Matialth Good concept, poorly executed.

2freensel I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

zzzorf I would have to recommend this movie for at least a watch once if you are able, I did and in a way I enjoyed it, however I don't think I will ever get around to watching it again.The story is interesting and something I would like to revisit again and the actresses playing the main roles did a great job whoever I feel the movie held a slow pace seeming to move along at little more than a crawl. I feel a lot of this had to deal with the fact that there was very little dialogue, kept mostly only for a few select scenes. The actresses however did a fine job, able to make up for the slow feeling of the movie, you could feel their confusion at what was transpiring.I do feel though that the emotions of the girls where not fully explained though leaving a lot of room where the movie could have explored exactly what the girls were going through.

Sindre Kaspersen Norwegian screenwriter and director Per Blom's fifth feature film which he wrote, is an adaptation of a novel from 1963 by Norwegian novelist Tarjei Vesaas (1897-1970). It premiered in Norway, was screened in the Panorama section at the 38th Berlin International Film Festival in 1988, was shot on location in Norway and is a Norwegian production which was produced by Norwegian screenwriters, producers and directors Lasse Glomm (1944-1996) and Ola Solum (1943-1996). It tells the story about an 11-year-old girl named Unn who lives in a house with her aunt at a place called Stemland in Norway and who one day is visited by her eleven-year-old friend named Siss who lives with her parents. During the time they spend together that evening, they undress in front of each other and Unn tells Siss a secret which she promises not to tell anyone else. A few days after their meeting, Unn walks up in the mountains and finds something that looks like an ice palace.Subtly and precisely directed by Norwegian filmmaker Per Blom, this quietly paced fictional tale which is narrated mostly from the two main characters' viewpoints, draws a humane and involving portrayal of a close to telepathic relationship between two Norwegian students. While notable for its naturalistic and atmospheric milieu depictions, sterling cinematography by Norwegian cinematographer Halvor Næss, production design by Norwegian production designer and costume designer Ingeborg Kvamme and costume design by costume designer Inger Derlick, this narrative-driven story about friendship and alienation where the ... caused and created by ... which makes a girl retreat into herself and wander off after a moment of genuine trust between her and her friend who has to battle that same ... on her own, depicts two heartrending and internal studies of character and contains a poignant score by Norwegian composers Geir Bøhren and Bent Åserud.This modestly conversational, prominently atmospheric, reflective and lyrical coming-of-age drama from the late 1980s which is set during a winter in a rustic community in Norway where people speak New Norwegian in the late 20th century and where a motherless and fatherless adolescent girl disappears from her home and her only friend is left in wonder and sadness trying to come to terms with what has happened to the person she found a crucial human connection with, is impelled an reinforced by its fragmented narrative structure, subtle character development and continuity, contemplating characters, intimate examination of its central themes, telling use of music, psychological and emotional incisiveness, graceful flashback scenes and scenes between Unn and Siss and the memorable and understated acting performances by Norwegian actresses Line Storesund and Hilde Nyeggen Martinsen. A cinematographic, somewhat esoteric and eloquent mystery.

Keith Harvey Based on an iconic book which appeared in the early sixties, by Norwegian national treasure Tarjei Vesaas, Per Blom's film shows how the swiftly developing relationship between two recently met pre-adolescent girls, Siss (a local girl) and the more introvert Unn (a newcomer) culminates in their deciding, in Unn's bedroom and at her suggestion, to undress in the spirit of mutual curiosity. Unn wants to know if she looks odd in some way, and confesses she harbours a secret so grave that she may be damned, but Siss cannot discern how Unn is particularly unusual. As time creaks by, the girls become uncomfortable at their own nudity and the scene ends in awkwardness. Then we see Siss quickly running home through the darkness.The next day, to postpone her own inevitable embarrassment, Siss avoids meeting Unn at school by going off alone to look at a frozen waterfall. She wanders awestruck around the massive icy structure, passing from one great vaulted chamber to the next, but at length gets lost inside and falls victim to the numbing cold. Finally, she dies of hypothermia, her new friend's name on her lips at the end. Search parties seek the lost girl in vain on the snow-covered hills into the darkness, while Unn seems perplexed then struck dumb by the unexplained disappearance of Siss. We see her alone in the school yard and, in a scene of calculated longeur, lying naked in the bath. The fate of Siss, while only an indirect consequence of the episode between the girls, leads to Unn being emotionally isolated in a way that parallels Siss's loneliness on first arriving in the district.I saw this film on British TV soon after its release in the late eighties, when Blom was being feted internationally. Twenty four years had elapsed since the book's publication and the very unworldliness ('innocence' is perhaps too charged a word) at the centre of the story was already out of step with the cynical knowingness then hardening into political correctness here in the UK. It was a bold decision to show it then outside of art house cinemas, I imagine, and a TV showing today would seem highly unlikely as the key scene, a commonplace in the lives of many children and hardly shocking in itself, would seem unpalatable in today's more censorious climate.A touching, poignant movie in which subtitles are often superfluous, but with much more to say for itself than this brief synopsis can convey. Well worth a look if you ever get the chance.

jlad absolutely brilliant film, slow but well worth it. Well acted by all, the mood of the film was perfect. The director did a remarkable and brave job with this movie, it could never have been made in a place such as hollywood, it's about time the world started to take notice of low budget (good storyline movies), rather than big budget predictable hollywood ingredients.