Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

sergelamarche A Tarantino that is less comic book and almost romantic. Good acting, good action and a slow burn thrill that does not abate even after the end. Why? Because we know that stealing huge wad of mob money can't be good for long.

Wuchak RELEASED IN 1997 and directed by Quentin Tarantino, "Jackie Brown" is a crime drama about a middle-aged flight attendant, the eponymous Brown (Pam Grier), who smuggles huge sums of cash from Mexico to L.A. for a too-cool arms dealer, Ordell (Samuel L. Jackson). When she's caught by two agents (Michael Keaton & Michael Bowen) they propose a deal to apprehend the dealer in exchange for her freedom. In the meantime Ordell enlists an aging bondsman, Max Cherry (Robert Forster), to release her with the aim of eradicating her. Brown knows Ordell's wicked intentions and devises a plan to not only survive the life-or-death situation, but come out the richer for it. Bridget Fonda plays Ordell's hot white babe and Robert De Niro his fresh-out-of-prison pal.This is Tarantino's most realistic film, so don't expect his typical cartoonish-ness and buckets of blood. There are occasional flashes of violence, but this is mostly a talk-driven drama. Interesting dialogues have always been one of Tarantino's strengths and so it is here. Grier is a distinguished protagonist while Fonda is smoking in her Daisy Dukes. De Niro's character is in a post-prison stupor, but you know he's still very formidable, which one character is too dull to realize. Bottom Line: "Jackie Brown" may not be as eventful as "Pulp Fiction" (1994) or "Django Unchained" (2012), but it's a very good crime drama and unique in Tarantino's oeuvre. THE MOVIE RUNS 2 hours & 34 minutes and was shot in the greater Los Angeles area (e.g. Venice Beach, Carson, Torrance, Compton, Carson & Hawthorne). WRITERS: Tarantino wrote the script based on Elmore Leonard's 1992 novel "Rum Punch" (the only film he wrote based on a previous work). GRADE: B+

EBHAE In my opinion this is Tarantinos weakest movie and to be honest for maybe 45 minutes in the middle, this movie is kind of boring. I know it was to capture the Elmore Leonard talking feeling, but it just did not work out for me. It's also Tarantinos least re-watchable movie in my opinion.I know it's many people out there who say that Death Proof is Tarantinos weakest movie and for you, I recommend you to check out my Death Proof review.With that said I still think Jackie Brown is a solid movie. The characters are good and the story have to be Tarantinos most realistic. The soundtrack works perfectly even if it's one song I dislike, I can still see that it is important to set up the tone. The opening and the ending works very well and especially the 3 perspective shopping montage that feels both clever and original (If it's not stolen from another movie). And the camera work just screams Tarantino, so you still know who is behind the movie. And my final line is this: This guy will never made a bad movie. Death proof was a dead project from the beginning because the Grind house genre is not a very serious one and I would still think most people would agree that it's one of the better movies in it's genre. And this one is still a solid film that works and doesn't lose hes reputation after making Pulp Fiction (One of the greatest movies of all time) that would have give most directors goosebumps. Just the idea of after making two adrenaline pumped movies going back and making this one, just say so much about how skilled and controlled Tarantino is as a director and that's why he will never do a bad movie.This is a solid film that I would have cut a bit in the middle.It's my least favorite movie in Tarantinos filmography and I don't even think it's in my top 100-150.

Screen_Blitz When many hear the name Quentin Tarantino, odds are they are thinking of something of a masterpiece or at least something close to such. It's very difficult to deny this director has a God-given talent in filmmaking and storytelling, and the accolades he's achieved in his past twenty years of his career. This is not to say he's immune to some duds. Though his director has not yet been subject to any cinematic failures, a few of his works have proved to be less memorable and more shallow than others. Jackie Brown, a film following the success of the highly acclaimed masterpiece 'Pulp Fiction', feels less of Tarantino's style and much less excitement than his other works. Pam Grier plays the titular character, a middle-aged flight attendant who's tasked by arms dealer Ordell Robbie (played by Samuel L. Jackson) to smuggle $10,000,000 from Mexico to Los Angeles. When she's unexpectedly caught and arrested by two FBI agents (played by Michael Keaton and Michael Bowen) in attempt to smuggle a million dollars worth of cocaine in her purse, she is sentenced to prison but is ultimately released when she makes a deal with the agents to capture and arrest Ordell. Upon learning of Ordell's sinister plot, Jackie acquires the help of business fund manager Max Cherry (played by Robert Forster) to steal $1,000,000 from Ordell.Quentin Tarantino follows relatively the same style of filmmaking similar to his other works including the non-linear storytelling and interconnected story lines but manages to cut back on the over-the-top graphic violence that he's often known for, watering it down what feels like PG level in comparison. The film offers a plot that pays homages to 70s blaxploitation flicks. While there is plenty of substance to be experienced, the plot supplements little excitement and conveys at an unnecessarily slow pace, clocking at a 152 runtime that feels more like three hours. Without any sort of suspense or thrills to offer, the plot conceives a rather lack of tension. Quentin Tarantino is known for generating some of the most clever stories on film, particularly what we brought to 'Reservoir Dogs' and 'Pulp Fiction'. Unfortunately, much of the excitement conceived in those films is abandoned here. Luckily, there are a few twists and surprises sprinkled throughout that at least present some redeeming quality. The aspect in which the film greatly succeeds however, is building up strong character development along with some talented acting from an above-average cast. Pam Grief shows off an convince vibe as Jackie Brown. It may stand inside the Oscar range but there's no denying her performance shines. Samuel L. Jackson, returning to the Tarantino fare from 'Pulp Fiction' is good as ever, adopting his typical boldface personality. Robert Forster also comes off as impressive with his performance. The biggest disappointment though, is Robert De Niro who plays Samuel L. Jackson's sidekick and is decidedly underused for what could have been a compelling role for an actor like him.Jackie Brown doesn't quite scale the ladder like Quentin Tarantino's other films but there is some smarts to be experienced in what is a worthy effort by Tarantino, even if it doesn't succeed at a narrative scale. Those who are Tarantino fans are recommended to watch this, everyone else though will most likely to left with a shortage of entertainment.