Mjeteconer Just perfect...

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Jenni Devyn Worth seeing just to witness how winsome it is.

desperateliving I was made giddy watching this film, and I think the more tuned into this specific type of camp you are the more you'll enjoy it. The movie is certainly not for everyone, and like an early John Waters movie it relies quite heavily on gross-outs -- like intestine-eating and rape with a dildo -- for its effect. A lot of the acting teeters on the edge of self-mockery. (Though I think the main over-the-top performance of the Spanky O'Niel character, reminiscent of Cathy Moriarty in "Casper," is deliciously psychotic.) However, unlike a Waters movie there isn't a lot of political subversion in the film -- unless a character who wants to sleep with 2,000 men is meant to be taken as a jab at gay promiscuity. The soundtrack is pretty entertaining, some of the cinematography is quite striking, and I liked the way it incorporated the Great Flood of Winnipeg into its storyline. 7/10

marc.smith I have no idea what to make of this movie. Should I think of it intellectually as a modern, messed fairytale, or some weird allegory for a degradation in society that fears losing all that it holds dear... No, I think this is just poor cinema, with no sets... little plot that makes any sense, and characters that you can't even remotely care about! This is one of the top 10 worst films I have ever seen! And it's a disgrace to quality Canadian cinema. The only saving grace is Spanky - a twisted Male version of the Wicked witch of the West. But sadly, even his over-the-top performance can't save this film.

pantspie what utter and complete garbage this hideous film was. i don't know when "subversive" officially became synonymous with "aimlessly ambling, pointless mess which attempts to shock in the most embarrassing and obvious ways," but if it has, then call this subversive, i guess. watching the director's pathetic attempts to provoke the audience - using no more sophisticated tactics than your average episode of 'jackass' - was truly painful. nice cinematography, though.

keenerific There may be a basis for the common opinion that Canadian movies are dark, dreary and slow-moving, but Hey Happy! leaves at least the last two behind in the prairie dust. Even the movie's darkness is the kind that only underlines the mad joy, the elated wild abandon that fuels this surreal tale of sex, drugs and electronic music on the eve of Winnipeg's apocalypse. The sheer power of the film's hope-through-hedonism ethic lifts a gay rave frolic into one of the most subversive, and therefore one of the most important, movies I have ever seen.