NekoHomey Purely Joyful Movie!

Marketic It's no definitive masterpiece but it's damn close.

Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

destenjohnson Computer Killers is bloody, campy, goofy, sleazy awesomeness. I originally found this film titled as Horror Hospital.I enjoyed the acting style because it is over the top and different from what we generally see today.The film takes place in only a few settings but the one I'm drawn too the most is the train early in the film. The two stranger meet in a simple way but their dialog made me want to laugh and wonder how and why it was chosen. This goes for most of the dialog throughout the film. It is strange, straightforward and wacky without completely going to crazy town.Overall, the film feels like a good combination of horror and comedy.I would watch this again, and I will be recommending it to friends. This film is a treat for 70's horror fan. It may be a bit hard to watch if you are not a hardcore horror watcher. If you are on the fence about seeking out this movie, I say go now!

trashgang It's being called a British Splatter classic, well for me it wasn't. It do contains a few bloody things and has an eerie feeling but it's in fact a bit low on suspense of horror.Although having a few common names to see I was rather surprised more about the nudity shown for the time being. Vanessa Shaw (Judy) goes naked a few times but there was even some male frontal nudity to catch and that was in that time a not done. It do has some funny situations even as it wasn't intended to be funny. It do work out sometimes and it really had a British look especially of course due the accents used. It was also nice to see the clothing from that era and the way the trains looked back then and I can remember them taking those trains from Dover to London. Towards the end when the monster is revealed it do deliver the goods. a strange flick with some nasty moments here and there, eerie atmosphere's and funny situations. Don't go to deep into the story because in fact they could run from the hospital easily, just have a look when they enter what supposed to be a hotel or mansion and are seeing a bed full of blood they decide to stay, go figure that one out. Not cult for me but due the names involved worth picking up.Gore 0/5 Nudity 1,5/5 Effects 2/5 Story 2/5 Comedy 0,5/5

Mike Hutchinson This film is a wonder. If one was to happen across it one Sunday afternoon, sober and alone, one might struggle to immediately spot its worth.However, do NOT pass this film by. Director Balch has here crafted a masterclass in horror/b-movie aesthetic and inconsistency. The gleeful abandon with which the film disposes of continuity and good sense is a constant joy - it impossible not to shout "REWIND" every 10mins.Robin Askwith's frottage, Dennis Price's priceless mirror speech, the musical motorcycles, the guard Dalmatian, the zombie ticket-man, the slugman escape, the "sandwich incident", the hilarious incomprehensibility of Michael Gough's Doctor Storm's central plan, the delectable Judy Peter's, the greatest chat-up line in screen history (sadly unrepeatable here...) and one very fine facial performance after another from the diminutive Skip Martin.Please, rent or buy this film, grab a your mates and a crate of cheap beer and keep the remote control nearby - this film, from the same year as The Wicker Man and Don't Look Now, defines the genre with its aggressive deconstruction of horror clichés and sizzling script.

Coventry Elderly horror films starring Michael Gough as a dangerously insane butcher are always great fun, since the gore is so over-the-top and the story lines are so hilariously inept. Just look at "Horrors of the Black Museum" or "Satan's Slave", for example! It simply seems that casting Michael Gough inevitably results in a horror film that can't possibly be taken serious. "Horror Hospital" lifts up this theory to an even higher level of grotesquerie, as the plot is indescribably absurd, Gough's character is more demented than ever and the script is just filled with goofs, stupidities and illogicalness! Michael Gough is Doctor Christian Storm, supposedly a brilliant disciple of Pavlov once, but now a crippled lunatic who enjoys swooping off people's heads with his Rolls Royce (now there's one killing method you have to see in order to believe!). Although he's not very good at it, Storm attempts to control and master human feelings of sexuality so he performs brain-operations on youngsters and keeps their zombified leftovers locked away in his rural castle. You can't really be too harsh on this film, since writer/directed Antony Balch clearly opted for a light-headed and comical tone. Cliché after cliché is unscrupulously presented while the violence (although plenty of it) is never shocking or disturbing. Not once during the whole film I really understood what exactly Storm is trying to achieve with his operations (my best guess is that he wants to copulate with the female patients after disfiguring their brains), but I gladly witnessed how he cut open their heads and served the brains on a plate for them to see! The castle (referred to in the movie as a "health-farm") is a great horror setting and there are a couple of very ingenious gimmicks. The most fun definitely is to track down all the things in "Horror Hospital" that don't make the slightest bit of sense: the machete attached to the car can't possibly reach someone's head (unless they were all midgets like Skip Martin) and Storm's biker-henchmen just seem to keep on coming, like they're appearing out of nowhere. This movie is one of those exquisite British horror oddities released during the early 70's; too silly to be produced by Hammer but way too much fun to forget about them entirely. Watch it when you can!