ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Blueghost I remember seeing this on HBO and just watching in awe of how well crafted films can be. This film isn't high art in the traditional sense. It came out during the transitional 1970s to 1980s era of one society wanting to be high tech, and another entering the computer age perhaps against its will and without consent. That's important because there's a kind of technological angle that this film uses to further the plot, which was a foretelling of things to come in terms of tech portrayed in films.But the larger film is a bit long and can be a slog at times, but it's actually quite interesting as the film shows us glimpses of another world. A world where international intrigue shows its seamier side in terms of criminality on both sides of the law; law breakers and those who are supposed to enforce the law. The film also shows us some of the issues plaguing nations like Columbia, and shows us the extent to which dissident groups will go in order to enable their change for social order. The film shows the truth of such efforts, and the ultimate victors and losers.I know all of what I wrote sounds kind of high minded, but films in the 70s and 80s were a lot more sophisticated than today's offerings, and more tasteful too. Green Ice has all kinds of tawdry and violent elements that aren't pornographic like a lot of today's media which seem to need to show us, the audience, every sexual act and every bullet striking every body part with every blood splatter.Green Ice also doesn't rely on a lot of over the top action nor a lot of machine-gun editing nor shaky cam that plagues so much of today's media. See it once and see what you think.

mrmichaeltroper This movie is entertaining enough. I guess the strength is in its action thriller approach to the typical 'romancing the stone lets get the loot adventure in a third world jungle like setting' deal. Its telling and revealing; the things I have to say and the reasons for it. I am poor and have a VHS collection that keeps my time. So after watching this for the umpteenth time, though entertaining, I wanted to say that I find Holbrook to be an ostentatious, ugly pig slut doing the typical 'rich-bitch' thing and I want to bash her head in with an ice pick! I get annoyed also with Wiley's pursuit of said rich-bitch, it would be much more entertaining to see her somehow tragically fall into the blades of a moving helicopter. but then it is only a movie. Why do I watch it if I hate all this stuff about it? Because I'm housebound and have nothing much else to watch!

kreedc When I first saw this movie , and I only saw it the one time, I was highly intoxicated with placidyl and early times but I have remembered it through out the years as one of the best pictures that I have ever seen. Though high I remember quite a bit of the story and plot. When I saw it, I had been at the set of a movie called Steel that was filmed somewhat in Lexington ,KY with Lee Majors, and one of the stunt men was killed in a fall scene.That stuck with me, and when I saw Green Ice it all returned, and at the time that I saw GI I felt as though that it was me dangling on the end of that rope when they were making their escape. It is a movie that I will always remember and wish that I could see it just once more in the state that I was in when I first saw it!

rsoonsa A poorly developed action adventure film shot largely in Mexico, this affair begins in promising fashion, but after its first of several changes in direction occurs within the plot line, little remains that will interest a viewer. A group of international students (in reality organized supporters of anti-government rebels) is massacred in Colombia by Federales as action opens, while during alternating scenes Joe Wiley (Ryan O'Neal), an American electronics engineer, visiting Mexico to recover from a divorce, meets an affluent socialite, Lillian Holbrook (Anne Archer). When the two become romantically involved, a complicated situation forms since Lillian is being wooed by Meno Argenti (Omar Sharif), a powerful plutocrat who controls the emerald trade for the rotten Mexican government, thus leading to shared distaste between the two men. When Lillian travels to Colombia in quest of her missing younger sister, Joe goes with her, an act not endorsed by Meno who wishes to wed her for personal reasons other than love, and a climactic conflict between the rivals can result only in violence. The screenplay is a hotchpotch with a thread of intended light-hearted romance woven among such disparate themes as murder, torture and sadism, along with grotesquely silly stunts that Joe and his cohorts perform in attempts to foil the evil Argenti. The piece is heavily cut for distribution, and editing is very choppy, increasing the episodic nature of a script that consistently meanders, scenes honouring logic being very rare indeed. The players are somewhat hindered by their cliché laden lines, O'Neal being even more encumbered by a large assortment of electronic and other specialized equipment that is magically available for use in situations requiring derring-do. Camera-work under supervision from cinematographer Gilbert Taylor is strikingly effective and creative but general mistreatment of basic rules of continuity sinks this effort despite its pretty scenic effects.