Fight, Zatoichi, Fight

1964
7.4| 1h27m| NA| en| More Info
Released: 17 November 1964 Released
Producted By: Daiei Film
Country: Japan
Budget: 0
Revenue: 0
Official Website:
Info

Blind swordsman/masseuse Zatoichi befriends a young woman returning home with her baby. When gangsters mistake her for Zatoichi and kill her, Zatoichi determines to escort the baby to its father. He gains the reluctant help of a young pick pocket and together they travel to find the baby's father. But they do not reckon on the father's reaction to their arrival, nor on their own growing feelings for the child.

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Director

Kenji Misumi

Production Companies

Daiei Film

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Fight, Zatoichi, Fight Audience Reviews

Solemplex To me, this movie is perfection.
UnowPriceless hyped garbage
ShangLuda Admirable film.
Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.
Namfoodle I don't get why half of the reviews here say that this is their favorite Zatoichi film, one even goes as far as to say it's Shintaro Katsu's best film. Sure, his acting is very good here also, like earlier in the series as well, but other than that this feels like a filler episode in the series. It's mostly focusing on antics between Zatoichi and the baby and showing how good of a father figure he is, but there's not much anything else going on and it gets boring really quick.This time the villains are just regular nameless bounty hunters, with no back story or other motivation, they are very uninteresting and there isn't much fighting at all despite the name of the film. The fight scene in the end where they use torches against Zatoichi is the highlight, but it doesn't make up for most of the films uninteresting drama, even if it overall slightly deepens the character of Zatoichi.
MartinHafer Wow, talk about divergent reviews. One says this is "Shintaro at his best" and another says "Too many baby antics". Your opinion of FIGHT ZATOICHI FIGHT ("Zatôichi Kesshô-tabi") will most likely depend on whether you like the idea of morphing the typical Zatôichi film with a film like THREE MEN AND A BABY. For the purist, this will be a definite turn off. For someone looking for a change of pace, a bit of comedy or some pathos, then this will be a welcome relief. As for me, I did enjoy the film (especially the ending) but certainly consider it one of the lesser efforts in the series because the film perhaps tries too hard to be heart-warming and cute.At the beginning of the film, Zatôichi gives up his seat in a palanquin (a covered box-like mode of transportation--carried by a man at each end) to a sick woman with a baby. Some evil no-goodnicks think it's Zatôichi inside and kill the lady with their swords--narrowly missing the baby. Zatôichi, as usual, has an over-developed sense of personal responsibility and decides he's at fault for her death and must escort the baby to his father in a far off town. So, most of the film consists of his adventures getting the child back to its daddy. Along the way, he meets a variety of people, though the most important to the film and Zatôichi is a female pickpocket. Through the persuasive power of this blind man, the lady is transformed to goodness and both like the idea of finally settling down and perhaps making a family. But, what about the child? They can't just keep him--no matter how cute he is.What happens next takes the film in an excellent direction. While the middle of the film was very schmaltzy, who the father is and his reaction to this child being brought to him is a shock. The ending was amazingly interesting and made the stickier moments in the film a bit easier to take.Overall, a film that is one of the most different in the series but certainly not among the best. Very watchable and it sure ends well, but otherwise not a great Zatôichi film.
mistymountain I usually don't watch martial arts films too often, but when I heard the premise for this movie, I figured I should give it a chance. Boy, was I glad I saw this film. This had an excellent plot all through the film. Shintaro Katsu was excellent as Zatoichi in the original series. I only saw a few of the movies in the series, but this had a very emotional element. He was very good acting with an infant on screen. I admit I did shed a tear towards the end, but the whole movie just moved me. The way he changed the baby's diapers, holding the baby, singing to the baby, playing with the baby. This film broke the mold when back in the early 60's, most films would never use a real baby in the movies. Even the scenery was lovely. It's a shame that Shintaro's no longer with us. But during his 5-decade film career, out of all his 105 films that he's done, Fight, Zatoichi, Fight is definitely his best film ever.
masercot Shintaro at his best. He's a mother, a husband and a reluctant killer all rolled into one. I can't imagine anyone else pulling off the role of Zatoichi. His interaction with the infant is truly heartwarming. There is pathos and humor as well. What else is there? Swordfighting, swordfighting, swordfighting...Not that he doesn't try to talk reason to his assailants. He deters an angry samurai without blood or violence in a scene I felt was so unusual, I played it back three times in a row. I LOVE martial arts sequences, but, the reason that I watch this one again and again is the acting and the natural building of his relationship with the infant that he has decided to help.If you want to sample the Zatoichi series, I would certainly recommend this one to be your first...