Flying Saucers Over Istanbul

1955 "Cardboard robots and belly dancers... what more could you want."
4.7| 1h6m| NA| en| More Info
Released: 01 January 1955 Released
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Turkish sci-fi comedy from 1955. It’s recommended for fans of old Turkish movies and psychotronic cult films. It has a quite different feel than the more familiar superhero films from the country like Kilink Istanbulda, etc. It more closely resembles something like Abbot and Costello On Mars, with the addition of belly dancing. There are leotard-clad female aliens, a Plan 9-style spaceship, a Marilyn Monroe imitator. and a robot made out of a cardboard box. The leader of the female aliens tries her hand at interpretive dance. The plot, or what I can discern of it, involves a club founded by older unattractive wealthy women. The club uses sexy belly dancing to lure men in, then the womenfolk attempt to have their way with them.

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Director

Orhan Erçin

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Flying Saucers Over Istanbul Audience Reviews

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Cassandra Story: It's very simple but honestly that is fine.
arthur_tafero This is the one you have been waiting for your entire movie-viewing life. Attack of the Killer Tomatoes is Shakespeare compared to this film. Plan 9 From Outer Space is Ben-Hur compared to this film's production values. Abbott and Costello Go to .Mars is worthy of the Best Film of the Year from the Academy Awards in competition with this movie. There was no need for make-up artists; Michaelangelo could not have helped these women with enormous, scary noses, greasy complexions, and unbelievably fat carcasses. When two of them are on the screen dancing?, you need a wide screen TV to see both of them. The comedy? team of Borin and Yelltsin are a great remedy for insomnia. The plot? and production values? are the best money could buy; for about ten Rubles.I have seen over 100 turkeys when reviewing the worst films of all time; all of them are Citizen Kane compared to this home movie shot in two or three hours. Actually, you have got to see this for yourself. Just try to keep your jaw from dropping. Have a drink before, during and after the film; you will need it. And congratultions, you have just seen the worst film of all time.
Janne Wass This is the first Turkish film to deal with space flight, UFOs or aliens. In addition it is – maybe – Turkey's first science fiction film. It is a toss-up between this film and Görünmeyen adam Istanbul'da (1955), or The Invisible Man in Istanbul. Ucan daireler Istanbul'da/Flying Saucers over Istanbul starts with a long opening title sequence consisting of a scantily clad young belly dancer. The audience consists of a group of middle- aged or old women, as well as two men: a journalist called Sapsal and a photographer called Kasar , played by Zafer Önen and Orhan Ercin, respectively. The older women thank the two reporters for coming, explaining that the belly dancer was a ruse to lure men to the club, as the rich, unmarried women there seek husbands.At the newspaper office, the journalists are assigned to write about the flying saucers that are the talk of the town. So, the two break into an observatory, hit the wrong buttons on the telescope, and accidentally call a UFO into landing. Outside the window they see a flying saucer descend from the heavens.The silvery UFO opens, and out steps a boxy robot, followed by alien women clad in leotards, mantles, broad, shiny collars and glittery head-pieces. And holding ray guns, naturally. The two men are captured, and the alien queen (Türkan Samil) explains that they are out looking for new men for their home planet. But what gets the two journalists going is the aliens' youth elixir. With money signs flashing before their eyes, they devise a plan to seemingly help the aliens to find new men, if they get one bottle of the elixir as payment, but in fact plan on selling it to the old, rich women at the club. Soon everyone starts fighting over the youth elixir, the men are kidnapped once more by the aliens and threatened with death, but are helped by one of the alien women (Özcan Tekgül). They return to the club where Marilyn Monroe (Mirella Monro) is now dancing, and continue their efforts to sell the elixir. Finally chaos breaks out, and the two journalists happily join the aliens as they take off home again in their UFO.Analysing the plot of Flying Saucers over Istanbul is futile, since the film is gag- rather than plot-driven. And in forsaking plot for gag one should make sure that the gags are funny. Neither of the main actors have any talent for physical comedy, although they do try falling over and stumbling, and the verbal gags are just awful. Orhan Ercin is trying to do a Jerry Lewis schtick, but hasn't the timing, the wit, nor the facial motor skills for it.The direction by Ercin himself is pedestrian at best, amateurish at worst. The special effects, sets and props are all Plan 9 from Outer Space (1959) standard. The UFO looks like a cake mould made out of all the tin foil in Istanbul, and the robot looks like something a seven-year-old would have cobbled together from cereal boxes and a couple of light bulbs. The spaceship interior is clearly plywood, and the torture chamber the two journalists are put in look like shower drapes. I'll be darned if the telescope isn't made out of papier mache. The ray guns are way too sophisticated for this production and are probably over-the-counter children's toys. None of the actors are particularly good, but then again, I don't know what it would take to make anyone look good with this script. Respected character actor Zafer Önen, does come off this film without any permanent damage to his career, though. One can perhaps not expect too much from the alien women, as none of them seem to have been primarily actors, but dancers. The real star name of the movie, however, is Özcan Tekgül, playing the rebellious alien who helps the two journalists. Reportedly one of the most daring belly dancers of the fifties and sixties, she was probably Turkey's most notorious vamp in the late fifties and sixties. In 1980 she caused an uproar when she was to be awarded a medal of honour by the Turkish government, for her 25 years in Turkish cinema. This led to a heated debate in the parliament where one spokesman challenged the prime minister with these words: "Should this queen of disgrace and scandal put the medal given to her by your government onto her belly or do you have any idea as to what proper place she should wear it?" At least one minister resigned over the affair. This film is made for Turkish men, and is intended to make fun of women's liberation, like many sci-fi films of the fifties. It may bring some joy to sci-fi completists, lovers of bad science fiction, belly dancing fanatics and people who like really, really dumb comedy.
gnok2002 I am adding reviews for films I've seen that lack one, all films deserve a review, some deserve a warning!... review follows... 'Incredibly cheap, one of the two lead characters has a 'camera' made out of cardboard! Or is that just unfunny! Tosh about alien women arriving in their hub-cap I mean space ship to look for men! What they find is a couple of idiots who attempt to make some spare cash selling the aliens elixir of life, in the hotel / belly dancing club where they live, it's one of life's longer hours. Dire.' Amazingly this currently rates 62% after 49 votes, perhaps someone may care to say something positive?