Sammy-Jo Cervantes
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Bessie Smyth
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
SnoopyStyle
Agnes 'Apple' Bailey (Vanessa Hudgens) has another fight with her drug-addicted mother June Bailey (Rosario Dawson). She tries to see her absent biological father Tom Fitzpatrick (Brendan Fraser) and gets arrested. He is a wealthy broker with a young upper class family. The troubled Apple wants him to get her out of the foster system. She stays with them until they find out that she's pregnant. She gets arrested for stealing and crashing a creep's car. Priest Father McCarthy (James Earl Jones) sends her to a shelter run by Kathy (Ann Dowd) with other girls like Cassie (Emily Meade).This is not a subtle movie. Vanessa Hudgens is obviously trying to stretch beyond her pretty looks. I'm of two minds about the effectiveness. While I admire her attempt, she may be trying too hard. The same can be said about Dawson. There are big swings here and I appreciate them. There is a need to structure the drama. It comes off as a rambling narrative. The reveal of the real inspiration helps a little but doesn't fix this central problem. This is a flawed indie with some intriguing swings by the two actresses.
Claudia Puig
"Gimme Shelter" is a clunkily-made, bat -crazy parable that hammers you over the head with its Christian, anti-abortion message. An after-school special blown up on the big screen, it stridently aims to inspire you. More likely, it'll make you cringe. Vanessa Hudgens does deserve credit, though, for further shedding her Disney Channel packaging. Following increasingly daring roles in films including "Sucker Punch" and "Spring Breakers," Hudgens continues to bludgeon her good-girl image. Here, she plays an abused, pregnant teen who runs away from her volatile, drug-addicted mother (a feral Rosario Dawson). Covered in tats, piercings and 15 pounds of extra body weight, with shorn locks and smudges of dark eyeliner, Hudgens is unrecognizable. Just look at the picture up there: If you didn't know that was the adorably perky star of the "High School Musical" movies, who would you think it was? It's hard not to admire the intention, the dedication, the almost animalistic demeanor she's achieved. But then she opens her mouth, and her stiff line readings of awkward dialog make it impossible to become emotionally engaged by her character's journey. Clearly, writer-director Ronald Krauss means well, too. He spent a great deal of time with real-life pregnant teens in hopes of infusing his film with a feeling of authenticity. But the total lack of artistry, nuance and sometimes even basic competence is so distracting as to be destructive. He's also preaching to the choir — sometimes literally, given the crucial role the church has in his film. "Gimme Shelter" finds no room for debate; it reaffirms what like- minded viewers already believe about a divisive and emotional topic. In that regard, it actually does a disservice to young women who might find themselves in the same difficult state. At the film's start, Hudgens' Agnes Bailey — who prefers to be called Apple — dares to flee the clutches of her junkie, welfare-leeching mom to find the biological father she never knew. Turns out that the man who fathered her in a youthful fit of unprotected sex, Tom Fitzpatrick (Brendan Fraser), is now a wealthy Wall Street financier living in a McMansion in leafy New Jersey. His prim, thin wife (Stephanie Szostak) and their two perfect children are appalled at the sight of her gruff and grimy appearance. But soon, it become obvious that Apple is pregnant (although the identity of the father and the circumstances surrounding her conception are strangely irrelevant here). While the uptight stepmom makes the logical suggestion that perhaps Apple is not prepared to become a mother under these circumstances at age 16, Apple has made up her mind — she's keeping her baby — likely out of an innate sense of rebellion rather than any maternal instinct. Tom and his wife are depicted as moneyed, distant and soulless for arranging an appointment for her at a local clinic (no one actually says the word "abortion," by the way) but it doesn't matter. Once again, Apple dashes back out onto the streets, alone. Eventually, she ends up crossing paths with a kindly but firm priest played by James Earl Jones. When James Earl Jones tells you to go to church, you go to church. When James Earl Jones tells you to pray, you pray. And when he arranges a bed for you a nearby shelter for pregnant teens, that's clearly where you must go. While Apple is at the core of "Gimme Shelter," the fundamental story is about Kathy DiFiore, the real-life shelter founder who was once homeless herself. (She's played by Ann Dowd, who gave such a startling performance as a fast-food manager in "Compliance." Now THERE'S a film that sparks debate.) Apple's interactions with the other young mothers at DiFiore's home — which is cluttered with photographs of Ronald Reagan and Mother Teresa and posters of inspirational religious messages — feel uncomfortably forced. Her eventual softening into a proper young lady — complete with flowered sundresses, cardigan sweaters and clean, pretty air — comes out of nowhere. And the stunning 180-degree turn on the part of key characters (that's not really a spoiler now, is it?) is thoroughly unconvincing. The emotional catharsis the film strives for is unearned, rendering its ultimate uplift not just hollow but laughable.
villavicencio9881
Seen on Netflix was excited because of the high ratings.. It was like one of those 80's and 90's aware movies they showed you in school to keep you from doing drugs, running away, or having premature sex. Basically it was a movie with sequence of worst case scenarios.. With really bad acting on Hudgens part and her obviously fake accent and Justin Bieber brown wig. It was a diss to the whole urban community from a suburban parents perspective. I was only able stomach 36 minutes of it before I shut it off. That is 36 minutes of life I could have been doing something else and will never get back... Boooo Vanessa Hudgens!! Stick with playing the "pretty girl" in your silly high school drama movies.. And leave the drama to the professionals.
wboydsp
My wife wanted to watch this film, I was less certain until we got into the film. This film gives a honest and true portrayal that stirs sympathies without being overly manipulative. Apple, the protagonist of the film is someone that many people should be able to relate to. The character progression shown in the film is balanced and makes sense. There are times when it is rushed and forced, this is not one of those times. This film deals with serious adult themes, yet, does not rest on vulgarity to make its point. A family could watch this film and then discuss the topics brought up. Unlike so many films who's directors seem to have a F-bomb quota to fill. This film was the creation of a mature minded set of individuals, who know how to discuss a topic without exploiting it.
