KnotMissPriceless Why so much hype?

Cathardincu Surprisingly incoherent and boring

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.

Theo Robertson Oh dear a Hollywood thriller featuring the Provisional IRA that was made at the height of the troubles . Let me guess whose side the film might be taking ? "One man's terrorist is another man's freedom fighter" you state with self righteous smugness . Well there's women and children being raped to death by Jihadists' in the Caliphate as I write this . Anyone consider them to be freedom fighters ? The only thing terrorists offer people is the freedom from freedom . But you can guarantee that Hollywood will delude themselves that if someone has an Irish accent , a Kalashnikov and a pile of semtex there's no way he can be classed as a "terrorist" , so imagine my surprise that I came across a very even handed portrayal of Irish terrorism The plot is simple and features an Irishman Niall Hennessey whose wife and daughter are killed in a riot in Belfast and wants to take his revenge by blowing up the Queen's state opening of parliament . This is seen as a step too far by the Provisionals so set out to eliminate Hennessey The idea of the IRA going after a rogue player however is not as far fetched as it seems . Sure it's all down to self preservation . As real life events would later prove the IRA's failed assassination plot of the Prime Minster and her cabinet in 1984 with the Brighton bombing destroyed any intermittent dialogue between the British government and the IRA for several years . Wipe out the Royal family and British government is just asking for trouble because the retaliation and fall out would totally alienate the Provos from any political carrots being offered so yes the motives and credibility as seen here ring absolutely trueHENNESSEY is a rather familiar thriller of one man finding himself alone and on the run from both sides but this isn't necessarily a criticism . When the film does make vaguely political statements then it does tie itself up a little bit . For example a news report states sectarian differences are put aside for the youths killed in the riot , but I can tell you a small minority of people living in Republican or Loyalist ghettos will never come together to remember the dead of the other side . Quite the reverse , it'd be a cause of celebration and much drinking . Sad but true Rod Steiger is one of these actors whose talent far exceeds most of the films he's been in and HENNESSY is sort of mid table . It's not a role that screams Oscar nomination but at the same time he does give a rather understated performance and it's not often you see a film where the lead IRA man isn't played by some hunky man . Sean Bean , Richard Gere and Brad Pitt have all played IRA men so it's a nice change that the producers didn't think of getting Paul Newman or Robert Redford in the title role so let's be grateful for that Oh and no review of this movie can be complete without saying "Some very good editing and the archive footage of the Queen blends so seamlessly in to the film you'd think she's actually been filmed onset as herself"

Oslo Jargo (Bartok Kinski) *** This review may contain spoilers *** *Plot and ending analyzed* If it wasn't for the insipidly idiotic scenes, namely the ending, this would have been a little better. As it stands, the assassination plot should have been carried out with relative ease. Add a violent New Scotland Yard detective, who I may add is entirely dull, and he puts an end to Rod Steiger's complot and it further sinks into incredulity. Rod Steiger wouldn't be my first choice to play some competent detonation man on the lam. He makes plenty of mistakes to have both the IRA and New Scotland Yard detectives find him.The Day of the Jackal (1973) also had a similar ending and at least that was better throughout the film.Rod Steiger plays some Irish bloke who served in the North African Campaign of the Second World War, but comes back home a few years later to a divided Ireland. The IRA wants him for a job but he refuses, out of principal he says, but then his wife and kid get gunned down by a young trigger squeezing Royal Military Police lad who took a rock hit to the mug and then Rod Steiger plans a hit on Queen Elizabeth II. The IRA look for him since if he ices Queen Elizabeth England will destroy the IRA.It all seems a bit on the weak side.

ianlouisiana Released at the time when the PIRA were blowing innocent Brits to pieces, it is instructive to re - assess "Hennessy" at a time when Islamic extremists are blowing innocent Brits to pieces .For their potential victims,the terrifying difference between the two organisations is the care the PIRA bombers took to protect their own lives and the indifference of the Islamists towards their own lives or anybody else's.It is depressing to note that the PIRA's present "Campaign" has been going on for forty years,and although they have clearly been bribed by a craven Labour Government to adopt a less overt profile,their aim remains the same. If the Islamists operate on such a time scale - and there is evidence to suggest that their plans are even more long - term - then Brits run the risk of being blown to bits for several generations to come.In that context what can we learn from "Hennessy"? Simply that revenge is the strongest of motives,and that a man who perceives he has nothing to live for is a deadly,unstoppable enemy. And that politics makes strange bedfellows. Mr Rod Steiger plays explosives expert Hennessy,a man maddened by grief at his wife's death (albeit accidental)at the hands of Brit soldiers during street disturbances in Belfast.He plans to extract a terrible vengeance by blowing up the Royal Family at the State Opening of Parliament. Fearful of a backlash,the IRA leadership co - operate with the security forces to stop him. It is a fact universally acknowledged that no terrorist organisation can flourish without at least the tacit support of the community it sprung from.The Provisionals have significant if silent support in a large part of Belfast.Thirty years ago it was more overt and vocal.Hennessy was not a Provo or even a fellow traveller - but he knew a man who was. As the Brits and the Bhoys close in, Hennessy single - mindedly gets on with his plan.And,as we have learned to our cost,there is no defence against a man with nothing to lose. Mr Steiger has somehow gained the reputation of being a "great" actor. Well,he is certainly recognisable as an "actor",I'll say that. Give him an accent i.e. "In the heat of the night","The Pawnbroker" and he showboats quite happily.Thus in "Hennessy" he does "Belfast" pretty well and is right at home playing a broken man,but unfortunately he is never Hennessy,merely Rod Steiger playing Hennessy,a small but important distinction. As we look over our shoulders in a tabloid frenzy of suspicion and fear we reflect that the great Alf Garnet once said "You can't have a democracy without shooting a few people" and it's looking increasingly likely that he may have had a point.

david-c I first saw this film at the cinema when it was released in 1975. I got the shock of my life when I saw myself in the newsreel film over the opening credits. In 1969, 1971 and 1972 I had served tours in Belfast with the Royal Regiment of Fusiliers, and it is film of the Winter 1971/Spring 1972 tour that opens Hennessy.The first few scenes of the street rioting, the armoured "pigs", the equipment of the squaddies and the visceral hatred shown by the rioters was scarily authentic, unfortunately the accents of some of the "Irish" characters wasn't. With such heavyweights as Rod Steiger and Trevor Howard, the film should have received more support- perhaps the distributors were concerned about the politics. A brave film for daring to confront "The Troubles" and a good "yarn" as well.