Tedfoldol everything you have heard about this movie is true.

Cleveronix A different way of telling a story

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Jerrie It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Falconeer After seeing countless 'Nazisploitation' movies, I lost hope that anything from this genre could actually qualify as "good cinema." But "Deported Women of the SS" has all the trappings of a good film; competent, sometimes beautiful cinematography, haunting and romantic orchestral score, and characters that are developed enough that you can actually care about their fate. Not to mention very authentic looking military/SS uniforms, and hairstyles correct to the 1940's. Best of all, we have John Steiner, as SS Captain Herr Erner. what a great, sinister villain he makes here. He played a similar role in Tinto Brass' "Salon Kitty," and I cannot imagine anyone looking more believable in those gorgeous black SS uniforms. In "Deported Women" we learn that Herr Erner had a passionate affair with an attractive young woman,and is reunited with her years later, when she arrives at the concentration camp..as a prisoner. His obsession for her grows to the point that it could be his downfall.For WWII enthusiasts, this is a must-see film. As far as the exploitation elements go, this movie doesn't go overboard. You get a lesbian rape scene, that winds up not being very enjoyable, as we are made to care about the victim. This is so rare with this genre of film. The actors are attractive and the high production values prevent this from looking seedy. This is certainly the best film of it's genre. I also recommend another nazisploitation film called "Nazi Love Camp," as it has good production values, and a good story. Try to find a good copy.

Scott LeBrun "Deported Women of the SS Special Section" sure provides plenty of sordid details for those who adore the grim, gritty, and nasty side of B cinema. The thing is, it's going to require a fair bit of patience on their part, as this movie is *very* slowly paced.The story deals with a variety of Jewish women taken prisoner during WWII and taken to a Nazi prison where they're subjected to the expected tortures. There's not much more story than that, except for the longing that ultra creepy camp commandant Herr Erner (John Steiner) expresses for leading lady Tania Nobel (Lina Polito).There's some melodrama to get through, in between the exploitative moments, accompanied by plaintive music by the talented Stelvio Cipriani. But don't worry, voyeurs, you'll be more than happy with the constant parade of bare female flesh. In loving close-up, no less. We even get to witness as women are repeatedly (and slowly) shaved down below. Of course, there are shower scenes, and lesbian love making scenes. (There's even one male homosexual encounter.) And in addition to all of the female nudity, there's a brief glimpse of the male anatomy as well.The acting is commendably straight faced. Polito is lovely but rather aloof. Erna Schurer co-stars as Kapo Helga; Solvi Stubing has a great role as a guard. The gorgeous Stefania D'Amario (of Fulci's "Zombie") plays Angela, and Rik Battaglia plays Dr. Schubert. The standout in the cast is clearly Steiner, offering a deliciously depraved performance. This is one kinky guy.If you just can't get enough of this genre, this movie should prove to be satisfactory. Certainly the Italians were particularly adept masters at this kind of exploitation.Seven out of 10.

gridoon2018 The female body is a work of art, why would anyone want to see a movie where it is not treated well? I guess I'm wondering why entire sub-genres that are little more than a series of female torture and humiliation scenes are so popular (maybe we can be optimistic and say most viewers are just waiting for the 10-minute payback at the end?), but this is a discussion for another time, another place. There are certainly a lot of (often naked, usually beautiful, always natural) female bodies in "Deported Women of the SS Special Section", and the film itself is rather tamer than expected. In fact, for all the atrocities contained herein, the nastiest scene may be the one where the heroine licks the hairy leg of a fat middle-aged man! No no, the nastiest is probably what happens to that same man a little later (other reviews have already mentioned it)....Writer-director Rino Di Silvestro is better as the latter: the direction is almost arty at times (though the DVD transfer is rather murky), but the script is disjointed. As the prison camp's commander, John Steiner chews the scenery up and spits it out, contrasting with Lina Polito's quiet, dignified presence as his object of obsession. The film has its moments, but it is still recommended only to exploitation fanatics. (*1/2)

Woodyanders The hapless Jewish female prisoners at an SS Special Section concentration camp are subjected to all kinds of torture, sadism and depravity by their brutal Nazi captors. Fed up with all the gross mistreatment they are forced to endure on a regular basis, the women join together to plot to escape and turn the tables on their cruel oppressors. Writer/director Rino ("Werewolf Woman") Di Silvestri really delivers the lowdown sleazy goods in a fiercely explicit and unflinching manner: there's plentiful nudity, two group shower scenes, pubic hair shaving, rape, lesbianism, voyeurism, catfights, degradation, castration (one of the women hides a razor blade in her vagina!), and perversion galore. Moreover, the production values are surprisingly polished and up to par: Sergio D'Offizi's slick cinematography (the smooth tracking shots and sturdy hand-held camera-work are both quite impressive), an unrelentingly bleak, stark and gritty tone, solid and credible acting from a good cast (John Steiner in particular makes for a perfectly strict, haughty and merciless degenerate creep of a camp commandant while Solvi Stubing likewise does well as a mean guard), a thrilling last reel jailbreak and Stelvio Cipriani's melodic, gloomy, haunting score are all on the money fine and effective. Although it's way too grim, rough and depressing to be much fun, this potent little item nonetheless still qualifies as a very gripping and harrowing movie.