Greenes Please don't spend money on this.

ReaderKenka Let's be realistic.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

nmlal68 There is nothing worse than a presumptuous movie that tries to be what it is not, in this case something smart, profound, intense and thrilling. This movie is exactly the opposite.Roth, an actor I truly like, seems to go along with the sleepy mood and not even when he kicks the bad guys on the balls he seems to wake up. Ormond drags herself along the screen with an expression on her face as if she had been born preoccupied.I seldom saw a so bad editing, precipitated and hurriedly. The plot line stays horizontal throughout the entire film and you are carried from mood to mood without any reasonable connection. For half a hour nothing happens and suddenly they are on a bathroom floor making intense love (very pathetic) like Rourke and Basinger in Nine 1/2 Weeks. 15 minutes later the relationship is assaulted by doubt and drama. If this was not enough, in the last third of the movie they inject under pressure some parallel story inside the prison that undermines and overshadows the already undermined relationship between Roth and Ormond, which focus on nothing really and ends with some pathetic shooting scene at the end.C'mon, give me David Cronenberg and his smooth story telling, where suspense and mood reach the climax so slowly and so perfectly. Perhaps in his hands, this move could have lived to be something decent.Well, a very very bad movie. To be avoided at all costs, unless of course, you need desperately to get some sleep.

Autumn Martin I, myself, thought the movie was incredible. A prisoner falling in love with his dentist would probably be a turn off to people who haven't seen it, but it was surprisingly exceptional. Especially the sex scene in the bathroom. I've always had a little something for Tim Roth, but now it's grown. It was a very passionate and intense part of the movie and I really enjoyed it and I think you will too. If anything, it was the best movie I've ever seen. Big Tim Roth fan or not it is a must see and always will be, so suck it up Johnny Depp (if that is how you spell his name) and sit back and watch the show. Some popcorn wouldn't hurt though.

LouE15 I saw this film when it came out on British TV in the 1990s and it's remained embedded in my memory ever since. All young Hollywood directors should be contractually obliged to see "Captives" to see what real on-screen chemistry is like: the heat and intensity generated between leads Tim Roth and Julia Ormond just isn't something you see in every modern film, so much so that there were moments when I almost wanted to look away, embarrassed for their intimacy and urgency, shout "get a room!" – ah, but there's the rub – they can't. He's in prison; she's the visiting prison dentist, and they're caught in an impossible position that there's no easy escape from.Others here have described the story well, so I won't cover that ground again. But it's exactly the kind of "little" British film I love to watch: when they're good, you're rewarded with an unusually good cast, a decent script and a neat premise that draws you in and grips you. The slightly unconvincing conclusion doesn't detract from how very enjoyable and stirring this film is."Captives" illustrates why Tim Roth deserved his reputation as an actor; but I'm sorry not to have seen more of Julia Ormond on screen since the 90s. Is it that she's in that twilight zone of female actresses, who suffer from the lack of good parts for women who don't look twenty years younger than their age?

DFL This movie's premise-a prisoner and outsider falling in love- may normally turn many people off. Surprisingly, is well-scripted, wonderfully filmed (some of the best camera shots and angles I've ever seen, and exceptionally well-performed. Julia Ormond, who I normally don't much care for, was wonderful. Tim Roth, as usual, blew me away. It remains one of the few movies I can watch repeatedly.