Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

Humbersi The first must-see film of the year.

Cassandra Story: It's very simple but honestly that is fine.

blanche-2 Cinema's Exiles: From Hitler to Hollywood is a 2009 documentary about the wave of Germans and Austrians who came to America during the time of Hitler and attempted to establish new lives and careers here: Billy Wilder, Fritz Lang, Henry Koster, Robert and Curt Siodmak, Joe May, Frederick Hollander, S.Z. Sakall, Peter Lorre, Paul Henried, Ernst Lubitsch, Fred Zinnemann, Conrad Veit, and hundreds of others.The documentary talks about the work of Paul and Lupita Kohner, Marlene Dietrich and several others who helped people leave by sending money, sneaking money (Lupita wrapped it in her knitting), giving them a place to stay, and writing sponsorship letters. A special fund that was set up where those who were working contributed so that those who were not could survive. Kohner, in the meantime, went to the studios and begged them to hire the immigrants.Erich Korngold was asked to orchestrate Robin Hood and refused; he returned to Germany, realized what was going on, and returned, Robin Hood looking very good to him. It was said, "What Warners couldn't do, Hitler did."It's a fascinating story of how some people could adjust and others could not; some were successful and some weren't. Some returned to Germany after the war; some returned and went back to Hollywood, as Peter Lorre did.Some of these people, like S.Z. Sakall, had been huge stars in Germany; Fritz Lang made some wonderful films in Hollywood but never topped Metropolis. Joe May was relegated to horror films after being at the top of his field in Germany.Karen Thomas has written a fascinating documentary about this group of people banding together and being helped by new Hollywood friends to assimilate. They gave the American film industry the gift of film noir and some of the techniques they brought with them, and made a big contribution -- something none of them could have dreamed of when they landed here with very little.Really wonderful and a must for film buffs.

Michael_Elliott Cinema's Exiles: From Hitler to Hollywood (2009) *** 1/2 (out of 4)Sigorney Weaver narrates this well-made documentary that takes a look at the impact Hitler and his Nazi party had on the talented group of filmmakers who soon fled Germany and headed to the United States.If you're a film but then you're certainly going to love this documentary as it starts off talking about various German films and the impact they had on their country and others. We then hear about the rise of the Nazi party and how the money dried up in Germany, which had filmmakers like Fritz Lang, Marlene Dietrich, Peter Lorre, Ernst Lubitsch, Billy Wilder and others heading to America. Once in America we see how the talent got along in the Hollywood system and what they did once World War II started.There's a lot of great footage to countless movies but there are also some great archival interviews from the filmmakers themselves. There's a lot of great information here as well as some great footage of the celebrities working benefits during WW2.

MartinHafer This program was first broadcast on PBS and was shown tonight for the first time on Turner Classic Movies. It's a film about the exodus of German filmmakers and stars as a result of Nazi persecution and their subsequent careers and experiences abroad...particularly in Hollywood. It begins by discussing how powerful and successful the German film company, UFA, was and the various stars who were to become equally famous in America. Then it talks about the experiences many of these folks and other European nationals living in Nazi occupied Europe had in films--some very positive, some not so. In general I really liked the program and thought it nearly perfect. However, a few times the program SAID things which were interesting theories but were presented as established facts...and that bothered me. The film "The Wolf Man" (1941) was, according to this documentary, "an allegory for Hitler and Germany"...and I, stupidly, thought it was about a guy who got bitten by a werewolf and who then became a werewolf! One of the folks interviewed also said that the monster films made during this era "weren't very good"...well, that also smacks of opinion...and one I strongly disagree with because I think they are wonderful films. So, take a bit of what they say in this one...and just enjoy which they get right which is most everything.

BNonchalant The story of the leading talents of the German film industry of the 1920s has been told before. How the writers, composers,directors, actors, producers and cinematographers, (many, if not most, of whom were Jewish) were forced to leave by the rise of Hitler and how their arrival in Hollywood introduced new styles and new ideas to the world's largest movie factories is a part of every American cinema history book.This documentary is different. It covers the participants' individual stories in greater depth. While some exiles achieved fame (Marlene Dietrich, Erich Wolfgang Korngold, Billy Wilder, Franz Waxman) others, such as Joe May and Erich Pommer were less adaptable and thus left their best efforts behind them."Cinema's Exiles" is a visual feast. The film clips are first rate and the home movies are remarkable. There are stills and excerpts and interviews that I had never seen before. The roll call of émigrés from the film "Casablanca" was especially revealing.