Cosmo Jones, Crime Smasher

1943 "Radio's crack-brain criminologist stands headquarters on its head in his first raid on screen gangsters!"
4.9| 1h2m| NA| en| More Info
Released: 29 January 1943 Released
Producted By: Monogram Pictures
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Budget: 0
Revenue: 0
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Info

Cosmo Jones, a correspondence-school detective from a small town, comes to the big city to offer his services to the police. He happens by where a gangster is killed by an opposing gang. Socialite Phyllis Blake is running around with gang member Tom and the opposing gang plan on kidnapping her. Cosmo is with Sergeant Flanagan when the attempt is made in front of a night club, where a bystander is seriously wounded in the gun-battle. Police Chief Murphy blames Flanagan for the shooting and demotes him. Cosmo, with the aid of a porter, Eustace and Flanagan's fiancée, Susan, tries to find the killer. Phyllis is finally kidnapped and Cosmo decides the act was committed by one of the two gangs. He has her father place an ad in the newspaper that contact has been made with the kidnappers. Each gang thinks the other is pulling a double cross, and one gang wipes out the other.

Genre

Drama, Crime, Mystery

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Director

James Tinling

Production Companies

Monogram Pictures

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Cosmo Jones, Crime Smasher Audience Reviews

Borgarkeri A bit overrated, but still an amazing film
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Portia Hilton Blistering performances.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
MartinHafer In the 1940s, Monogram made a ton of cheap detective films. They not only took over the Charlie Chan series from Twentieth Century- Fox, but made many, many series and standalone private detective films. They were all quickly made and were also a tad cheesy--but most of them were also fun B-movies that are enjoyable if you are willing to cut them some slack. After all, they weren't meant to be anything more than escapist entertainment.Among the most obscure and least interesting of the Monogram detective films that I've seen is "Cosmo Jones, Private Detective". Now it isn't terrible--and fans of the genre will probably enjoy it well enough. But it also has many shortcomings--the biggest of which is the leading man, Frank Graham ('Cosmo') has less charisma than a moldy orange. It also lacks the laughs you find in many of them. Even with Edgar Kennedy and Mantan Moreland on hand as comic relief it never seemed funny, just forced.The story begins with Cosmo introducing himself to the police and announcing he's a detective...because he took a correspondence course on the subject! Not surprisingly they tell him to get lost! But when an heiress is almost kidnapped yet she refuses to tell the truth about this*, Cosmo looks into the case and finds evidence that she WAS nearly killed in this attempt. Eventually, she really is kidnapped so it's up to our super-dorky hero to solve the crime. After all, we ALL know in these films that the cops are total incompetents!!*Why this woman refused to tell the police never really made a lot of sense.
mark.waltz This is below par crime drama focusing on a kidnapped socialite who was involved with criminals and an amateur detective's attempts to solve this crime while visiting the big city from the sticks. It's all pretty mild stuff with comic moments from Mantan Moreland as a malapropism filled janitor that the titled character (Frank Graham), especially when they encounter bumbling cop Edgar Kennedy. In fact, when it was all over, I pretty much had forgotten what I had just witnessed with the exception of Mantan's performance (especially every time he encounters a dead body). Moreland is one of those black character actors who can be amusing if you can get past the stereotypical dialog he was forced to say, but it takes a genius of an actor to make you laugh in spite of the current political atmosphere concerning the type of roles talented black actors were forced to take on. In all fairness, the gangsters are presented equally as stupid, and they all happen to be Caucasian. Overall, this isn't any different or any better or worse than the hundreds of low budget crime capers made during the late 1930's and 1940's, only that the presentation is very mediocre and other than a few minor moments of amusement, the result is a weak Z grade feature that doesn't hold up as well as others.
Leslie Howard Adams "Cosmo Jones" was a country-bumpkin type radio character detective created by writer Walter Gereing in 1941, that featured long-time CBS radio announcer Frank Graham in the title role. The character was originally introduced on a CBS series called "Nightcap Yarns", except in the eastern states of the U.S. where it was known as "Armchair Adventures."CBS broadcast it as a network show in eleven western states, but not in the rest of the country. There, it was a 15-minute transcription show offered to radio stations on a sustaining basis for only the cost of the transcription records...until it could be sold to local sponsors. One of the reasons it may not have lasted very long was because some of the local stations may not have bothered to tell the producers of the program when they picked up a sponsor. It was offered as either a twice-weekly or three times weekly program, which meant some stations ran through the series 33% faster than others.Frank Graham was the announcer in 1943 on the CBS program "Tommy Riggs and Betty Lou", which featured in regular roles well-known radio (and film) names such as Ken Christy, Verna Felton, Mel Blanc, Elvia Allman and Bea Benaderet.In 1949, when Jack Webb left the CBS radio program "Jeff Reagan, Investigator" to play "Sergeant Joe Friday" on a new program called "Dragnet", he was replaced in the title role by Frank Graham. Webb had a little more success with "Dragnet" than Graham did with "Jeff Reagan, Investigator."It didn't matter what the character of "Cosmo Jones" looked like on radio---television without pictures---but in this movie he was costumed nearly exactly as Bob Burns was in Universal's "Alias the Deacon", and his character makeup had him looking a little like "Abner Peabody" on the "Lum and Abner" program.
Mike-764 Two rival gangs start to declare war on each other, and an innocent bystander in the mix, Professor Cosmo Jones (a correspondence detective school graduate),decides to help the police stop the melee, much to the disappointment of the police captain. When a patrolman friend of Cosmo is investigated in a gang shooting and later kidnap of a key witness, Cosmo, friend Sgt. Flanagan, and Cosmo's partner Eustace unfold a plan to have the gang members wipe each other out. This one could have been somewhat better, but the plot outline for the movie probably didn't make for a long picture so a synopsis of the two gangs encounters with each other make for a 12-15 minute story where it would be at most a 90 second montage in a Warner Brothers movie of the same genre. Graham as Cosmo makes for an interesting character though, even I don't recognize what OTR program he ever appeared on. Kennedy & Moreland as usual make for good comic relief, but Cromwell's character seems to lifeless and usually halts the pace of the film in the scenes set around him. OK film for Monogram though. Rating- 4.