Nonureva Really Surprised!

PlatinumRead Just so...so bad

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Reno Rangan Try to expect from the film what the title signifies. Then this will be a decent film to have. As we know there's no big names in the cast, as well as from behind the camera. But the whole film discloses is what people do when their marriage fails, in order to move on. That's not it, there's a message, that it ends with, especially about the children of the splitting couple. Seems it is a nice one from that angle, though overall film is not a clever enough to attract all kinds of viewers.When his wife suddenly breaks the news that she wants a divorce, the husband in a surprise tries his best to convince her not to, but nothing works. All the separation affair can be solved easily as they have a good understanding. So they try to move on, particularly the father who meets many women, including his old school and college mates. But what they are not seeing is their young daughter who is affected by all this. So where the story heads from there is told in the remaining.For the first time direction, this is not a bad film. A low budget, short film with a simple storyline. Well intended film on what it wanted to say. But nothing was told straight, everything was about not being single, that means dating and sex was the priority. Only in the last ten minutes it tries to turn around. That's where the story and the title overlaps. Really the nice performances, particularly Paul Schneider, who has been seen mostly in the supporting roles. So I think it is worth a watch if you are not forcing yourself.6/10

Carrie Hayes What appears on the surface to be a quirky slice of life movie turns out to be a thoughtful and sensitive look at finding romance and adventure following the breakup of a marriage. Walter's encounters with women are sexy, bizarre and wonderfully funny while at the same time he struggles to become a successful single parent to his nine old daughter and move on with his life. Scenes featuring Social media and sitting in front of the screen as Walter dabbles in connecting online are pitch perfect, as are his efforts to be his better self, navigating the murky waters of women looking for excitement. Marvelous writing and laid back directorial style.Go see this movie!

jrozzelle-195-751097 One of the most successful things about the movie is that after all we've seen Otto go through, when he's presented with a major fork-in-the-road life choice, the viewer may still wonder which way he'll go. The scenes with Otto and his daughter were most affecting. The daughter is the most fully-realized female character; the other women are there for Otto to bounce off of, literally and figuratively. I found myself thinking about Otto after I'd seen the movie, recalling the lows he endures, the conversation in the back yard where he confesses his feelings of being adrift, and then how he ultimately responds. For me the statement made might be summed up as "a meaningful life derives from doing your duties and paying attention to others."

haynese I always appreciate when a writer finally gets to direct his own work, and does a good job of it. Angus MacLachlan earns his stripes on GOODBYE TO ALL THAT (2014, Theatrical), an audience-pleasing comedy with enough drama to make the characters and their evolving situation realistic and empathetic.Paul Schneider, a North Carolina School of the Arts alumnus, like MacLachlan, is cast against type as Otto, a droopy-eyed schlemiel who has the best of intentions but weak-willed execution. Even his name exudes limpness. Schneider, who has moved on from David Gordon Green movies to critical acclaim in Jane Campion's BRIGHT STAR (2009), won the Tribeca Film Festival Best Actor award for his performance in GOODBYE, and it's merited.Playing a kind of well-intentioned loser is a challenge for a usually stalwart actor, but Schneider works hard to keep his character's head above water, given the unending litany of disasters that befall him. He could have a nice chat with Professor Larry Gopnik from the Coen Bros.' A SERIOUS MAN (2012) about just what they did to deserve God's disfavor.In Otto's case, he breaks his leg on a run, his wife (Melanie Lynskey) abruptly leaves him, he loses his job and moves to a slovenly new place where he is promptly robbed. Can it get much worse? This does not sound like a recipe for a successful comedy, but this is where MacLachlan's writing skills (see JUNEBUG (2005), the movie that launched Amy Adams' career) and his clear aptitude for directing shine through.Otto goes through a somewhat familiar series of dating adventures in a new, online world, but MacLachlan's female characters are more sharply etched and memorable than usual.This especially applies to Anna Camp, another NCSA alum, as the inimitable Debbie Spangler, a lusty Christian woman who is as divided in her desires as Liv Ullmann in PERSONA (1966), along with Heather Graham, and Ashley Hinshaw. There is the usual embarrassment involving a pre-teen daughter, and Audrey P. Scott acquits herself very well in that role under MacLachlan's assured direction.It helps to have gone to acting school if you're a first-time director, and MacLachlan's sensitivity to his cast, particularly Scott, results in consistently good performances from the ensemble.Otto loves and learns, but not the essential lessons. One of the few drawbacks to GOODBYE is that his realization comes too late in the movie to be really meaningful in drawing him out of his doldrums.Heather Lawless, as the woman he seemed finally destined to be with, shows up so late she seems halfway out the door when we first meet her. She's an interesting presence and MacLachlan might have done better to spend more time with her and less with the bimbos, amusing as they may be.It's difficult to do a contemporary romantic comedy without falling into clichés and tropes, and MacLachlan stumbles into a few along the way.But I found GOODBYE TO ALL THAT refreshingly entertaining and interesting, and its fast pace (a welcome 87 minutes) and smooth performances left me feeling only a little frustrated by the abrupt ending. This is one director whose sophomore film I will look forward to with anticipation.