With the erasure of fingertips as a point of departure, Denials, Decoys takes the idea of a cut on the body and obfuscates it within the cut of the moving image. The result is disorienting, alienating and freeing. Like those seeking total anonymity within a culture of absolute control and surveillance, we spectators dissolve ourselves into shadowy rooms set to broken time, false time, end times.
Denials, Decoys (2024) is currently not available on any services.
Micah H. Weber
