Hellen I like the storyline of this show,it attract me so much

Solidrariol Am I Missing Something?

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

elvircorhodzic DJANGO is a Spaghetti Western film, that sets the cruelty and the violence to a whole new level. This film has some kind of a surrealist direction. Muddy streets, violent gunfight, massacre and mutilation fully correspond with the dark atmosphere and rather simple (Yojimbo) story in this film. A harsh and explicit dialogue usually ends with a violent murder. Mr. Corbucci skillfully avoids melodrama, hence this one-way street reminiscent of a war zone from which no one will come out whole. The motives like a revenge, gold, revolution and political radicalism, bordering on racism are sufficient for an energetic plot.A mysterious man named Django arrives in a Mexican border dragging a small coffin behind him. When he saves a woman who is being attacked by a group of bandits, he finds himself in the middle of a conflict between Mexican gangsters and racist Yankee thugs. The two come in a small town, which is a sort of neutral zone between the two sides. A local bartender thinks that their presence will bring more trouble to him and his prostitutes. Shortly thereafter, Django confronts with a small group of Yankee thugs. He challenges their leader to return with all of his accomplices. The barmen predicts Django's death. However, a small coffin keeps a large and deadly secret...I think, that an excessive violence destroys all credibility of the story in this film. A visual impression in combination with a very good soundtrack is very impressive. The characterization is not bad, especially if we consider an almost grotesque romance.Franco Nero as Django is a blue-eyed beauty with clear objectives. He is ruthless until the moment when he realizes that mere coincidence can change his plans. His appearance is striking, however, Franco Nero did not offer a good performance. Loredana Nusciak as María is a very brave woman who is tortured on all sides. Her emotions are muted to the limits of despair.Their support are José Bódalo as General Hugo Rodríguez who must choose between his greed and revolution, Eduardo Fajardo as Major Jackson as a racist, who is strong on words and Ángel Álvarez as Nathaniel is a bartender who witnesses the madness that surrounds him.

Fella_shibby This Spaghetti Western is yet another take on Kurosawas Yojimbo but the performance by Nero and the non-stop violence makes this a worthy film. Directed by Sergio Corbucci (The Great Silence, The White the Yellow and the Black, Navajo Joe). Corbuccis direction in Django is both artful and brilliant along with the screen writing. Franco Nero (Enter the Ninja, Die Hard 2, Camelot). is the only actor to capture the true and powerful emotion of Django. There's the action, there is a fist-fight, a gunfight, or some random act of sadism. The ear scene was violent. (Quentin Tarantino paid homage to this in Reservoir Dog). The fist smashing scenes. The movie was indeed violent for its time. The films graveyard shootout finale is very bleak n different. Cinematography by Enzo Barboni (The Five Man Army, A Long Ride from Hell, he directed Trinity Is STILL My Name, They Call Me Trinity). Edited by Nino Baragli (Once Upon a Time in America, Caligula, Salò, Once Upon a Time in the West, The Good, the Bad and the ugly). Music by Luis Enriquez Bacalov (The Gospel According to St. Matthew, Il Postino aka the postman). One of the best films of the genre to have not been directed by Sergio Leone. Full of more interesting and stylish scenes of action. More than thirty sequels to Django have been produced since 1966. Most of these films have nothing to do with Corbuccis original film.

Michael Williams Going into this movie at first I thinking how this movie was one of Quentin Tarantino's favorite films and how much it must of inspired him- the movie it self was surprisingly good, more then good it was brilliant actually- it drags you along with the man character- every second.I really didn't see how it was considered the most violent film of its time, yeah it has action to drive the story along but it was mainly done, leaving you thinking what will happen next nearing the end of the movie. the ending is what makes the movie for me it did not end too soon or too late it was just right. Definitely watch this great western."You can clean up the mess, but don't touch my coffin..."

christopher-underwood Coming back to the original, Django after seeing the latest Tarantino I was struck by two things. One, just how fabulous this is. I thought it might look a little shabby after the big screen extravaganza but not a bit of it, indeed it struck me that my last viewing may have been on some crap video copy, for this glows with its majestic scenery and its gritty close- ups. The other thing was that I wasn't sure that Franco Nero would be adequate substitute for Christoph Waltz. How silly, sure Waltz is on cracking good form spouting Tarantino's lively and sharp dialogue but Nero doesn't even need to speak. For a third of the film, what with his collar and his hat he only shows about a third of his face and yet he commands our attention and that of everyone else in the film. Near perfect, great film that I just might watch again right now.