PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Claire Dunne One of the worst ways to make a cult movie is to set out to make a cult movie.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Alistair Olson After playing with our expectations, this turns out to be a very different sort of film.

lannaheim Gee, Ellen Barkin looks like hell (it's all makeup; she's not THAT old), Patti D'Arbanville (about whom Cat Stevens wrote his song) -- yes, folks, we all do grow old. I don't know why people gave this such a low rating, but, without having read any of the reviews, I am here to say that while the plot is kind of ridiculous, the portrayal of old age is not. Dementia is miserable for the people who have to deal with those who are undergoing it. And this film does depict it in a Hollywood way. It's worse in real life, for those who don't have money to afford -- any of it.Okay, I just lost my mouse, so I am going to submit this without further comment. Except to say I am surprised that this film was not more popular -- oh, and OF COURSE to make the connection (I never had a doubt) between Roy Lichtenstein and the director. No one else would be able to use that "Happy Tears" logo, and the plot certainly made sense to a person who understood the difficulty of being the child -- wunderkind -- of a Very Famous Artist.Dementia is always depressing, so I think Lichtenstein did a good job. If I still had my mouse, I'd look up how Roy died, see if he went the way his son depicts...

charlytully Okay, the plot of the Michael Douglas vehicle (he plays the title character) isn't QUITE identical to that of HAPPY TEARS. The former "crazy" dad with a secret of hidden treasure has just ONE daughter, while Rip Torn in HAPPY TEARS has two. But HT is NOT twice the fun!! After all, while Douglas scuba dives, Torn wears diapers (and there is a scene in HT designed to illustrate to young people if they would make good "candy striper" candidates). Another advantage KOC has is that its plot is far simpler than HT's, which in this case is a definite plus. While the main characters of KOC are all likable and funny, most of those in HT are prickly, while more than a few are downright unsympathetic (not to mention unfathomable). Further, maybe in the go-go 1990s jokes about women who buy $4,000 boots on a whim while a sibling needs to practically gnaw on tree bark to survive (with a bunch of children to feed, to boot) would be funny. Today, only the Tea Party anarchists would laugh at that. If you fall into the latter group, you may find HAPPY TEARS to be a hoot. But for the 90% of us who are relegated to just one-third of America's bounty (a percentage that is steadily shrinking at a rate now exceeding the robber baron days which even Republican president Theodore Roosevelt recognized as a crime against humanity when he broke up the trusts), rent KING OF CAL!FORN!A instead!

rzajac "Happy Tears" is sort of odd: It draws you in, and you comfortably watch the whole thing. Then, after it ends, you realize it suffers from "chick flick" syndrome, almost as bad as the worst of the genre.It really has poor story structure. It seems to be moving along, but really it's just floating along on a stream of trenchant dialog and beautiful graphics and editing, and some great acting. But it ends on a happy-go-lucky, that seems rather undeserved and subsequently trite. All kinds of dramatic elements get dropped, and others enter without decent leading development.In short, if you like narrative integrity, skip it.

plkldf Saw this at Cinema Sundays at the Charles here in Baltimore.The audience liked it a lot, from their reactions during the film and also at the Q&A. Parker Posey and Demi Moore play two sisters who are faced with taking care of their father in the house where they grew up. Their father, played by Rip Torn, is becoming less and less compos mentis. Not forgetting the wonderful Ellen Barkin, who brings humanity to the role of Shelley, a woman who has reached bottom.The movie has some pretty trippy sections, a fair amount of things that make you not so sure what's supposed to be happening in the movie's reality, and what's just happening in the head of one of the characters.It's primarily a good-natured comedy about people and how they get along. It's very funny, with some subtle and unexpected laughs. I can't wait for this to be shown in a local theater so I can see it again.