Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

TrueJoshNight Truly Dreadful Film

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Marcin Kukuczka Courage, revenge, love, combat, victory, honor, defense, reconciliation...those ideals deeply hidden within the human spirit have long been considered precious targets of human life. Not only poetry and literature but also epic movies attempted to promote the virtues and depict humanity in the spirit of reason and heart. The question was: historical time. In this respect, there was, perhaps, no better period in history than the 1,000 year-long Middle Ages, both controversial and spiritual with a flair for darkness and exceptional enlightenment. Among many other epic movies that depict the period is IVANHOE based on Sir Walter Scott's novel being at the same time a remake of the 1952 classic Hollywood production.Keeping in mind that remakes usually face high expectations in case of their classic "predecessors", I watched this movie without much referring to the older version and that is how I intend to comment on it underneath.Let me say at the beginning that IVANHOE by Douglas Camfield is a very good movie at multiple levels. It makes a perfect use of historical material supplying us with a clear and pretty accurate insight into Medieval England, and, more specifically, its late 12th century situation with savage conflicts, difficult political situation, Anglo-Saxons vs Normans relations, prejudice as well as those visual aspects like costumes, feasts and baths. In this respect, the movie may constitute for a viewer a wonderful journey into those distant times and bring out some pearls out of prefabricated negative opinions about the Middle Ages. There was, indeed, something good about the period, too. The aspect of interest highlighted in this case appears to be Ashbey sequence where the savage combines with the glamorous or the deep psychology and morals of characters expressed in many scenes throughout. Here, it seems necessary to mention Lady Rowena (Lysette Anthony) and Rebecca (Olivia Hussey), two women of different backgrounds who face similar emotions.Besides, IVANHOE can boast very good cinematography, wonderful shots, stunning locations. Consider, for instance, the subtle images at the scene when Ivanhoe visits Lady Rowena at her castle with Wamba (George Innes). The extraordinary locations and interesting shots make the film not only a historical work but also a rousing adventure. Moreover, to these artistic features, I would add a very accurate sense of humor (consider the scene of a bath or Wamba's Pax Vobiscum) and subtle musical score. The tunes are filled with the spirit of chivalry and the spirit of romance which, alone, can resemble the very essence of the story. But, the core of art is acting.The movie known for a number of famous and talented cast could be falsely assessed as a vehicle. Yet, it does not have to be a "promotion" for anybody. To the contrary, it is a film that proves the importance of talent first and foremost. All the cast take great pains to give something truly great of themselves. Anthony Andrews is a perfect Ivanhoe as described by Sir Scott and as imagined by modern viewers. He clearly portrays a character of courage, nobility and gentleness. Sam Neill and John Rhys Davies appear to give powerful performances as "Norman dogs" people not so much afraid for the good but rather absorbed by savage brutality. James Mason does a fine job as calm, good Jew, Isaac of York, whose destiny appears to have brought more wounds than cure. The female roles are brilliant. Here, however, I would not praise that much Lysette Anthony: I admit she is beautiful, she gives a memorable performance. Yet, the absolute top notch is Olivia Hussey, the famous heroine at Zeffirelli's appears here as a gentle, subtle, beautiful Jewess whose "individually formed spirituality" conquers "externally organized morality" of many "pious men of God." She gives a brilliant performance as a flower of peace fearfully surrounded by the thorn of war and the light of tolerance surrounded by the darkness of prejudice. Absolutely great role! Consider, among many, the scenes depicting the trial.In the end, if you see this IVANHOE, do not compare it with the older version. These are two different films focusing on different aspects. If someone insists on me to say which one is better, I'd rather say both are good films. Thorpe's IVANHOE is a typical epic of the classic Hollywood era while Camfield's IVANHOE stands out on its own as a movie filled with remarkable psychology and adventure. Great tribute to the real Courage and the Chivalrous Spirit!

Blueghost Why this isn't on DVD I'll never understand. This production is far superior to the joint A&E-BBC production that aired in the 90s. And as far as made-for-TV movies go, this one has some pretty lavish production values going for it. Rivaled only by the version starring Elizabeth Taylor a couple decades before.They don't make TV like this anymore, and it's a real shame. This particular production axes a lot of the extraneous plot elements from Walter Scott's original tale, and cuts right to the dramatic heart of the matter by focusing on the love triangle.The sets and locations are pretty lavish for a TV production, but are not overblown. Story and budget sync perfectly together as the tale of Ivanhoe is presented with great medieval authenticity.There are some minor glitches here and there. The armor for the knights is that fake stage stuff instead of the real McCoy, but that's not a big deal. Some of the leads are wearing feathered hair which was in style during the early 80s, but again that's just a mild fashion thing.The acting in this film is far superior to other productions of this story. Solid performances are combined with good costuming and respectable locations for a production that should really be preserved on DVD. Many a familiar name from pre-80s film and television will be present, and these actors performances add great depth and dimension to their characters.Definitely a must watch. If you find yourself a copy, and are a fan of the story, then do yourself a favor and see this version at least once.Enjoy!DVD Review, May 18th 2009WOW! From a worn and faded VHS tape dupe to a crisp, clean, color corrected copy on DVD. Incredible stuff. Buy a copy now. :-)

generalmusic I guess all countries have a few strange traditions and this film is connected to one of ours in Sweden. Every New Year´s Day the last twenty years public service television have showned this movie in the afternoon, the perfect time for dragging yourself up, buying a pizza and maybe forget your extreme hangover for a while. Everyone knows the film inside out but are still watching it year after year; fills in on every funny line (like when de Boeuf shouts "Striiip him!"), laughs once again over great characters like Athelstone and Tuck and gets annoyed over how Ivanhoe can choose the boring Lady Rowena before foxy Olivia Hussey. I can´t really say anymore if it´s a good movie or not but I guess it´s perfect for a day after...

artzau This remake of Ivanhoe suffers from several things: changes in the story line, incongruities in the historical aspects of the period and Anthony Andrews's inability to portray anything beyond a prig middle class playboy. Good performances by Sam Neill, James Mason and Olivia Hussey can't save it. The costumes are fine but Andrew's wincing and facial contortions along with John Rhys-Davies's over-acting and emoting ruin it. Too bad. This one had potential. Hey, if you want a costume drama fix, go see the 1952 Robert Taylor and Liz Taylor version: it's much more satisfying.