Billie Morin
This movie feels like it was made purely to piss off people who want good shows
Yash Wade
Close shines in drama with strong language, adult themes.
Taha Avalos
The best films of this genre always show a path and provide a takeaway for being a better person.
Phillida
Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
rahumate
How Much Do You Love Me Love is composed of a single soul inhabiting two bodies. Aristotle I live by this definition but the bard of Avon has enlighten me with so many definitions of love. I will be happy to share a couple of them. 'To be wise and love, Exceeds man's might' (Troilus & Cressida – Act 3, Scene 2) Troilus and Cressida is a tragedy by William Shakespeare, It was described by Frederick S. Boas as one of Shakespeare's problem plays. The play ends on a very bleak note with the death of the noble Trojan Hector and destruction of the love between Troilus and Cressida. This work has in recent years "stimulated exceptionally lively critical debate". The tone of this play lurches wildly between bawdy comedy and tragic gloom, and readers and theatre-goers have frequently found it difficult to understand how one is meant to respond to the characters. I remember another line form Hamlet, 'Love is begun by time, and time qualifies the spark and fire of it' (Hamlet – Act 4, Scene 7) Bertrand Blier the French director who is known for portraying the war between the sexes and he is eccentrically old-fashioned. He treat women characters as amusingly as they are insoluble mysteries and it is only an incidental relationship to the rest of humanity, that is, men. His 70s film Les Valseuses, was critic's favorite for the same reason. I became curious when he wrote and directed the film wrote How Much Do You Love Me? for Monica Bellucci, he first saw her in Gaspar .Director Blier casts Bellucci as a whore in How Much Do You Love Me?, He scripted this role to adore her, rather than demean her. Whenever a man tells Bellucci's Daniela that he loves her, she just smiles soothingly and says that's only natural. All men do. "How Much Do You Love Me?" is a movie about an office worker who uses a lottery windfall to entice a prostitute into domestic bliss. Blier's take on beauty vs. shyness, mercenary seduction vs. true romance, and cash as a motivating factor in sexual desire is thoroughly enjoyable, if slightly protracted. I remember her lines from an interview taken after the latest film On the Milky Road, she at rocking 50 starred in Bond film and now in 'On the Milky Road'. This film took 4 years in making. She is known as total Italic curve in the world of World Cinema. Monica Bellucci interview: 'Love and sexuality is a matter of energy not age' When she is asked about her claim to be a feminist? She expressed, "Firstly, what does the word feminist actually mean? Often behind a badly behaved man is a mother who badly educated her son." I am stunned by this euphemism, as her character in the film "How Much Do You Love Me?," raises the same question. I find that this film focuses on 'Don Juanism' as psychological complex. Where Bellucci's Daniela plays a liberal role of a whore who try to explore the definition of love from other character. Bellucci's Daniela character remains rock steady to male characters who are under the spell of 'Don Juanism' and 'Othello complex'. It is a film which help you find the difference between attraction, love, greed, desire, responsibility and one's own self. Bertrand Blier is we find distinctive director known for his black humor and robust satirizing of sexual anxieties. His movies are nailed under art-movie and not mainstream. He always depicted absurd, cruel obsession in a fundamentally realist visual style. Bertrand Blier's style of film making is reminiscent of Luis Buñuel; one might also compare him with the likes of Pedro Almodóvar, Paul Bartel, John Waters, Paul Morrissey and Geoff Andrew.
Claudio Carvalho
In Paris, after winning the lottery, the clerk François (Bernard Campan) goes to a bar in Pigalle and offers one hundred thousand Euros per month to the prostitute Daniela (Monica Bellucci) to live with him until the end of his money. François is a lonely man, with heart problems and Daniela stays with him for eight days. Then, she decides to come back to her man, the mobster Charly (Gérard Depardieu), but she misses François and returns to his place. But once a whore, always a whore.The promising "Combien Tu m'Aimes?" is a great deception: having Monica Bellucci, Gérard Depardieu and Bernard Campan in the cast, and directed by Bertrand Blier, this "dramatic romantic comedy" has a weird development and a confused and disappointing open conclusion. I honestly did not understand the last quarter of this movie, which is simply awful. The screenplay wastes a good and original idea, and the character of Gérard Depardieu is absolutely dull and ridiculous. The beauty of Monica Bellucci, even with forty-one years, is the best this mislead movie can offer. My vote is five.Title (Brazil): "Por Amor ou Por Dinheiro?" ("For Love or For Money?")
samuelding85
How Much Do You Love Me? is a romantic sex comedy featuring the irresistible Italian actress Monica Bellucci as the leading actress, with veteran actor Gerard Depardieu and Bernard Campan as the 2 leading guys in the drama, which involves weak heart, sex, lottery, blackmail and tonnes of laughter.Francois (Campan) is a civil servant living in a bachelorhood. He strike lottery and he set his eyes on Daniela (Bellucci), a beautiful prostitute. He makes an offer of paying her 100,000 euros per month to stay with him until he used up his cash award of 4 million euros. She moves in with him and everything begins from a role play of husband and wife. As they goes on, he develop feelings for her. However, Charly (Depardieu), a mafia boss, who was the lover of Daniela, steps in. He opens up a proposal for Francois: to buy the freedom of Daniela from Charly at 4 million euros.Director Bertrand Blier has spiced up the film with tonnes of laughter, with a touch of slapstick. While some of the scenes might seems to be exaggerating, it is actually not. At a certain level, he has brought up the loneliness of a middle age bachelor faced, from mentally to physically.Monica Bellucci is the focus of How Much Do You Love Me. Once again, she takes up the sexually challenging role of a prostitute after Malena and Irreversible. She swings in between Campan and Depardieu, where the former is a civil servant paying for the service, and the latter her lover. Swining in between the 2 men spices up the later part of the film, where it is unmissable.Depardieu, however, seems to be pulling the whole film down, where the role of Charly the mafia boss seems to be too dull and boring. Though he might be trying hard to play the role of mafia boss, more effort can be put in. Campan, on the other hand, has room for improvement, though it can be seen that effort has been put in.Do not expect any raunchy sex scene in How Much. Instead, do expect the witty and humorous sex jokes and argument in a scene where Bellucci, Campan and Farida Rahouadj (who plays Francois's neighbor) gather outside the house for a dispute.This movies worths 6/10. And it is a good movie to spice up a boring weekend night.
DICK STEEL
How Much Do You Love Me? examines that emotion called Love, or what it's perceived to be. Will you make pretend and move in with someone? Are you loving someone because of his riches? Or because of his huge wiener or her hot body? Is it purely lust or love? And how in the world do fugly people snag all the hot chicks too? Between money and love, which would you choose (and taking too long to decide doesn't earn you brownie points)? Like Pretty Woman, only with less candy fluff, how can someone fall in love with a whore? (Ok, so it might sound politically incorrect, but that's how the movie plays it out)A regular joe, Francois, falls for a prostitute at a bar. Played by Monica Belluci, Daniela is the obsession of Francois, as he engages her services for 100,000 Euros to live with him for a month (she charges 150 Euros a night, so work out the math) until he runs out of cash. A balding man who just won the lottery of 4 million Euros and some, he sure knows how to pick up and select his women.Soon after, Francois becomes the envy of everyone (so is Vincent Cassell, but I digress), as friends like his personal doctor advises him to go easy on his escapades because of his weak heart. But in this black comedy, unfortunate events befall upon those who try to keep the couple apart. It's a tad interesting too as the movie plays out the fantasies of these nay- sayers, as they too lust after Daniela in secret.There's a twist to all the madness, and the final revelation will make you go "ahh!" as the scheme is unveiled to a whacked out near ending sequence (do I love that sexy dance move). However, as do most art movies go, the ending leaves much to be interpreted in many ways. The visuals are beautiful to look at, and no, I'm not just talking about Bellucci here, although I'd rather watch her in action than the other old babe Sharon Stone in Basic Instinct 2. Blended with a lot of jazz, it has a bluesy feel to it all, punctuating melancholic mood throughout as felt by the characters.And it's the three key characters who keep the storyline interesting. A regular bloke buying his way to a woman's heart. A woman who whores because she wants to (and probably satisfying her insatiable appetite for sex), and her gangster husband Charly (Gerard Depardieu) who allows her to do what she wants to, as his interpretation of love is the clichéd "if you love her set her free. If she returns she's yours" belief. In the end, love is also about respect, and that's the lesson Charly needed to learn.It's plenty talk about love, sex and even orgasms, and the highlight is probably the three way negotiation on the table as Francois and Charly haggle the price over Daniela. Can love be attached with a price? How much is it worth? The plenty of ah-peks in the audience will probably have an answer to this question, and no doubt, ensure this movie's longevity in local screens.