ManiakJiggy This is How Movies Should Be Made

BroadcastChic Excellent, a Must See

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Brennan Camacho Mostly, the movie is committed to the value of a good time.

mevmijaumau This is the final film from the outrageously wacky Hanzo trilogy starring Shintaro Katsu. Who's Got the Gold? (or, as Google Translate calls it, "Honorable Spear-Wielder: Hanzo and the Night of the Oval Demon") is directed by Yoshio Inoue, who's too obscure a director to point out some of his other achievements, and written by Yasuzo Masumura, who directed Hanzo #2.I personally consider this to be the weakest out of the three films. By now, we all know the shtick and there's plenty of rehash of ideas found in #1 and #2. I swear, you get so accustomed to Hanzo's modus operandi that, by this point, seeing him screw a woman suspended in a large hanging net becomes an ordinary everyday sight. The movie begins promising, with Hanzo learning of a female ghost (played by Mako Midori from Blind Beast) haunting a swampy area. He shares with us that he had always wanted to f*ck a ghost, and so, through rape, he finds out that she's a fake ghost who's there to scare off the potential lurkers. It appears that there are large stacks of Shogunate gold hidden in the swamp, and that it's all a part of a massive conspiracy between high officials to steal the Shogunate's gold and loan it out to the destitute. Hanzo also meets up with an old friend, shelters a doctor who wants to build a Western cannon to expose Japan's crappy technology, and uncovers a ring of blind monks who have fun with the ladies during the koto instructions.So, basically, this film goes from a Scooby Doo ghost mystery to a political conspiracy thriller ft. samurai loan sharks, blind monks who lead orgies with the officials' wives, and some good, old fashioned chambara action with a historical comment on Western pressure through military technology. All this with a protagonist who pours hot water over his d*ck and rapes women suspended in hanging nets. The viewing experience is topped off by zen visuals and a funky '70s soundtrack.The more I think about it, the more this seems like the most bizarre trilogy in existence.

Witchfinder General 666 Following the brilliant "Goyôkiba" (aka. "Hanzo The Razor - Sword Of Justice", 1972) and its excellent (and even sleazier) sequel "Goyôkiba: Kamisori Hanzô jigoku zeme" (aka. "Razor 2: The Snare", 1973), this "Goyôkiba: Oni no Hanzô yawahada koban" aka. "Razor 3: Who's Got The Gold" is the third, and sadly final installment to the awesome saga about the incorruptible Samurai-constable Hanzo 'The Razor' Ittami (brilliantly played by the great Shintarô Katsu), who fights corruption with his fighting expertise as well as his enormous sexual powers. As a big fan of 70s exploitation cinema made in Nippon, "Sword Of Justice" became an instant favorite of mine, and I was therefore more than eager to find the sequels, and full of anticipation when I finally stumbled over them recently. While this third "Hanzo" film is just not quite as brilliant as its predecessors it is definitely another great piece of cult-cinema that no lover of Japanese exploitation cinema can afford to miss. "Who's Got The Gold" is a bit tamer than the two foregoing Hanzo films, but it is just as brilliantly comical and crudely humorous, and immediately starts out fabulously odd: The film begins, when Hanzo's two assistants see a female ghost when fishing. Having always wanted to sleep with a ghost, Hanzo insists that his assistants lead him to the site of the occurrence... If that is not a promising beginning for an awesome film experience, I don't know what is. Shintaro Katsu, one of my personal favorite actors, is once again brilliant in the role of Hanzo, a role that seems to have been written specifically for him. Katsu IS Hanzo, the obstinate and fearless constable, who hates corruption and deliberately insults his superiors, and whose unique interrogation techniques include raping female suspects. The interrogated women than immediately fall for him, due to his sexual powers and enormous penis, which he trains in a rather grotesque routine ritual. I will not give away more about the plot in "Who's Got The Gold", but I can assure that it is as cool as it sounds. The supporting performances are also very good, and, as in the predecessors, there are plenty of hilariously eccentric characters. This is sadly the last film in the awesomely sleazy 'Hanzo' series. If they had made 20 sequels more, I would have happily watched them all! The entire Hanzo series is brilliant, and while this third part is a bit inferior compared to its predecessors, it is definitely a must-see for all lovers of cult-cinema! Oh how I wish they had made more sequels!

movieman_kev Shintarô Katsu, best known for the Zatôichi films, again stars in this third and final movie in the Kenji Misumi (mostly known for "Lone Wolf and Cub), directed saga of Hanzo 'The Razor' Itami feature the big dicked one battling ninjas, rapeing 'ghosts', and uncovering shady goings on at the Shogunate treasury. The Hanzo 'plot' was kinda getting stale and repetitive. What was once novel in the first film, was not any longer. Fortunately, this one was better then the second thanks to having more humor. I'm just glad that they choose to stop at the one trilogy (I'm looking at YOU Lucas) My Grade: B DVD Extras: Merely Trailers for all 3 Hanzo the Razor films Eye Candy: Aoi Nakajima unleashes both tits, Mako Midori just her left one

traegorn The third, and final installment of "Hanzo the Razor" is the most concrete of them all. The "training" even gets completed within the first five minutes of the film. Not for everyone, this film details Hanzo's investigation of loan sharking being performed by an order of blind monks. It also makes a historical comment on the prideful refusal of old Japan to incorporate Western technology. Where the first Hanzo film was just a funny and gory ride with little connection to it's plot, "Hanzo 3: Who's Got the Gold" manages to connect everything, and brings it all home in the end. Definitely the perfect finale. Oh yeah, Hanzo still has a lot of sex, and there's a lot of needless blood and violence (it *is* Hanzo the Razor after all).