Linbeymusol Wonderful character development!

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

CrawlerChunky In truth, there is barely enough story here to make a film.

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

dailyshampoo48 the comedy of this film falls entirely flat (hurr durr divorce edgy hurr) there are a few moments which make this worth the watch. van dyke of sitcom fame plays rob petrie, corrupted, and seems terribly comfortable in the role. debbie reynolds is interesting in her own way, as the slightly daffy housewife. jason robards, jean simmons and van johnson are also very entertaining and darkly funny in their respective roles. as a character study it's great, as pseudo-experimental 60s film with nifty camera tricks, it's a failure. all of which makes you wonder if they had put all these great actors in a room with one another, with a script, a rolling camera and no direction, there might have been a happier result.I enjoyed watching the various characters, especially the men, walk a moral tightrope of sorts; curiously, van dyke's character seems to maintain an air of decency despite it all. i wondered briefly if it were purposeful that the problems the characters identified in their marriage weren't the true ones after all; debbie on one hand seemed to have entirely unrealistic expectations about human behavior, while her husband seemed somewhat unimaginative and even intellectually stunted. "women need to stop crossing the lines between the sexes," what??seems to work best when it lets the story tell itself; otherwise unbearably clever, with a touch of hubris even.

preppy-3 The marriage of Richard and Barbara Harmon (Dick Van Dyke and Debbie Reynolds) is falling apart. They're always fighting and are extremely unhappy. They decide to divorce and go their separate ways. They're helped by friends and co-workers played by Jason Robards, beautiful Jean Simmons, Van Johnson, Joe Flynn and Lee Grant.I never even knew this movie existed until it popped up on TCM. It seems to be a forgotten movie which is too bad because its lots of fun. The script is excellent--most of it is a comedy but they also bring up interesting and serious insights into love, sex and relationships. The entire cast is great throwing off one-liners left and right. Also this is a fascinating social documents of the late 1960s to see how couples lived, the things they talked about, the fashions they wore and the houses they had. Sure it's dated but I was never bored. Also it's fun to see 20 year old Tim Matheson in his first film (playing a teenager!). Worth catching.

Irie212 I'm amazed I made it past the first half hour of this, beyond the scene where Lee Grant plays a prostitute (paid mistress, if you prefer) as if she was Joe Flynn's temperamental, demanding fiancée.The plot is preposterous—an abrupt divorce, contrived for no real reason, railroaded by opportunistic acquaintances and lawyers. What's even more contrived is the legal system, as pointed out in the IMDb review by "trudyr". This movie is one of those where the theme (divorce) suddenly redefines the entire world. Everybody's divorced- - oh, and by the way, the kids are just fine with it. In one scene, a mishmash of men and women—1st husbands, 2nd husbands, ex wives, current wives, and all the combined children— leave a group picnic. It attempts Keystone Cops-style mayhem, and if that isn't funny enough (it isn't), wait for the punch line: they leave one kid behind because nobody is sure who's responsible for it.The sad thing is that the four principals—Van Dyke, Reynolds, Robards, and Simmons—all do fine work. It's the only thing that raises this movie about the level of total disaster

Critic-50 Divorce-American Style, a surprisingly intelligent effort from writers Kaufman and Lear and TV power-house director Bud Yorkin, was first in series of witty, satirical releases that included "Bob & Carol & Ted & Alice" and "Lovers and Other Strangers". This way-paving comedy featured the delightfully flustered pairing of Dick Van Dyke and Debbie Reynolds as a successful 'Married With Children' duo who, after years of supporting each another, simply tire. despite it's (minor) shortcomings, the sharp dialogue certainly justifies the screenplay oscar nod. Nice work. ***1/2 out of ****