Every Day

2010 "Not quite the party you signed up for..."
5.7| 1h33m| R| en| More Info
Released: 14 January 2010 Released
Producted By:
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.everydaythemovie.com
Info

Ned is in the throes of a mid-life crisis. His work as a writer on an outrageous, semi-pornographic TV show is less than satisfying. His fifteen year old son has just told him he is gay and his eleven year old is afraid of, well pretty much everything. When his wife, Jeannie, moves her sick and embittered father from Detroit into their home in NY, it puts added stress on an already strained marriage. And when a sexy female co-worker puts the moves on Ned, the temptation sends him spiraling.

Genre

Drama, Comedy, Romance

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Director

Richard Levine

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Every Day Audience Reviews

Perry Kate Very very predictable, including the post credit scene !!!
Diagonaldi Very well executed
StunnaKrypto Self-important, over-dramatic, uninspired.
HeadlinesExotic Boring
gradyharp EVERY DAY resonates with audiences because it is a story that tackles some heavy themes and shows that there is light at the end of every seemingly impossible tunnel. Writer/director Richard Levine has much experience with the topics raised in this film from his broad work as a television writer. The dialogue is smart, sassy, touching and insightful, and that, coupled with a very fine cast, makes this a movie to relish.This day really isn't all that different than every other day, except today Ned's (Live Schreiber) gay son Jonah (Ezra Miller) wants to go to a college party, his wife Jeannie (Helen Hunt) is bringing home her elderly father Ernie (Brian Dennehy) whom she has never been able to tolerate to live with them, and his outrageous boss Garrett (Eddie Izzard) seems to have become even more crazy and demanding than would even seem possible. As his wife tries to take care of her father and reconnect with him, Ned tries to reconnect with Jonah, and then without trying, he seems to have formed a connection with his co-worker Robin (Carla Gugino). Add to this Ned's younger son Ethan (Skyler Fortgang) is attempting to prepare for a violin performance and needs the support of his family, especially his gay brother. If he can get through days like these, he should be able to get through anything else life throws at him. The little miracles that happen in the hands of Levine's script are satisfying resolutions (for the moment, at least) for all the bumps in the road that occur every day.The entire cast is strong, managing to be at times witty and caustic and at other times revealing that at the level of human emotions they are all very vulnerable, need, but survivors. This is a too often forgotten little film that is a pure pleasure to experience. Grady Harp
Avid Climber Every Day is every family's scenario. An ordinary midlife crisis, a slightly rebellious child, a difficult parent... it could be anyone, and it serves as a mirror telling people who look upon it: "Yes, it happens to others too. It's not easy, but you can make it."The good. The acting is well dosed, just right to make us feel at home. The script keeps event popping in, but does not become overly complex. The story is dynamic, yet quiet. The dialogs, characters, and background are realistic, without dragging us into the mundane or the boring.The actors. Liev Schreiber is the steadfast husband and father who's running into a wall. Good performance. Helen Hunt is the daughter, wife, and mother who is lost. For once, I did not find her annoying, and I must give her credit for keeping her performance on par with the flick. Carla Gugino as the sexy fun seeking coworker, Eddie Izzard as the flamboyant boss, and Brian Dennehy as crotchety old father are what gives the film its piquant. Well done.The bad. I think all this production needs to really have more punch is a bit more polish in almost all departments while avoiding becoming slick which would loose the "anyone" feel. The ugly. Nothing.The result. A bit of entertainment for everyone, but don't expect any action or big gestures. This is about "every day".
emilyharraka This movie is depressing and sucks any kind of positivity out of you. I had nightmares after this movie. It is for anyone who fiends on hurt and human relation decay. The story is heart wrenching and utterly sad. The only reason why I watched it to the end was because I couldn't turn it off halfway through because I had to hope that it would get better. What happened to Helen Hunt? Where did her charisma go? And Eddie Izzard, I know breaking into the movie scene is tough, but ewe, not even funny, not even a little. GROW UP Hollywood. I know the American economy is in the poop right now but do movies really have to be this depressing to reflect it?
Tony Heck What if what you thought you were missing in life you already had? A writer for a TV show, Ned (Schreiber) is stuck in a job where his boss demands more and more strange things. His wife Jeannie (Helen Hunt) has just brought her father home to take care of. His son is gay and Ned is trying to avoid admitting it, and his co-worker (Gugino) is another reason his life is spinning out of control. So many movies and TV shows come out that claim to be true to life, or "Reality Shows", they usually turn out to be so over the top they end up borderline spoofing the stars. This is one huge exception. While not being a reality show at all, this is the most true to life movie I have seen in a while. It was depressing in parts, but again because it seemed like they just took a family and watched how they live and made a movie from it, without changing anything. Ned is stuck trying to sort out what his life has become that he finds himself trying to be someone he isn't. This movie is another glaring example of how unless you have a $200 million budget and your movie make $400 million in theaters you will get no recognition or advertising. There are no big name stars in here like Tom Cruise or Katherine Heigle, and because of only casting good actors and relying on script and acting, it gets overlooked. Which is a travesty. I give it an A.Would I watch again? - Yes I would, but again it would lose some of the effect.