Redwarmin This movie is the proof that the world is becoming a sick and dumb place

RyothChatty ridiculous rating

Helloturia I have absolutely never seen anything like this movie before. You have to see this movie.

Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

grubstaker58 Still another lost gem from the "Golden 1970's".It ranks right along side "The Long Goodbye" and Night Moves" as a super slice of "Modern Film Noir"-- 70's Los Angeles style.It truly is character driven (Boggs ,looking for clues under a murder victim's kitchen sink, see's a mouse-trap and then a mouse...he unloads the trap.)Yet there are very impressive , deftly staged ,action sequences...-a mid-day shoot-out in an eerily empty L.A. Coliseum and a night-time bullet exchange in a crowded Dodger Stadium parking lot.The Mob, the Cops , Black Militants, Latino Militants, marital problems...These guys(HIckey&Boggs) are in way over their heads and carry their just dusted off guns- in towels, for crying out loud. But they have each other's back and they're gonna "finsh the job". A Classic.

Woodyanders Walter Hill wrote the deliciously knotty and fatalistic script for this marvelously gritty private eye mystery action thriller with the unlikely (and possibly incredible) duo of Jason Robards and Strother Martin in mind for the leads. Instead, the familiar "I Spy" team of Robert Culp and Bill Cosby wound up playing the titular rumpled, cynical, tight-lipped and terminally luckless desperate and destitute detectives for hire, a couple of rundown and weary inconsequential losers whose seemingly simple and straightforward case involving a missing rich girl ties in with a suitcase full of mucho stolen mob money and a bunch of dangerous, not to be trifled with gangsters who are willing to use any brutish means necessary to get their hot loot back.The wonderfully easy'n'breezy chemistry between Culp and Cosby effortlessly carries the picture from start to finish. Culp's laudably crisp and assured direction scores a completely on-target bull's eye with the resolutely hard-boiled, tough-minded and no-nonsense harsh tone in particular; this is the kind of top-notch rough'n'tumble modern-day film noir affair where several innocent bystanders are unfairly killed and everyone connected with the stolen bucks ends up getting their violent just desserts by the movie's thrilling conclusion. Peppered with a splendidly sharp line in sardonic humor, punctuated by three stirring shoot-outs (the first in an empty baseball stadium, another in a parking lot, and the last one on a beach), immensely enlivened by a sensational supporting cast filled out by such always welcome folks as Rosalind Cash, Michael Moriarty, Vincent Gardenia, Ed Lauter, and James Woods, and topped off with one of those quintessentially 70's amazing downbeat defeatist climaxes, this simply super sleeper overall rates as one of the finest, most shamefully neglected and undeservedly undervalued crime features from the 70's.

FEF312 Robert Culp directed this tough '70s crime flick about two down on thier luck private investigators in LA. Culp and Cosby are miles away from the characters they played in I SPY, but the chemistry is still their. Another note - several prominent actors make early appearances in this film - James Woods, and Michael Moriarty. Vincent Gardenia appears in the cliche role of the put upon, aggravated police contact. Good news - this film is now available on DVD. The company releasing it on DVD is AIP films. Quality of the transfer is mediocre, but it's still worth it to see this underrated film again.

HughBennie-777 Robert Culp is another example of a first-time director not letting traditional storytelling get in the way of his offbeat style (William Peter Blatty being another), and here he takes a cop thriller/mystery and turns it on its head.Although the editing is incoherent in parts, and the plot is often hard to follow, the characterization of the two leads is more important to the director, and he captures a full-fledged pair of down and out detectives truly memorable in their chemistry.Unlike the endless buddy cop films that have turned the genre into bacteria nowondays, here, every scene with Cosby and Culp is hyper-realistic and not without dry humor and dialogue. Additonally. the last 20 minutes of the film are exciting with a lot of solid action, spewing machine-gun bullets, and the final image that plays over the crawl is unforgettably beautiful. Great theme song.