Marketic It's no definitive masterpiece but it's damn close.

Stellead Don't listen to the Hype. It's awful

Asad Almond A clunky actioner with a handful of cool moments.

Janis One of the most extraordinary films you will see this year. Take that as you want.

yduric I must admit, to my great shame, that I was also convinced by this crap upon first viewing: I have to admit, like other viewers pointed it out, that it is nicely filmed, that the complexities and subtleties of the love triangle formed by Jonathan, Carrie and Shane, the main characters of the movie, are well-rendered, and that it plays well with the ambiguity about Shane, one of the two male characters of the film, who may unconsciously harbour the same feelings that Jonathan, the other male character, consciously has for him.Everything plays well for almost the entire duration of the movie, until we arrive at a disgusting moment, that all of a sudden struck me after a second viewing and totally ruins the movie: it is the moment when Jonathan is studying at night with Shane lying drunk on the bed and the latter, (it is a little bit hard to describe an obscene act with polite words, but since foul language is prohibited if you want to write a review on IMDb..) literally FORCES HIS WAY INTO HIM, in other words, RAPES HIM: a proof is that Jonathan's scream at this moment is definitely not a scream of pleasure, but a scream of pain. And what stuns me the most is that the following morning, they so ridiculously express their so-called 'feelings' on the beach, as if nothing had happened. What is all the more disgusting is that if Shane had done the same to Carrie, the female character, everyone would have yelled 'RAPE!', but here, it seems to be perfectly admitted, and the only conclusion that can be drawn is that it is a filthy homophobic message, that is to say: 'Oh, this is not surprising, since they are engaged in a homosexual act, it happens all the time, all of them are more or less rapists!' However, as far as I know, RAPE id a CRIME in the vast majority of the countries of this world, liberal or conservative.So, fundamentally, this crap of a movie, and the fact that it was so well-praised, is only the not-so surprising reflection of the fact that, contrarily to what the politically correct speech try to brainwash us with, in recent years, homophobia has become more and more pervasive and is increasing.Thsi is the reason why, after having initially given a 10 to this crap, I changed it, and gave it a 1. which I think is far more appropriate...

gradyharp ETERNAL SUMMER (Sheng xia guang nian) is a delicate, quiet, understated and eloquent study of youthful interpersonal relationships form Taiwanese director Leste Chen from a screenplay by Cheng-Ping Hsu based on the novel by the same name by Chi-yao Wang. The style of the film allows a wide audience to appreciate the sexual challenges of teenagers and understand the need for finding love and acceptance in a world at times too busy to care.The story begins in grade school where Jonathan Kang (Bryant Chang) is a gifted student asked to 'supervise' another young boy in his class, Shane Yu (the dazzlingly gifted young actor Joseph Chang) who has an apparent learning disorder/attention deficit. Shane is rambunctious and athletically gifted while Jonathan is the quiet, reserved, brilliant student. The boys bond as children and grow up together into young men facing the exams for university entrance. A young girl Carrie (Kate Yeung) meets the two boys: first she challenges the studious Jonathan to take a trip to Taipei (ditching school) where she hopes to have a physical encounter. The hotel room is a disaster and Jonathan feels isolated from both Carrie's desires and from deserting his duties at school - and with Shane, who Jonathan loves far more than merely a best friend. Shane gradually moves into Jonathan's position as Carrie's physical companion and the resulting triangle results in confessions and incidents that allow each of the three involved young people to grow and understand the spectrum of love.The story is captured with exceptionally beautiful cinematic effects by cinematographer Charlie Lam and the atmosphere of play and passion is enhanced by the musical score by Jeffrey Cheng. Yet it is the sensitive direction by Leste Chen that encourages the three superb young actors to become immersed in their roles. Chen knows when to say enough (the sex scenes are sensual and suggestive without even approaching an R rating) and when to allow scenes of quiet and eye contact to carry the drama. This is a very fine film that deserves a wide audience, both young and old. Highly recommended. In Mandarin with English subtitles. Grady Harp

Glenn I agree with the other review that this film is very moving. It is not a perfect film but I enjoyed it very much. The music is rather syrupy which lends to the film's tear jerking nature. But the story is very well done and the performances of the leads are very strong and they do have very good chemistry. I'm not sure that the sex scene really made a whole lot of sense to me and there seemed to be a fair amount edited out of the story which might have made the film better and fleshed things out a bit more. I think the characters are rather relatable for most gay guys. I certainly had my share of straight friends who I was in love with over the years. And I liked the way the story is told from the beginning of their friendship. I wasn't sure if Carrie was supposed to be the same girl as the one at the beginning who gets her hair cut by Shane. Definitely worth seeing.

Lee Alon What's so special about this new romantic-sorrowful flick isn't its brief dalliance with gay love, nor its category III rating in Hong Kong. The rating no one should get worked up over, since they seem to be dishing them out like there's no tomorrow nowadays with Little regard for actual content. In Eternal Summer's case it's likely due to a super short scene depicting the two male leads naked in bed and doing the nasty, something even the ho-hum Brokeback Mountain managed to get right with less fuss.No, Eternal Summer dances around its main point to an exaggerated degree, in the end causing us to wonder what that point was meant to be to begin with. Rather, what's so special about this one is its membership in a very exclusive club of movies with enough projectile velocity to break free of Taiwan, where it was made. Taiwanese cinema has become rare, something we lament. For that only, Eternal Summer demands your support.It unfortunately possesses scant few other redeeming traits. Viewers can see the whole gist of it from the get-go, and in its arsenal of tricks exist no better weapons than an age-old threesome of young and restless characters in search of definition. But they hardly do much to find meaning, which is likely a stilllife phenomenon someone like Taiwan-based mastermind director Hou Hsiao Hsien would have worked wonders with. But trusted to 25 year-old Leste Chen (The Heirloom) it all comes across flat and uncompelling. Never mind, young auteurs like that require our attention and movie-going prowess, so we're willing to take an uninspired story as part of proceedings.Two additional newcomers do the main two protagonists, rebellious James Dean-type Shane by the darkly alluring Joseph Chang and geeky, lost soul Jonathan via Bryant Chang. Their characters meet as young boys at a rural school when Jonathan is asked by a teacher to buddy up with attention-lacking Shane as a means of getting the weaker student into the swing of things, and the rest constitutes a very short history.Years later, they're best friends, almost inseparable and with an undercurrent of attraction not entirely par for the course, although that part is left for audiences to quite easily deduce on their own.Into the mix is then thrown Carrie, played by sexy tomboy Kate Yeung, who we've before seen in Mighty Baby and The Eye 10. This young lady gives mid-90's Liv Tyler as serious a marathon for her money as can be arranged, easily stealing the show with her range of facial expressions and sincere, almost jocular attitude. She's largely wasted in Eternal Summer, with a skillset far more suited to the sarcastic niche filled by fellow youthful lovelies like Cherrie Ying.All this takes place as the trio gets ready to finish high school and move on to college, and the plot follows them as they do so. One neat aspect of Eternal Summer is how it effectively excludes everyone else, forcing the story to highlight only the three as if they were the epitome of iconoclastic social angst. This does work, but lacks the power and impact derived from a truly interesting story to back it up.Love and emotion get their two cents in as Jonathan and Carrie begin a timid exploration into the world of lust, something merely glanced in a missed opportunity transpiring at a Taipei love hotel. Then the balance of pheromone power shifts to see Carrie and Shane give it a go, with friendship remaining at the forefront all along.Sure there's a desire to find out more about what drives people as they discover new ground in themselves. And the rustic, faux-retro feel (looks like they were indeed going for a late 90's setting) helps in avoiding gimmicks and other lifestyle distractions. Yet, Eternal Summer goes by unnoticed almost, and by the time its so-called sensational climax arrives the average viewer would be challenged to do more than tick a box on a checklist. Yes, it's still not a commonplace theme in cinema overall, let alone Asian cinema, but so much more could have been done with it.Seriously, given a more mature crew at the wheel, Eternal Summer could have been deftly transformed into something to talk about for a while as a symbol of encompassing gay themes, or at the very least as a brain-boggling surreal love flick in the vein of 1999's Where Have all The Flowers Gone with Zhou Xun.Bereft of potency, Eternal Summer inhabits a perpetual limbo state populated by movies that look good (the Taiwan countryside makes for some lush environs), are capably written on paper and could have been infinitely more aggressive in going about their business, but didn't.That's a shame and not the type of shot in the arm Taiwan's filmmakers need. We're still waiting for that particular season to come along.Rating: * * *