ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

jacksflicks Hi, Nellie is one of the most arch, hilarious movie titles I've ever encountered. At first it sounds banal, but as it's tossed around in different scenes by different characters, it gets funnier and funnier. There's a barroom scene that's a howler.But rather than just a prop for the title's running gag, the story is quite interesting on its own. It involves a newspaper and corruption and a missing banker, and things aren't what they seem. We're taken through some amazing sets. it's impressive to see how many resources were plowed into them by the studio, from tracking shots of the cavernous newsroom, of teeming city streets, of the interior of an elaborate nightclub, all following Paul Muni, who, by the way, is a rough-and-tumble editor relegated to the lovelorn column by his publisher.And this is a great showcase for Muni. Most of his scenes show him in closeup. Remember, Cagney had Public Enemy and Muni had Scarface, both intensely focused on their personas. I think Muni, because of his stage background, overdraws his character in movie closeups. (He may have won the Oscar for Louis Pasteur because he wore a beard that restrained his over-expressiveness.) But hey, it's Muni, and it's fun to see him do his stuff.This is a comedy-crime flick, fast-paced, with rapid-fire dialog between great Warner players, so you have to pay attention. There's a scene where a dim young reporter tells Muni that the children's picnic he was assigned to cover didn't occur because the boat taking the kids to the venue ran aground on a sandbar and broke up, so he only had one paragraph to report. This is great stuff!

MartinHafer HI, NELLIE! is a fun film to watch but in no way could it be mistaken for a deep or high quality product. Instead, it's just simple fun--plot holes and all.Paul Muni plays a managing editor at a newspaper. However, his decision to underplay a big story is second-guessed by the owner and as a result, he is demoted to writing a "lonely hearts" column. His co-workers ridicule him unmercifully, but after initially refusing this indignity, he actually makes a success of it. However, he always is thinking about how to get his old job back, as he misses the excitement of crime and other lurid stories.The film has some very good support for Muni, with Glenda Farrell, Donald Meek, Douglass Dumbrille, Ned Sparks, Robert Barrat and others. So, while it's a relatively cheap and silly production, the supporting characters make it a lot more interesting and worth watching. However, just be prepared for an amazingly easy resolution to the mystery in this film and some jumps in logic. Good as a time-passer but far from Warner's or Muni's best.

Ron Oliver Forced to write the Heartthrobs column, the former managing editor of a big city paper finds himself exposing a story of murder & political corruption.Fast-moving & fun, HI, NELLIE! is another example of the comedy crime picture that Warner Brothers was so expert at producing. Casts & plots could be shuffled endlessly, with very predictable results. While this assembly line approach created few classics, audience enjoyment could usually be assured. Here, the look & feel of the paper's busy newsroom is smack on the mark and the performances, even with a script that's too plot heavy, never fail to entertain.Consummate actor Paul Muni gets a rare chance at comedy here and pulls it off brilliantly, adding just the right amount of drama from time to time. Whether he's trashing his office in a fury, fighting with his boss or going nonchalantly into the headquarters of the enemy to collect information, Muni is never less than fascinating. He is teamed with the equally watchable Glenda Farrell, playing another one of her hard-boiled dames with a heart of gold. It is obvious from the script that their two characters were once lovers, but refreshingly no time is wasted with rekindling the flames - they are just chums, wary & respectful. Their unromantic chemistry adds much to the fun of the film.A fine cast of character actors helps move the story along. Ned Sparks plays his usual acerbic self as an investigative reporter loyal to Muni. Little Donald Meek is equally good as an aged office clerk who provides assistance on the hectic news floor for Muni & Farrell. Berton Churchill as the paper's publisher & Douglass Dumbrille as Muni's rival both score in their roles.Robert Barrat, Harold Huber & Edward Ellis all play dangerous bad guys who must be dealt with. Frank Reicher, fresh from his double stint as the captain in the KONG movies, here plays a none-to-savvy lawyer.Movie mavens will recognize an uncredited John Qualen as a tenement custodian.

Servo-11 Having seen Paul Muni in so many dramas, I wondered if he could pull off comedy as well. I needn't have worried. Since he's teamed with Glenda Farrell, a master of the wisecrack, he gets solid support and the looks they exchange throughout the movie are priceless. One scene that I loved was when Glenda is pretending to be Nellie Nelson so that a woman will confide in her and she's bossing Muni around like he's her office boy.The plot isn't that original. In fact, there are several versions on the same theme (star reporter demoted), but this one has the star material to give it an extra life. Ned Sparkes also adds to the fun.