Wuchak
Released in 1972 (but not in the USA until 1974), "It Can be Done… Amigo" is an Italian oater starring Ben Spencer as a gentle giant, Coburn, saved from unjust hanging. He becomes the caretaker of a little boy who's the heir of a remote ranch that many people are interested in obtaining for some reason. Jack Palance plays a comical gunfighter/pimp who insists that Coburn marries his nagging sister (Dany Saval) because he was previously intimate with her.In spirit, but not plot, this is basically an early 70's Euro version of 1963's "McLintock!" Unfortunately it was lost in translation for me. Obviously a lot of effort was put into it, but it failed to engage. It's also marred by the limitations of most Spaghetti Westerns, like dubious dubbing. Plus there should've been more prominent women (Saval is likable, but she just grates on the nerves after a while). Still, the movie's likable; it's just very eccentric, which limits its appeal, but I'll give it another try in a few years.The film runs 109 minutes and was shot in Almería, Andalucía, Spain.GRADE: C- (4.5/10 Stars)
Bezenby
Bud Spencer teams up with a kid in this rather charming, but cheap, Italian comedy Western. Jack Palance provides back up as a cigar chomping, riled brother of a chick Spencer slept with, hoping to marry Spencer off and then kill him (to save face). They all end up in a town run by Sheriff/Judge/Reverend Francisco Rabal, who wants the property that the kid's inherited. But why? That's up to Spencer and the kid to find out, but needless to say the kid's sitting on a fortune. This mostly harmless western has Spencer as the reluctant hero, protecting a kid he doesn't want to protect and getting into many punch ups. Palance turns up periodically to save Spencer (he wants to kill him himself) and for some reason he's got an accent that turns from Southern to Mexican for no reason whatsoever. Everything's played pretty light (no one gets killed, save for the kid's uncle who has a heart attack). As with all Italian comedies, the laughs are played very broad (verging on slapstick), and there's unintentional and intentional laughs. There's also a touching moment when the kid starts showing Spencer a bit of affection and you can see Spencer's torn between his duties in looking after the kid and his own need to get out of town. The film also benefits from having one of the least annoying kids in Italian cinema (If you've seen House by the Cemetery or Sweet House of Horrors, you'll know that's no understatement).The abrupt ending seems to endorse wife-beating, however, so I'm not sure what that was about! Did give me a laugh, though…The print I viewed was awful - drained of colour, pan and scanned, with a weird echo for the first 30 minutes.
MARIO GAUCI
One of Bud Spencer's star vehicles without his partner Terence Hill takes him back to familiar Spaghetti Western territory. Despite a good cast (Jack Palance, Francisco Rabal, Luciano Pigozzi) and crew (screenwriters Rafael Azcona and Ernesto Gastaldi, cinematographer Aldo Tonti and composer Luis Enriquez Bacalov), the film rambles amiably along without ever becoming sufficiently memorable.Spencer seduces Palance's virginal sister (having mistook her in the dark for another dance-hall girl) and flees from her pursuing pistolero/showman brother until he meets an abandoned child in the desert whom he takes under his wing (shades of two films Bud would later make with CLOSE ENCOUNTERS OF THE THIRD KIND [1977]'s Cary Guffey); as it turns out, the boy is the proprietor of a dilapidated wellspring which turns out to be rich in oil but they soon fall foul of outwardly harmless sheriff/judge/preacher Rabal. Spencer indulges himself in several of his typical fist-fights and even "Paco" Rabal gets to taste his trademark hammer-blow to the head; amusingly, he puts on his glasses before a fight so that he can think more clearly! Palance scores best as Spencer's laid-back, black-clad, pursuer-cum-partner and brother-in-law to-be. The title song is an agreeable one although it's only played during the opening and closing credits sequences.I have missed out on this one several times on Italian TV over the years but I did catch the free-for-all finale once; since the quality of the DVD I watched was quite terrible – not just pan-and-scanned but extremely washed out as to lapse into practically black and white at various points!; although it was nice to hear Palance and Rabal's own voices in English, I'll make it a point to tape this one when it's shown again on one of the major Italian TV channels.
Steve Nyland (Squonkamatic)
I must admit to being relatively new to the whole Bud Spencer/Terence Fisher thing, but I've already found myself a personal favorite movie in the stack. This infectious, dopey, quasi-surreal Spaghetti Western/comedy, tailor-written for Bud Spencer, then at the height of his post TRINITY glory.Like a good Simpson's episode, IT CAN BE DONE AMIGO's plot defies verbal description: A shambling, lummox like behemoth of a scoundrel (Spencer, standing about 6'4" and weighing 300lbs easy) finds himself going from two bit horse thief to community hero, in spite of his best efforts to avoid otherwise. He is also avoiding Jack Palance, comically over the top as a super-slick Pistolero who will see his "disgraced" sister married to the lummox, or else. Palance is traveling the west with his group of showgirls that he promotes in the most ridiculous looking coach I have ever seen in a Western, and at one point suffers a bout of whiplash that renders him bent over like a pretzel for about a quarter of the film. There are additional intrigues about a young boy traveling to his fostered parent's homestead with an uncle, who turns out to be dead but still entrusts the tyke to Spencer anyway. With much grumbling and gruff muttering, Spencer slowly becomes a father figure, the kid decides that Palance's sister would make a good mother figure, and even plots by local desperadoes won't stop this rolling boulder of humanity once it gets going.And also like a good Simspon's episode, what the film does is to present us with a small community of memorable, likable, amusing cartoon characters who inhabit a very real world made up of what appear to be sets left over from ONCE UPON A TIME IN THE WEST, but now somewhat run down and falling apart. The whole film has a sort of ramshackle, on-the-fly look to it that is very endearing, having the appearance of a typical Western, but being a whole heck of a lot more. Even the meanies in the movie have very human qualities, like the identical twin mustachioed gunfighters (one is left handed, the other right), the weaselly Desperado that Spencer cons out of a turkey dinner in the film's beguiling opening section (the look on Spencer's face after having a bottle broken over his head is priceless: "Not again ..."), and especially Jack Palance, who has never been better as he chomps on a cigarillo and intones "You're gonna marry my seester".Then there is the wandering geologist who pays people to eat some of their dirt (he's looking for oil), Spencer's highly intelligent and communicative horse (who is asked for and gives advice on a few occasions), the bumbling gang of Pistoleros who keep trying to do Spencer in and keep paying for it, and the pretty, busty, blond woman who only wants to marry Spencer, whom she has a love/hate relationship with that is especially amusing when they discuss his eating habits ("I eat like a hog 'cos that's the way I like it."). The effect that this otherwise dainty, attractive young woman has upon the huge, gentle Spencer is the film's best joke, because he only wants to eat, ride, talk with his horse, and not have any responsibilities.Don't we all, though? The movie IS Spencer's, and was either written specifically for him OR was the role he was born to play, probably a bit of both. One of the alternate titles for the film is THE BULLDOZER RETURNS, AMIGO and is very telling of his Hiram Coburn. He doesn't wear a gun, and doesn't need to. He is big, strong, fast, and outsmarts people as much as pounding them into the ground like telephone poles. One of the interesting quirks given to his character is that Spencer puts on a pair of Ben Franklin wire rim glasses just before he starts swinging the beef, and my favorite moment from the film is when one of the bad guys tries three swift punches to his bread box that have the effect of punching the Hoover Dam. It's hilarious ...But to use the analogy one more time because it's so fitting, just like a good Simpson's episode, you have to see it for yourself to understand the magic that this stupid, funny, quirky little movie has going on. And you can: Look for a DVD Box Set by the nefarious Treeline Films obnoxiously called FIFTY WESTERN CLASSICS with 50 fullframe PDM Westerns on twelve double sided DVDs, each enclosed it it's own cardboard drink coaster. The print used was a dingy, fullframe formatted TV print, but it's utterly hilarious, addictively watchable, somewhat thought provoking, and proves once again that the best movies are always the ones that tell stories about people. Perhaps Mr. Lucas should have given this a looksee while making up his last STAR WARS movie, which was about action figures and computer games and making money. And as a result, it sucked. IT CAN BE DONE AMIGO was shot on a budget of probably less than $100,000 in even today's money, and is a far superior entertainment that actually has a soul. Imagine that.I give this one unusually high marks: Nine out of ten, and recommend it to anyone planning to put relics of humanity into a satellite to be launched in the direction of the galaxy Andromeda as an example of what we were capable of.
