that her makeup was applied with a wide-tip Sharpie helps. And the vengeful cowboy is no slouch either when it comes to hamming it up. The production values are obviously not high-quality, but better than you'd expect thanks to getting the lab equipment from the original Frankenstein films. The Frankenhouse is the absolutely worst matte painting that I have ever seen. Cal Bolden is everything that you could want in a giant, zombie, muscle slave. When Frau F says, "Igor, go to your room!," she really should have said, "Igor, go to MY room!" And in the scene when she's bitterly complaining about being romantically spurned by Mr. James... and standing next to a musclegod who obeys her every whim... and there's a bed in the background... she really needs to sort out her priorities. I watched it without Mr. Briggs commentary and had a blast.

Wolfbrother1983 So much dialog in this film. So, so much.The plot (such as it is) has the daughter of Victor Frankenstein and her "brother" moving to American Southwest to continue the experiments. There they run across Jesse James and Jesse's friend who was shot during a subplot. She experiments on the burly, dumb friend. Things go to pot.Film has flaky science, random things like Jacob's Ladders running for no reason, a random Native American attack for no reason, bad accents...its a definite case of beer making fun of it film.Drunken Zombie has a commentary for this film. It's in the public domain.

Tom Willett (yonhope) Very few people are aware this script was written by Ernest Hemingway. The music was by Ernest Tubb and the gowns were designed by Ernest Borgnine. This is a fine musicale adapted as a Western. Watch for a young Johnny Depp riding in the stagecoach. The fiery special effects seen in the laboratory are awesome. When this was shown at drive ins viewers tooted their horns in loving approval. This fine film is one of the top 25 movies chosen by Congress to be shown at Area 51 for our visitors from beyond. Originally this vehicle was planned for Joel McCrea to play the part of Frankenstein's daughter but he began reading the script and by the time he got to page 2 he became too ill to act and the role was given to... what's her name. Her performance received the Golden Noose from the Screen Actors Posse. We are all aware from having learned in school that Jesse James did indeed meet a woman who had a lab where she used lightning to zap her monster boys to life in the small town that had no single men. This movie does stray slightly from the beauty of that true story by adding orchestrated music. The mood music varies from Polka to Hip Hop. All in all not a bad yarn and fine fonts used for the titles.