Grimossfer Clever and entertaining enough to recommend even to members of the 1%

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

wondernat Sociopolitical context: This movie is perfect if you want to understand why the PCC (Primeiro Commando da Capital) was founded after the Carandiru Massacre of '92. The PCC is a state recognized terrorist group which coordinates massive and simultaneous prison riots throughout the state of Sao Paulo. About 2-3 years ago, it staged a major riot that took to the streets of Sao Paulo and couldn't be quelled for days.Moreover, many people have considered this movie to be biased. In a sense, that is very true because it is told by the doctor who treated the inmates and thus forged friendships with the criminals. Moreover, the military police officers who raided the prison have never come forward to give their accounts of the events.This movie is set in the late 80s, at the outbreak of the AIDS pandemic and culminates with the infamous massacre. The movie surveys the lives of several inmates, in the style of "mockumentary." This is used primarily to humanize the criminals and to give them a voice, as well as a sense of humanity. Regardless of what society thinks of criminals (or "marginais"), this film made sure that every inmate had a name, a story and a sense of honor. (However warped we think they may be.) Many will call this part slow because it is: it's not designed to progress the plot, it's merely there to make you feel the humanity of these prisoners. In my opinion, although slow, it was still fun to watch. Classic moment: showdown of Majestade's "honeys." The effect of the "slow" hours of the movie finally deliver a very traumatic and powerful result: when the military police stormed the prison towards the end, it is trying not to feel genuine shock and horror. I was seriously disturbed; although quelled, the MP invaded the prison anyway and opened fire at inmates that had massively surrendered their weapons. The blood pool and collection of holed-up corpses along the corridors sent shivers up my spine. 111 inmates murdered by the MP without weapons. Based on Dr. Drauzio Varella's accounts, there was no legally justifiable or excusable reason for opening fire upon 111 inmates. The humiliation that followed was likewise painful to watch.I enjoyed this movie because it poised many questions: which punishment should fit which crime? Is humiliation and slaughter appropriate only when you wear a badge? Who is the bigger criminal? Brazil - for all its faults - is still my home and I love my country. I was taught to believe that crime is commonplace and part of living in such a beautiful and warm land. However, as a law-abiding citizen, how much brutality do I tolerate in my name? And on a side note, a mundane curiosity overcame me: how come they get to walk around freely around the prison? How is it that Lady Di has a very cute and well-decorated room? How and why do they get hot plates, TVs & radio? If this is true, it really does crack me up and stirs a myriad of emotions in me towards the Brazilian justice system!Lastly, if you're not about any of the political stuff, at least watch it for Rodrigo Santoro's performance. He is AWESOME in drag!

Bohemia Brazil is a country of contrasts, and this movie show that perfectly. The same person that can kill somebody without thinking it twice can be nice and gentle at very the next moment. Been in Brazil has this feeling, you may expect violence and danger, but you may get 99% of the time generosity and happiness. An, well, when you put 8000 man in the space of 4000, and they manage to create a micro-universe with there own rules, that works better than the world outside, it just can be in Brazil. Plenty of humor, humanity and honestly, this movie is superior to City Of God, just because it has a positive, optimist message regarding that'111 or so prisoners died in the 1990s' as Alexdffy point out above, showing a lot of respect for human life. Wightly recommended for open minds, that can see the person beyond the criminal...and not criminal to.

Æthelred Héctor Babenco is a great director, but I grew bored with Carandiru. It's overlong (2 hours 20 minutes; should have been 50 minutes shorter). And it's largely a parade of prison-movie clichés. You have the tough but fair prison director, Senhor Pires; prisoners divided into saints and scoundrels (the latter, naturally, meet all sorts of gory fates); the inevitable riot; the murderous response of the riot squad, etc. And it's told through the eyes of a doctor whose character lacks depth, and whose connection to the plot is tangential. Save it for free viewing on the Independent Film Channel. If you want to see better gritty, downbeat Brazilian films, I recommend Ônibus 174 (Bus 174) or Central do Brasil (Central Station) instead.

George Parker "Carandiru" is a prison flick which takes the audience behind the walls and into the halls of an over crowded, dilapidated detention facility in Sao Paulo, Brazil. Unlike the typical Hollyweird version of prison life, you'll see a panoply of unusually happy and gregarious inmates who seem to have the run of their pavilion living in sweaty cells with open doors, many of the comforts of home including surf boards, TVs, plenty of drugs, civilian clothing, etc. all seemingly coping well with prison life until the end when a riot erupts. Part of this long 2.5 hour flick centers on a physician and wanders via flashbacks into the lives of some key inmate characters showing us how they managed to end up in the joint. The balance is a tedious tale of the ups and downs of inmate life from a program to stop the spread of AIDS to a gay marriage to a stabbing to lots of small talk to the final riot, etc. Well cast and adequately shot with the real deal for the prison location, this colorful flick has it's upside. On the downside, however, budget constraints were evident in poor effects, emotional investment is difficult at best, and what story there is seems trite and lacking focus. I found myself completely bored with it at the 2 hour mark. Recommended only for those interested in prison life south of the border who don't mind subtitles. (C+)