Dying Room Only

1973 "She's Alone. No One Believes Her. And There's No Way Out."
6.8| 1h14m| NR| en| More Info
Released: 18 September 1973 Released
Producted By: Lorimar Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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A married couple are traveling on a deserted desert road at night. They stop at a diner and the husband goes to the men's room. He never returns and the wife begins to suspect serious foul play.

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Director

Philip Leacock

Production Companies

Lorimar Productions

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Dying Room Only Audience Reviews

Exoticalot People are voting emotionally.
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Parker Lewis Fine performances abound in Dying Room Only, when you are left wondering what happened to Jean Mitchell, played by future Dancing with the Stars performer Cloris Leachman. It's quite tense, and Dabney Coleman (who was great in 9 to 5 several years later) draws a lot of sympathy from the audience as he searches for his wife. This was Ned Beatty's post-Deliverance movie and he seems to have recovered well from the pig squealing experience thankfully. Here Ned, who plays Tom King, is a menacing figure big time. Incidentally, Ned isn't related to Warren Beatty. This movie deserves a reboot big time. I'm thinking Stephen Tobolowsky in the Dabney Coleman role, Renee Zellweger in Cloris's role, and Dustin Diamond in his comeback role as Tom King.
Toronto85 Dying Room Only is another one of those great 70's made-for-TV movies. This one is about a couple (Jean and Bob) travelling on a desert road who stop at a roadside diner/motel. The two people they meet in the diner are your typical angry, rude, city hating hicks. When Jean returns from the restroom, her husband is missing. The two men do not help her out at all with her search, in fact make things even more difficult for her. She calls the sheriff, but he ends up being no help. Did the two men do something to Bob, or did he simply take off leaving his wife deserted in the desert?This is such a great little gem. Cloris Leachman is great as the heroine, you feel how helpless she feels when trying to get one of the men to help her find Bob. She is a very rootable character. There are some pretty tense moments throughout as well near the middle to end of it, pretty good for a TV movie. I was pleased to find out this was released on DVD, if you can find it for an affordable price; pick it up.8/10
gene-perr While watching Leachman in "Spanglish" yesterday, I happened to think of the "Dying Room Only", and the terrific job done by Leachman, Ross Martin and the rest. I can still feel the incredible tension that was created entirely by the good acting and dialog alone.....no special effects. Having a loved one disappear without a trace while stopped at a creepy, remote diner seemed so believable the way it was portrayed. Leachman's character displayed such courage and determination motivated by her love for her husband. As the movie develops, you can REALLY feel Leachman's character's desperation. I agree that Kurt Russell's "Breakdown" was a modern day remake of this movie. "Dying Room Only" was much more simplistic, yet still managed to create just as much, if not more, suspense! Does anyone know a way to see this movie again? Please let me know.
sourpussss A favorite t.v. movie from the 70's. Again, Richard Matheson creates atmosphere and suspense out of almost nothing as a couple stops at a remote diner/motel and the husband never returns from the bathroom. From the bathroom? Who writes a suspense movie where the husband apparently falls in the toilet? The man who brought you the vindictive 16 wheeler of "Duel." Unlike that clever but overpraised feature, "D.R.O." (What's up with that title? It can't be a play on "S.R.O." can it? You don't buy tickets for the toilet?) stays close to realistic scale, and the less than apocalyptic climax is a face-off by two determined middle-aged women. Complain all you want - it worked for me then, it works for me now.