Dorathen Better Late Then Never

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

coreguy Sex, money, desire, crime…all these “necessary” elements combine using an old plot: story of a freaky photographer and a sexy girl. He takes her as his model and sex companion while she takes him as her tool for getting money.The process is also plain and stereotype: They get acquainted. The girl tells a lie. The man trusts her and don’t know he is already trapped. Then the climax: They mistakenly kill someone,who is just the girl wanna murder in her plan. Her scheme makes the man really involve in the affair because of the photos he takes on the spot of case, and the tracks he leaves. Under the investigation, his character of indecisive and maybe some love for that girl keep him from telling all clues out. So, he bogs deeper and deeper…at last, his life is ruined. um.hum,nothing particular, isn’t it? Many crime flicks about “Photograph” act like this.Bad side is over, now turn to the good side. Firstly, The leading cast is a highlight. Nikki Reed and Julie Gonzalo especially. Shay Bettencourt’s wildness and sexiness, and Desiree Thomas’s lawyer-like appearance are impressive. Worthy to mention, Some dialogs are interesting, like the discussion between Wade Chandling and Jordan Wells about the lawyer.Secondly, I probably realize that the director may wanna show something under the plain story: a topic about scripted life designed by the family and an own life made by oneself. At the end of the flick, the main role loses his scripted life and have to escape but maybe it’s actually a good ending for him since he is not suitable for a lawyer career? Deep thought may survives this movie.

KALE808 Not bad at all, but not quite as good as I was expecting from the comments here. Jonathan Tucker does his best Toby Maguire in this story about a privileged young photographer who gets mixed up with a girl from the wrong side of the tracks.As I watched this movie I tried to figure out what separates it from The Crush with Alicia Silverstone or Devil in the Flesh with Rose McGowan. While not directly analogous, those movies have the same type of noir lite feeling to them. But the difference is, aside from the fact that this movie really strives for believability and has decent writing, that those movies had lead actresses that really crackled on screen. I mean, you knew you were going to be seeing more of Alicia Silverstone after The Crush, or at least you should be.Not so with Nikki Reed. She does a nice enough job and there's a restrained quality to her performance--to this whole movie really--that works well. (Too often this type of movie veers toward gushy melodrama and Cherry Crush manages to rein that in.) But again, Ms. Reed is not a show stopper. In fact, I found myself more interested in Julie Gonzalo on screen, even though she's got the boring, goody two shoes role.What's worse is that there's no real chemistry between Reed and Tucker.With that said, this movie has some nice touches. The high school seems especially real. The idea of being privileged is handled with respect, not given a superficial treatment. The second half of the movie becomes more involving than you expect and the ending is believable.Overall, I liked it. But I wouldn't be surprised if I see it in the video store soon. It's better than some USA movie, but it's not quite ready for movie theaters either.

Krnm People were talking about Cherry Crush at our party Saturday night. Later, four of us (from 31 to 55) went to see it together - and we were stunned! Cherry Crush is a tight, tense thriller in the true Hitchock tradition! At a grab-you pace it is both unpredictable and logical in plot and in characterization. The casting fits the actors like a glove, and the acting is superior - from the sympathetic, real characters - like the "Tobey Mcguireish" Jonathan Tucker - - - to the unsympathetic, real characters - like Michael O'Keefe's! - - - Who along with Nikki Reed, playing the unpredictable female lead, keep you spinning. The directing and camera work is superb, beautiful, artistic - and check-out the title sequence! The editing is sharp and crisp, the settings are beautiful. The minimal use of foul language is actually appropriate, necessary and believable. There is no gore. Go see Cherry Crush in the theaters on the "large screen" first - to be totally enveloped in it before it's too late!

gnk3126 We saw the movie at the premier weekend showing in Rochester, N.Y. Theatre was sold out the night we went. Audience was captivated and slow exiting after credits. Film was very entertaining with a couple surprising twists that we were still talking about the next day. Very thought provoking.Michael OKeefe and Julie Gonzalo had memorable performances. Jonathan Tucker gave a strong performance in his role. Nicki Reed transitions skillfully into the sexy and seductive Shay Bettencourt.Heard it was being held over and we are considering taking it in again. Very nice job from Post Central on their first at bat!