Hobson's Choice

1954 "A Masterpiece of Lusty, Gusty, Rowdy Entertainment"
7.7| 1h47m| NR| en| More Info
Released: 14 June 1954 Released
Producted By: British Lion Films
Country: United Kingdom
Budget: 0
Revenue: 0
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Henry Hobson owns and tyrannically runs a successful Victorian boot maker’s shop in Salford, England. A stingy widower with a weakness for overindulging in the local Moonraker Public House, he exploits his three daughters as cheap labour. When he declares that there will be ‘no marriages’ to avoid the expense of marriage settlements at £500 each, his eldest daughter Maggie rebels.

Genre

Drama, Comedy

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Director

David Lean

Production Companies

British Lion Films

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Hobson's Choice Audience Reviews

Palaest recommended
Platicsco Good story, Not enough for a whole film
MoPoshy Absolutely brilliant
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
Andreas Vilic I am delighted by this movie. Every character is unique and great. It shows so many sides to human nature that there are no people on this planet which couldn't find something of themselves in any of the characters. When you see the movie and think about it, you wouldn't lough if someone would just tell you the story, but when you see it, the funny part is that there is so much of it true, where ever you may look, even in your own family. Just fantastic!
elvircorhodzic HOBSON'S CHOICE is a romantic comedy, which is characterized by fairly healthy humor. In the suburbs of Manchester lives a prominent shoe shop owner with his three daughters. A fairytale beginning of the story. Knowing the work of Mr. Lean, I expected something similar. However, the main protagonist is a tyrant, an alcoholic and a big stingy. His eldest daughter takes care of business and family. She is an extremely capable and smart woman. One day, after a domestic dispute, she decides to marry to a gifted boot maker in her father's shop ....The scenery is, as in any other film by Mr. Lean, very impressive. The opening scene is amazing. The director is in this case set up an interesting trap. In fact, already in the first scenes we can make hasty conclusions about the character of some of the protagonists. However, the characterization is being developed throughout the film, mostly in a comedy atmosphere and it includes many of the human virtues and flaws. Particularly fascinating is the relationship between a father, his eldest daughter and a unwanted son in law who takes the main role in the family at the end of the film.Charles Laughton as Henry Horatio Hobson is phenomenal in this role. He is the epitome of the grand egoism, and grumpiness. The protagonist who is evil, humorous and pathetic at the same time. Mr. Laugton is truly a master of the trade. Brenda De Banzie as Maggie Hobson is a fully realized character of a woman and shows a thorough, shrewd awareness of the secrets that every woman knows. However, she is a gentle and devoted wife. John Mills as Will Mossop is a collateral damage, if we ignore the end of the film. Son in law is to often a collateral damage. However, there is some symbolism. A smart and intelligent woman made a real husband and a businessman out of an ordinary, but talented guy.This movie is a little gem of the genre.
mark.waltz The premise of this intelligent comedy of manners, or in Laughton's case, the lack of them, is the decision of his often sloshed character, to be the one to choose a husband for each of his four daughters. That's if they don't outwit him first. A series of witty vignettes shows how each of them do just that with Laughton getting into trouble along the way.Laughton creates most of the laughs, whether falling drunk into an open storage cellar, seeing the reflection of one of the prospective sons-in- laws in the mirror or discovering his liquor cabinet emptied much to his horror. The sight of the portly Laughton dealing with a chain attached to his crotch then flat on his back with his feet tangled is a sight to behold. An excellent supporting cast surrounds him, including John Mills as a milquetoast assistant and Helen Haye as an imperious customer. Director David Lean, most famous for huge epics, proves that he is just as adept at intimate stories as well.
audiemurph Let me start right off by saying that this may be the single greatest comedy of all time. Certainly the greatest I have ever seen. It is perfect from the first from to the last. Every scene, every line, is an absolute delight. Every character is appealing and full of great Brit eccentricism.In particular, John Mills as the evolving Willie Mossop, cobbler extraordinaire, may be the most likable character ever created in a movie. What a fine performance from one of England's greats.All right, let's get serious. British comedy has always been, to me, and many others, always funnier than our own here in the states. They are wittier and more playfully written, and the quirkiness of being British cannot be matched here. Let's face it, even the accents are just plain funnier. And this movie has it all in spades.Charles Loughton is perfect as the arrogant and haughty father and patriarch, whose daughters run rings around him.A couple of notes. First, the prolific Prunella Scales, who plays daughter Vicki, went on many years later to achieve immortality as Sybil Fawlty in Fawlty Towers with John Cleese. Second, the Victorian London accents are a little tough to follow at times, and I had to use closed-captioning to go back and read what the actors were saying at some points. Third, I found it amusing how the characters would leave out the definite article "the" in certain situations: "get back into shop!" and "going to dentist", for example. Any linguists have any comments? Finally, a little continuity error: when the wedding feast is done, John Mills removes a couple of items from a nearly empty table; moments later, when Brenda De Banzie comes by a few moments later, the table suddenly fuller, including having on it flowers that were not there before.In sum, this movie should be on every comedy and British movie lover's must-see list.