Hollywood Singing and Dancing: A Musical History

2008 "Every studio! Every decade! Every star!"
7.7| 1h51m| NA| en| More Info
Released: 14 October 2008 Released
Producted By: Great Musical Treasures
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The history of Hollywood musical movies, from the very beginning until the 21st century, hosted by Shirley Jones.

Genre

Documentary

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Director

Mark McLaughlin

Production Companies

Great Musical Treasures

Hollywood Singing and Dancing: A Musical History Videos and Images
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Hollywood Singing and Dancing: A Musical History Audience Reviews

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
kz917-1 A Hollywood lovers dream. This show explores the history and magic of a good majority of the movies of the golden age of Hollywood. Hosted by Shirley Jones and featuring interviews with a variety of actors. The interviews delve into behind the scene stories that are a delight for any buff. There's only one problem inevitably they have to omit movies. Either due to time constraints or not being granted the rights to show clips. What is mentioned is greatly enjoyable!
MartinHafer Back in the 1970s, "That's Entertainment" turned out to be a surprise hit, as folks flocked to the theaters to see a celebration of the MGM musical. It was a very good film and led to two sequels. However, the films are flawed in one way--they ignored the musicals of rival studios, such as RKO, MGM and Twentieth Century-Fox. So, for that reason alone, "Hollywood Singing and Dancing: A Musical History" is a better film for someone wanting to learn about the history of this genre. Now I am not saying it's perfect--but it is darn good because its clips are not restricted to a single studio.So what are the film's deficits and assets? Well, on the plus side, it not only talks about ALL the studio's musicals but it also extends to today, since it's a new film. Also, the interviews are quite nice and there are tons of clips. On the negative side, the clips were occasionally fuzzy (especially the earlier ones) and the film is NOT completely comprehensive. Many important films are omitted and you'd get the impression that Busby Berkeley did EVERY musical from the 30s (he actually did far less than most people think). But this can be forgiven, you the film was not intended as a mini-series (which it really needed for so much material). Unless you absolutely hate musicals, this film is for you and well worth seeing.By the way, I really wished the film had talked about some of the flops of the genre--such as "Camelot", "Paint Your Wagon", "Can't Stop the Music" or "Xanadu" (among others). Now THAT would make for an interesting film!
didi-5 I'll rate this 7 for the clips alone, and the snippets of interview with the great stars of musical theatre and film, but this really is a quick and superficial overview of the genre, not really helped by the constant introductions and interruptions by host Shirley Jones.Good to see people like Rita Moreno, Shirley MacLaine, Mickey Rooney, and Liza Minnelli discussing their work, but this documentary goes nowhere near deep enough. Given it has such a short running time, that's not surprising, but other documentaries have managed it before ('That's Entertainment' for one).A bit of a disappointment really, given no new snippets for the musical fan to enjoy and digest, and saying nothing we don't already know. But worth watching as a diversion.
Jeroen I love the genre, so I thoroughly enjoyed this documentary. Due to the years covered (1927- 2007) within a limited time span (108 min), omissions are inevitable. But up to the nineties I think the makers did a great job selecting the defining movie musicals of the decades. In their coverage of the nineties, however, they ignore the big screen and turn to the small screen instead, thus saying no movie musicals of any importance were made within the decade, and thereby dismissing Sister Act (1992), Woody Allen's Everyone says I love you (1996) and most curiously Evita (1996), which did well at the box office, won the lead actress a Golden Globe, and was nominated for several Oscars. Maybe it was a matter of not getting the rights to show clips of these movies, but the omission was a disappointment nonetheless.