I Ought to Be in Pictures

1982 "Libby Tucker hitchhiked from Brooklyn to take Hollywood by storm. And her father by surprise."
6.1| 1h48m| PG| en| More Info
Released: 26 March 1982 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has been out of Libby's life for 16 of her 19 years. Libby arrives in LA on a Tuesday and phones Dad the one night that Stephanie, who does Jane Fonda's hair, stays over. Stephanie is there the next morning when Libby decides she needs to tell her story face-to-face.

Genre

Drama, Comedy

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Director

Herbert Ross

Production Companies

20th Century Fox

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I Ought to Be in Pictures Audience Reviews

Diagonaldi Very well executed
2hotFeature one of my absolute favorites!
Comwayon A Disappointing Continuation
Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
edwagreen Wonderful film with Neil Simon again showing that he is the master of writing.Dinah Manoff is just marvelous as the precocious 19 year old who goes to California to see the dad she hasn't seen in 16 years.The film is touching as it first shows that Matthau knows so little about his daughter (and son) but then as the film goes on, he shows all the attributes that a father shows.As Matthau's girlfriend, Ann-Margret is very good. The picture itself provides no screaming of usual Matthau antics. He is genuine here in every sense of the word.The film shows the strong bond that is formed and we're sorry when Libby takes the bus back to N.Y. At least, there is a commitment by the father to keep in touch. We also have to wonder what kind of woman he was married to that drove him away years before.
claboure444 what an outstanding and heart-tugging performance by DINAH. i never miss a rerun and go out of my way to see it. i can't believe she was not nominated for something. a perfect bit of acting by her and WALTER MATHAU. my wife says, "i guess you're.... just in love". the first time i saw the film was totally by accident. i was in a dentist's office for an appointment for teeth cleaning. the movie came on in the waiting room and after it was thirty minutes into filming the nurse came out and said "next". by a stroke of luck it was the last appointment of the day. i asked the dentist, who is also a dear friend, to let me continue watching. well, we both watched. the nurse had gone and he worked on my cleaning himself. he said it was worth it.
Anthony Smith In my and my wife's opinion(s) this picture ("I Ought To Be In Pictures") held our attention, made us laugh, and touched our heart strings. The plot is very believable and truly beautiful. Dinah Manoff and Walter Matthau were delightful. Ann-Margret's part was undoubtedly low-key, but we applaud her for being prepared to play it and play it well. (Who ever said an actress has always to play "knock-out" parts.) This is a movie we will buy for our collection of fine movies. Leonard Maltin's review rating: ** is an insult. We give it *** at least. We were thrilled to see Dinah Manoff playing a larger role than her role in "Ordinary People."
trek222 The movie starts out with Libby(Manoff)talking to her dead grandmother who we hear about all through the film. She has decided to travel cross country from New York to LA to find her estranged father, an out of work screenwriter. The only saving grace in this film is Ann Margaret. Libby spends the rest of the film parking cars for actors(putting her name and number on there windshields), trying to get laid and forcing her estranged father to talk to his ex-wife(her mother).Manoff is probably great on the stage but she was terrible in this movie. Its not so bad in the parts with just Matthau and Ann Margaret but otherwise no chemistry. The part where Libby asks her father about sex is hysterical and has to be one of the most embarrassing moments in screen history.