Flaming Feather

1952
5.8| 1h17m| NR| en| More Info
Released: 01 February 1952 Released
Producted By: Nat Holt Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

A mysterious outlaw known as the Sidewinder, phantom leader of renegade Ute Indians, terrorizes the people of the Arizona Territory in the 1870s. When rancher Tex McCloud has his place burned out, he vows to find and kill the Sidewinder.

Genre

Western

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Director

Ray Enright

Production Companies

Nat Holt Productions

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Flaming Feather Audience Reviews

WasAnnon Slow pace in the most part of the movie.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
Jenni Devyn Worth seeing just to witness how winsome it is.
Spikeopath Flaming Feather is directed by Ray Enright and written by Gerald Drayson Adams. It stars Sterling Hayden, Forrest Tucker, Arleen Whelan, Barbara Rush, Victor Jory, Edgar Buchanan and Richard Arlen. A Technicolor production, music is by Paul Sawtell and cinematography by Ray Rennahan.The mysterious outlaw known only as The Sidewinder is in cahoots with the Native Americans and terrorises Arizona's settlers. But when The Sidewinder chose Tex McCloud (Hayden) as one of his targets, he hadn't banked on Tex linking up with the U.S. Cavalry to hunt him down.Enjoyably energetic Oater that makes up for what it lacks in originality with gorgeous location photography and a barn storming finale. Ray Enright was a good old pro at this sort of thing, and here he doesn't waste any time with pointless filler scenes or drawn out conversations that don't advance the plot. From the get go we are thrust into an action sequence, and from there on in the film rarely pauses for breath.Hayden and Tucker make for a beefy coupling, and although the mystery element is not exactly rocket science to work out, the presence of three lovely lady characters does spice up the intrigue surrounding The Sidewinder and those in pursuit of him. It all builds to a wonderful finale that starts out with a Little Big Horn type siege, which then develops into a pursuit and battle up at the Montezuma Castle Monument in Arizona, where fire pit punch ups and ladder skills enthral greatly.It isn't hard to pick holes in it, it is after all one of those quintessentially early 1950s Westerns that was ignorant to intelligent scripting and screenplays. Yet for sheer gusto and consistently airy beauty this is a must see for Western and Hayden lovers. 7/10
MartinHafer Often I wish we could give scores like 6.5, as "Flaming Feather" isn't quite good enough to merit a 7 but better than a 6. I also notice that the other reviewers really liked this one. Well, I did too--just not quite as much.The film begins with a rancher (Sterling Hayden) having his homestead attacked by an Indian bandit named 'The Sidewinder'. In the attack, Hayden loses everything but his life and is naturally determined to watch this bandit and punish him. Along the way, he meets up with the Cavalry--and Hayden isn't particularly nice to them. After all, they should have stopped the Sidewinder, as he and his gang have been at it for years and no one STILL has any idea who he is. He and the Commander (Forrest Tucker) make a bet as to who will get the Sidewinder.In town, Sterling meets up with two interesting ladies--a crazy red-head who seems like poison and a gorgeous and nice dark-haired lady (Barbara Rush) who is headed west to marry some guy named 'Lucky'. However, twice folks try to either kill or kidnap her--and both times the hero, Sterling, rescues her. What's next and what the fiancé (Victor Jory) has to do with all this is something you'll need to see for yourself.I think the film's biggest strength is that the plot is unusual--something pretty rare with a western. And, it never hurts to have Sterling Hayden starring in a film. But the film also has a few problems--such as wasting Edgar Buchanan in a support role, a ridiculous fighting scene where tiny little Jory is a match for the hulking Hayden as well as a final scene where the Indian lady runs up and grabs a gun and shoots someone--as Forrest Tucker just sits there and lets her do this. This final complaint is just sloppy and with a better finale, I might have scored this one a bit higher. Worth seeing--just not brilliant.
vintagevalor-803-330765 This a good picture for what it is. It seems to start out as a formula western with an age old plot, white man running with Indians doing bad things, lone hero sets out to stop him, etc. However the script is pretty good, there is some suspense, though we sort of know from the get-go who the bad guy is,the moment he shows on the screen. I love Sterling Hayden...for a guy who really didn't like being an actor, he does all right. Barbara Rush is beautiful and appealing. Forrest Tucker just shows up, and Victory Jory steals the picture with his oily charm.Edgar Buchannian is wasted in a role he really isn't suited for.However, all in all, a pretty good picture. I enjoyed it.
Marlburian At one time the IMDb cast list did rather spoil things by telling us who the Sidewinder is, but since I wrote this review some years ago it seems to have been amended. So I'm altering what I wrote then.There are several possibilities about who the Sidewinder is, and I had my own suspicions (which eventually proved to be correct) as soon as he appeared. Sterling Hayden was his usual wooden self in the lead role, Forrest Tucker was sufficiently rugged as the army officer, but Edgar Buchanan made an unconvincing sergeant - almost as much so as Andy Devine in "Two Rode Together".In the opening shoot-out at his ranch, Tex seems to have a revolver that never needs reloading; I counted 17 successive shots, though six of these were fired when he was sheltering in the cattle pen; arguably he could have reloaded out of camera, but he then gallops off, firing another 11! And when the stagecoach leaves town it's picturesquely filmed from under a distinctive tree - which features again later in the coach journey after Tex has done his rescue act.The film is redeemed by a good closing fight between the whites and the Utes, with an unusual setting for the inevitable concluding fisticuffs.