Hollow Reed

1996 "Something has come between Hannah and Martin that will change their lives forever"
7.2| 1h42m| NA| en| More Info
Released: 24 June 1996 Released
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Following the break-up of his marriage after revealing his homosexuality, GP Martin Wyatt loses custody of his son Oliver to his now ex-wife Hannah and her new partner Frank. It is not long, however, until Oliver appears at the house of Martin and his new lover Tom claiming to have been beaten up by boys in the park. After another incident, Martin puts two and two together and comes to the conclusion that Frank has been beating Oliver without Hannah's knowledge. Martin then begins a long courtroom custody battle to win back his son.

Genre

Drama

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Director

Angela Pope

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Hollow Reed Audience Reviews

Stevecorp Don't listen to the negative reviews
Konterr Brilliant and touching
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
yespat Everyone did a great job and I'm sure that when it came out, it was very timely. It might even still be timely in the Bible belt or in Muslim countries. But in today's America, it seems dated as the main focus of the film was about whether or not gays should have custody of their children.I suppose if plot is not what you're interested in, you could get lost in the performances as they were all perfect, particularly that little boy. He was really great. I went to see what else he was in on IMDb and was surprised to see that he has not had much of a career. Too bad. He was fabulous.So, see it for historical reasons or for the performances but I don't think it's anything one should rush out to see, if you have not already seen it.
haridam0 The script for "Hollow Red" is finely written, with fully dimensional characters, believable situations, and sharp plot twists.The acting is faultless, with the entire cast bringing poignant character realizations to their work.The direction, editing, and scoring all contribute to a moving drama. One is absorbed from beginning to end, and experiences a cathartic feeling at the finale.The only aspect which may date this film a bit is the British courtroom attitude toward the homosexual lifestyle. In that respect, it roots itself in the late '90s. However, even that element is historically honest and truthful.A fine film from English contemporary cinema.
lovejam Oliver Wyatt [Sam Bould], who's at the centre of this drama, felt he would bring on more drama and feel blamed, coupled with the abuse he put up with if he expressed his feelings about it. Martyn Wyatt [Martin Donovan], who's the ex-husband and father to Oliver, battled discrimination from his wife and the court system to save his son. Tom Dixon [Ian Hart], Martyn's boyfriend, who stood by helplessly yet made the occassional attempt, ended up even more frustrated. Hannah Wyatt [Joely Richardson], who was torn between a possible failed relationship with her current boyfriend and the welfare of her son. Frank Donally [Jason Flemyng], the one who's oblivious to his treatment of the boy and trapped wrestling his own demons. All well-played roles by fine actors.
Red7Eric When I rented this movie with friends, I expected it to be a trite melodrama of the "TV-movie of the week" variety. But it has two things going for it that elevate the film above soap opera.The first is the performance of young Sam Bould as the abused child. One of the best performances from a young actor I have ever seen, without a trace of cutesiness, mugging, or self-consciousness.The second is the character of Hannah. Here is a deeply flawed woman who willingly puts her own son through hell, and yet so skillfully written and played by Joely Richardson, I sympathized with her throughout. This is an extraordinary character, and I was really impressed by the way she was handled.The one major flaw of this film is that the two gay men are wonderful parents, and the straight couple are such awful parents...the film is so pro-gay it verges on being anti-straight. But, as stated above, Joely Richardson's performance keeps you from making any easy judgments about Hannah. She saves the film from treacly melodrama.