Maidgethma Wonderfully offbeat film!

Bereamic Awesome Movie

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Tim Kidner This is not a bad little movie, of a certain 'style' that was popular when it was made.It's loud - and violent - at times, but there-in lies a heart and whilst neither (Franco) Nero or (Anthony) Quinn show us their inner feelings, rather like a lesser Butch Cassidy and Sundance Kid, there is a sort of loyal, strange chemistry between them, that like the best of friendships, work for reasons only known to them.Unlike 'B' westerns of 20 years earlier, that almost tried too hard to get the most out of their tiny budget/bad script/untalented actor, director etc, Deaf Ears... doesn't, it just gets on with it, which is nice as we can relax and let it unfold.Erastus 'Deaf' Smith (Anthony Quinn) is the deaf mute messenger who is hired by General Sam Houston to infiltrate a rebel faction that are trying to stop Texas becoming part of the U.S. His friend, Johnny Eras (Nero) comes to assist him with his mission.There's the usual womanising in the cat-house that helps beef up both the lead's manliness and the male viewing numbers is there as is blowing things up.Though the film is also known as the bland 'Los Amigos', it's often and usually goes by this far more intriguing one. I saw it on TCM (Turner Classic Movies). It says on the Radio Times website that it was in Italian, but it was not, though in hindsight I'm sure it was dubbed - and Quinn, who is multi-lingual, doesn't speak, of course. The ending and its music is quite a strange enigma, mind you.If you're after a good, standard, straight western, I'd dither at recommending it, but if you do like your spaghetti westerns, with some sauce, then go for it.

vandino1 Whenever you have a lively Franco Nero (or his clone Terence Hill) in a western you've got one thing in your favor already. But that's the only thing in this film's favor. Otherwise you have the flat dubbing, tinny and wretched music scoring, and predictably imbecilic action scenes typical of these spaghetti westerns. First of all, Anthony Quinn plays a deaf mute, a casting decision on the far side of stupidity (although obvious that his name would lend box office value). An actor of such ebullience and renown for his growling/shouting presence is reduced to pantomime. It takes you right out of the film in every scene because you keep expecting that famous voice to come bursting out any moment. And then there is co-star Tiffin who plays a likable character but her voice is mostly shrill. Better if SHE had been the mute. And the rest of the cast is the usual standard issue Italians-on-the-range from central casting in Rome. The script is also standard issue (with the exception of the deaf-mute angle) so we get parts of 'Duck You Sucker/A Fistful of Dynamite' and a Gatling gun finale ala 'The Wild Bunch.' The finale is especially bad since a platoon of gunslingers blast away at Gatling gun-wielding Quinn with no discernible effect, as if the act of using such a gun makes you impervious to all lead fired in your direction. Then there is the hideous music score that features two absurdly dated songs: one during the opening credits that sounds like a TV commercial jingle for hair spray, and a second one in the middle so derivative of Burt Bacharach that it's lawsuit-worthy. Needless to say, it's a tortured viewing experience to watch a western set in Texas in 1836 that is almost completely cast with Italians and features soft pop tunes from 1972. And how can you think of this film at all without scratching your head at the incredibly bizarre freeze-frame at the very end? What in blazes were the director/writer/powers-that-be thinking with that shot of Nero screaming in what should have been a sweet-to-bittersweet final moment? All it needed was horror music. Yeesh!

marc-366 Set in 1830's Texas, Erastus 'Deaf' Smith (Anthony Quinn) is an ageing but trusted spy for the president, despite the obvious handicap of being a deaf mute. His friend and companion is the sexually charged Spaniard Johnny Ears (Franco Nero), seemingly on a constant mission to obtain another notch on his bed post (or should I say, someone elses!). In fact, unlike your usual Spaghetti Western hero, he is probably more likely to be found in bed than in a bar brawl or gunfight.The two have been sent by the president to halt the uprising down south, where a rebel by the name of Morton is rallying a rebellion to create independence and domination, with the help of German backing.The whole emphasis of the story is the great bond between Nero and Quinn, which is quite enjoyable throughout. Comically, Johnny Ears is constantly throwing stones at the laid back Smith in order to get his attention. Ears' relationship with the luscious local whore Susie (Pamela Tiffin) is also a fine display of character play, as their interplay changes from flirtation to sexual tension, and from lust to love. Hell, by the end, Ears seems willing to quit his womanising ways and settle down with the blonde beauty.There are entertaining one-liners throughout (all obviously left to Nero, who is in fine comic form). As for Quinn, the whole idea that a deaf gunhand can survive and be held in such esteem is entertaining in itself (as he walks away completely unaware of the explosions metres behind him, and sneaks up on opponents oblivious to the fact that the bells on a whores garter - given to him whilst he awaited the return of the promiscuous Ears from the local brothel - are jangling together).Aside from these highlights, the film is fairly average fare. At times Smith's inability to communicate can be as frustrating to the viewer as it must be to Smith himself. The Director does however highlight this disability to some effect, with silence at any time when the story is shown from Smith's eyes. Too much weight is also placed on the final action-packed climax, which goes on for an age with a maximum explosion count (although it does contain a priceless moment when Ears is unable to operate the enemies' machine gun - a skill mastered to great effect by Nero's Django).In summary, this is an entertaining little film, high on cheese but low on substance. And there are days when that is exactly the sort of "popcorn" movie that you want to watch. If you are in that mood (I was) you will probably enjoy it (I did!). But it is definitely more "watchable" than "recommended".

gridoon I like Franco Nero. I like his voice, his accent, his acting style, his acrobatics. Any movie starring Franco Nero already has one thing going for it in my book. Saying that Nero is the ONLY thing going for "Deaf Smith And Johnny Ears" would be somewhat inaccurate - there is also a good score, Pamela Tiffin's spunk (at one point, she puts Nero in a reverse headlock!), and some interesting directorial touches (as when Cavara films some scenes from the deaf man's point-of-view, with no sound). But if this is supposed to be a comedy, it's much too violent (beginning with the massacre of an entire family), and if it's serious, then the plot is confused and uninteresting. Anthony Quinn is a bore...and what's up with that ending? (**)