Phonearl Good start, but then it gets ruined

Solidrariol Am I Missing Something?

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

nycritic Pedro Almodovar seems to be aiming for the excesses of female drama even in his future explorations of male passion, seen in films like CARNE TREMULA (LIVE FLESH) and LA MALA EDUCACION (BAD EDUCATION). A hybrid caught between his lurid comedies of the Eighties and the darker, more textured dramas that would present him in a more mature light after the success of LA FLOR DE MI SECRETO (THE FLOWER OF MY SECRET), TACONES LEJANOS (HIGH HEELS) finds Almodovar continuing to explore the female psyche in a story that's an equivalent of a spicy gazpacho made with combinations of the histrionics of Joan Crawford in MILDRED PIERCE and the melodramatic garishness of a Douglas Sirk melodrama with a subtle reference to Ingmar Bergman's HOSTONATEN. Throw in the usual suspects -- a mother (with a name that recalls high-drag), Becky del Paramo (Marisa Paredes), her estranged daughter Rebeca (Victoria Abril), Rebeca's husband Manuel (Feodor Atkine) who is one of Becky's former lovers -- a little murder and a female impersonator (Miguel Bose), and you have a sizzling story that is vintage Almodovar.

stephenmarden I had no idea what i was off to see. I was living in Cambridge which has a good Arts Film Circuit and it was cheap to go at the time. I cannot remember laughing for so long over a foreign film that was not intended as a basic comedy. It had drama and a style that was really unusual at the time, prefiguring the 60's retro of the mid 1990's onwards (we are almost out of it now) No i did not get the references to past films but now i have been made aware of them i shall look a bit harder.I have seen most of his films since and in general they do improve on most levels but this was so funny and hooked me, and my friend. Wish i could get it on DVD

rbverhoef I like the films made by director Pedro Almodóvar and 'Tacones Lejanos' ('High Heels') is no exception. Even his lesser film ('Kika') have something to enjoy, most of all because they are so very different from other films you have seen. Like a Tarantino-film, an Almodóvar-film is sort of like a genre on itself. Although Almodóvar reached greatness with 'Todo Sobre Mi Madre' and especially 'Hable Con Ella', his earlier films like 'Mujeres al Borde de un Ataque de Nervios' and this one are a lot of fun. He mixes so many genres here, uses symbolism in such an effective way, the least thing it does is being original. I guess there is nothing wrong with that.The story involves a daughter Rebeca (Victoria Abril), her famous mother Becky (Marisa Paredes) who returns to Spain after fifteen tears, a murder that could have been committed by Rebeca, Becky and a third suspect, Judge Domínguez (Miguel Bosé) who is on the case, and a lot of colorful supporting characters. I could tell you more but the plot is not really the issue here. Although this films sounds like a drama, maybe a detective or a thriller even, it is closer to a comedy because of the way Almodóvar handles the absurd situations. There is a scene where Rebeca, an anchorwoman, tells something about the murder where she herself is one of the suspects. Next to her sits a woman who does the news in sign language. The whole scene, which is dramatic in what it tells us, is one of the best moments of comedy I have seen.Of course the themes here are really dramatic. Not only we have the murder, we also have Rebeca who has wanted to impress her mother her entire life. It is just that Almodóvar creates a world that reminds you of a soap opera that can bring comedy out of every dramatic event. That his film is more serious than you might think is proved by the symbolism he uses. Scenes where Rebeca is temporarily in prison show her in a symbolic way how she feels. In another beautiful scene we see Rebeca driving her car, but it is the wall on the background that draws her attention. It is like her entire life is written on the wall. Almodóvar who loves to use bright colors finds an effective way here to use them, representing the state the character is in. It is not only effective it is quite beautiful to look at as well.

PENDANT Do you have one singular childhood memory that would seem insignificant to the rest of the world? Rebeca does and it has defined her life of trying to be somebody that her famous mother will notice.Rebeca and Becky's final realization of each other's own self finally comes in the unselfish gesture that defines motherhood -- sacrifice.Although this movie is listed as a drama, the madness surrounding most of Almodovar leading ladies is ever present. Raunchy and racy, as well as tender and sweet, this movie is well worth the look if you can find it.