Hellen I like the storyline of this show,it attract me so much

Solidrariol Am I Missing Something?

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

somekindofberry My favourite thing about this movie is that despite the control tower guys insisting it is night for the entirety of this movie, we have entire scenes in daylight, followed by a quick flick to total darkness, and back to daytime ... then the control tower with the blinds drawn (and sunlight trying to break through!) because it's nighttime, yo! Daylight! Nighttime! Daylight! No really, is IS nighttime! Yes, they didn't employ anyone to do continuity.I also enjoyed the 'every character gets their own moment' moments. The best one is the redneck racist, who goes below into the cargo hold and freezes. "It's so dark!" he stage whispers, with a light shining in his face. No one appears to listen, so he says it again. Crazed dog-trainer woman, crawling around the floor near a wall light says, 'So it's dark, what's the big deal?' Evidently, all this light is just for the audience, not the characters, because we then focus on his face, his traumatised, blank/stupid face as he begins his story ... his childhood abuse story, (which was probably the MOST RELATABLE PART of the whole movie). Crazed dog-trainer woman listens to him for like, ten seconds max, then pushes past him like 'Whatever, dude! I gotta find my dog.' Unbelievably selfish and totally negating his childhood trauma. I also enjoyed the Grandma Polly scene ... an old-fashioned kettle is on the gas hob. Grandma falls off a ladder and hits her head ... the lit gas goes out (HOW?) but the gas stays on (screw you, physics) but oh no! A candle is lit! Got to say, this was super fun, ideal to be used in a drinking game for foolish lines, continuity errors and plain head-desk moments. I am not to be blamed for the alcoholism that might result from such a game though!

Leofwine_draca COLLISION COURSE is another cookie cutter disaster/thriller movie from Fred Olen Ray. I noticed that Jason Bourque, the man responsible for directing such movies as ASTEROID: FINAL IMPACT and DOOMSDAY PROPHECY, helped to write the script. Unsurprisingly, this is the sort of film shown on the SyFy Channel, a safe, bland, and extremely derivative type of movie that copies pretty much every plane thriller in existence.The story is about solar flares and the havoc they're wreaking here on Earth. Some people are trapped on an out-of-control passenger plane when the pilot is killed by a flare and the co-pilot is knocked out cold. The only person with the power to save the passengers and crew is a writer who knows a thing or two about flying planes.It's amazing that a film with a potentially exciting premise like COLLISION COURSE can be so dull. Fred Olen Ray is up to his old tricks here, incorporating stock footage of expensive stuff (i.e. explosions) from other movies and generally fumbling the non-existent suspense. An ageing Tia Carrera is the best actor they can come up with and her acting is very poor.

Laakbaar This is apparently an American TV movie in that it was produced for SyFy. I don't know enough about movie-making to understand why TV movies have a such a different feel than other movies. The writing? The acting? In any case, this movie certainly felt like a TV movie. (Yes, I watched it on TV. I've been too busy to go out.)For the first hour, I was also absolutely convinced that this had to be a Canadian TV movie, my initial impression being confirmed by the earnest hoser approach of the flight attendant, the redneck's weeping, and the "racism sucks" bit. But, nope, it was apparently not a Canadian movie.The problem is the inept writing, I guess. The airplane-movie clichés are rolled out, one after the other. The dialogue had us squirming. Why do some movie makers feel that people will bare their souls when disaster strikes? Some of the dialogue was just wrong. Why would the flight attendant who was putting in extra hours to provide for his family continue to put in extra hours after his family fell apart? After a while, we became morbidly curious to see what they would bring out next. I can only assume the director had to produce a script overnight.The over-the-top acting was appropriate for the context, I suppose. You wouldn't call it real acting, but then I don't think this would have been possible in the circumstances. I suppose they were going for cult status from the beginning. Was this a deliberate attempt at schlock?Although to be fair, there were a few mildly amusing and interesting bits, here and there. Everyone likes airplane movies, but this one wasn't realistic enough. Many of us have flown enough to experience what passengers will do in serious turbulence. (For one thing, some of the girls and women will start screaming like sirens. Ladies, it doesn't help.) There have also been some shockingly realistic plane crash scenes in the movies lately. The last ten years have seen CGI explode in its sophistication. I'm afraid we're a different audience than the ones who were gobbling this kind of thing up in 1975.How is this even science fiction? It annoys me that there is so much great science fiction out there, but so little of it gets shown on SyFy. Why aren't they showing Battlestar Galactica? Or any of the Star Trek series? Many of the movies and shows that I think of as being brilliant science fiction are not being shown. How can they even call themselves a sci fi station? They're not, right?

Sean Lynch I gave "Collision Course" a two because it's awful good seeing such a bad movie every once in a while. But this movie wasn't quite bad enough to earn a cult following mainly because of the lead role played by the dog.Besides another SyFy "original", what do you get when melodrama, cliché dialog, poor direction, bad science and poor acting collide? Collision Course movie disaster apocalypse...the only thing missing is turning the pilot into a zombie which I substituted in my wandering imagination for the evil dog Bootsie...that turned out to be a good doggie after all. Professional acting on the part of Bootsie was refreshing but his German accent needs some work. Even Asylum's Sharknado was destined to miss the cult mark as some of the acting was too good, and although Sharknado science was bad enough to earn a shock and awe score Asylum is still having trouble hitting the cult mark.Somehow the Collision Course writers missed the low standard mark in writing worst Airplane disaster disaster ever, which is still held by "Starflight: The Plane that Couldn't Land (1983)" which starred Lee Majors. Perhaps the writers of Collision Course shamelessly turned to Mel Brooks for inspiration, afraid of direct ties to other air disaster disaster movies staring John Wayne and Charlton Heston. I must admit the natural and instinctual reaction to take charge and discuss personal histories with strangers when the autopilot fails is well developed. Although the protagonist was married to a pilot at one time is convenient, I think she would have better flying credentials had she stayed at a Holiday Inn.Although ScyFy may yet someday achieve the apparent goal of productions that merit true cult status for being awful, they need to study Troll:II. "Collision Course" only earns an "of course" in the predictable bad science "deus ex machina" department. Still you may be able to scratch your head and smile at the bravado of writers who sell for mass consumption to a market that actually believes in ghosts, ancient aliens and UFO's. I won't spoil the end which will come as a real surprise, although I would have ended the drama at the first mid-air collision and simply rolled credits, leaving room for a Part Deux.There is hope for this movie. No future species that decodes the remnants of this movie on a Venus like planet will wonder why our species became extinct. Therefore this title rates as candidate for sharing on a "Bad Movie" or "Disaster Disaster" movie night with some friends or a cat who can fill in the awkward dialog.