BroadcastChic
Excellent, a Must See
SeeQuant
Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
filippaberry84
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Usamah Harvey
The film's masterful storytelling did its job. The message was clear. No need to overdo.
xxxtwalker
I love road trip movies, mismatched pairs, and irrepressible young women. this movie has them all plus the old pro, Richard Dreyfuss, perfect as the loner-curmudgeon. Hard to see how any man could resist the looks and charm of his female co-star, also. The movie does not attempt to have Big Meaning, but should be enjoyed on its own terms. Also, some nice scenery on the journey. The story is well-paced with no overly long scenes. it will not appeal to those of the hard-boiled, real life school, although it does have a good measure of that. But it is mixed with the whimsy. You can see the relationship between the two actors develop throughout the trip and that is the heart of the story.
HugsterLindstedt
(Minor spoilers!)Expecting an average comedy this ended up sky-high above my expectations.Starting up very lightly and making you crack a few smiles and laugh along the first third of the movie you wouldn't expect to be shedding tears by the end. Richard Dreyfuss and Tatiana Maslany are just as good as you would expect them to be, creating perfect chemistry between two characters that are complete opposites.Clever writing, great acting and a neat soundtrack to go with it coupled with great scenery makes this a MUST WATCH, don't miss this movie
David Ferguson
Greetings again from the darkness. Jason Priestley is well known for his acting career, and his first feature film as a director combines two of the more familiar movie paths – the odd couple and the road trip. Writer Jessie Gabe jolts the screenplay with enough comedy and poignancy that we overlook the air of familiarity and instead concentrate on the mismatched titular characters. Ms. Gabe also makes a memorable on screen appearance as a snippy receptionist.Richard Dreyfuss plays Dr. Cas Pepper
yep, he is Dr. Pepper (I suspect that's why he goes by Cas). Thanks to the narration and early scenes, we quickly learn Cas is a widower, a 30 year doctor, and recently discovered to be terminally ill. Cas has perfectly worked out a plan to "head west" and go out on his own terms
if only he wasn't experiencing writer's block on his suicide note.Worlds collide as Cas agrees to give Dylan Morgan (Tatiana Maslany, "Orphan Black") a ride to her boyfriend's trailer. Cas wrongly assumes that the energetic and fast-talking Dylan was visiting a relative at the hospital, and soon learns that she was experiencing "suffering vicariously through patients". See, Dylan fancies herself a writer and has developed a new genre, Action Romanture, which she is convinced will secure a publishing deal and rescue her from a world that doesn't appreciate her in the least.An unexpected turn leaves Cas and Dylan on the road together, and quibbling like an old (and odd) couple. Nothing that follows is especially ground-breaking, and in fact, is mostly quite familiar; yet the two leads somehow captivate us with their banter and the understanding that this is leading right where we know it must lead.Director Priestley wisely utilizes the stunning landscapes of western Canada, and allows the two actors to go at each other in a way that two different generations must – all the while building a friendship that we see long before they do. There are some interesting and effective song choices, but it's Ms. Maslany's spunk and depth as Dylan that allows the interactions to click. The legacy note may be the goal here, but the lesson is that no one should be alone
no matter if they be a 22 year old social misfit, or a sixty-something doctor near the end of life.
Amari-Sali
With Orphan Black being one of my favorite shows, naturally I would want to see Tatiana Maslany be in something else between the seasons. And while she does guest star on other shows, unfortunately those are shows I'm just not into. So finding out she is in a movie is quite a treat. Though I can't say the movie itself is one.Characters & StoryDylan (Tatiana Maslany) is an eccentric girl who is very outgoing and has dreams of becoming a professional writer. Dr. Cas Pepper (Richard Dreyfuss) is a widow, very straight laced and plain, and just wants to spend the rest of his life in some peace. So, how do these two meet? Well, in Dylan's pursuit of understanding suffering, she decides to observe the patients at the hospital where Dr. Pepper works at. Then, with her seeing him intently writing something, thinking he is a fellow writer, she decides to force her way into his life, without an invitation, and as many times as he tries pushing her out, or outright abandoning her, something keeps bringing these two opposites together. Leading to, eventually, Dr. Pepper giving up on trying to live the rest of his life in peace, and just learning to deal with, accept, and eventually come to love this odd young lady who has somehow found a place within his heart.PraiseWhen the film has perhaps 20 to 30 minutes left and the manic personality of Dylan and depressive personality of Cas start to get balanced out, the movie becomes slightly OK. For with them both revealing what the near future holds for them, you begin to actually get a sense that the characters are finally getting developed. We see Dylan's fears for her future and the lack of hope Cas has in his, and after their friendship and interactions stop seeming so forced, you finally get some sense that these two could actually intermingle without Cas trying to abandon Dylan the first chance he gets.CriticismBut until that point in the movie where both characters seem to become human, Dylan presents herself as a highly annoying character and Cas' personality is seemingly made to compensate her nature by coming off as boring as possible. Now, as for how annoying Dylan is? Well, with her being a 20 something year old who lounges around a hospital to try to vicariously suffer; someone who never shuts up, or says anything intriguing; and also pretty much forces her way into Cas' life, but seems ready to abandon it when she realizes what he can't give her is fun and games anymore, it makes the majority of the time we spend with Dylan to be a test of patience. Though what makes things worse is that you don't really get any real sort of back story when it comes to Dylan to even really understand her.A problem Cas also has for his back story also is ignored. But it is a bigger tragedy for Cas' character since we are introduced to his former wife and with him being a doctor it really seems like he could have been given some depth. As opposed to what the film decides to waste time on which is us thinking Cas may have accidentally murdered Dylan's boyfriend. Much less the constant back and forth of Cas not wanting Dylan around him and then him allowing her to return with him seemingly regretting the decision as soon as it is made.Overall: Skip ItThough the last half hour or so of the film was far better than what preceded it, unfortunately it isn't a complete 180 degree turn which makes the film worth watching. If anything: the climax of the film leads to a rushed development of the characters, which feels sort of shallow. For after us seeing Cas push away Dylan constantly, him suddenly feeling for the girl, and acting like a father figure because she faced disappointment just seemed a bit weird. If just because they waited so long to turn him into such a figure that it felt a little too little too late. Hence the "Skip It" label for the film tries to do a last minute save, but it is so below average throughout that to recommend this for anything besides background noise for a nap would mean I was getting paid to write this.